In Re Renewals of BROADCAST LICENSES FOR ARKANSAS,
LOUISIANA AND MISSISSIPPI, 1973; Part 1 of 2
FEDERAL COMMUNICATIONS COMMISSION
42 F.C.C.2d 3
MAY 31, 1973
JUDGES:
THE COMMISSION BY COMMISSIONERS
BURCH (CHAIRMAN), ROBERT E. LEE, H. REX LEE, REID, WILEY, AND HOOKS, WITH COMMISSIONER JOHNSON DISSENTING AND ISSUING A STATEMENT,
APPROVED STAFF ACTION REVIEWING BROADCAST LICENSES FOR ARKANSAS, LOUISIANA AND
MISSISSIPPI FOR 1973.
DISSENTBY:
JOHNSON
DISSENT:
DISSENTING OPINION OF COMMISSIONER
NICHOLAS JOHNSON
For my entire term I have dissented
to the automatic renewal of licensees guilty of substandard performances in
programming and (more recently) employment. The 1973
Arkansas-Louisiana-Mississippi renewals represent the last group that will
cross my desk during my official tenure as Federal Communications
Commissioner. Therefore, I and my staff and seminar students have prepared
a major report on broadcasting in America, incorporating many of the complaints
and suggestions of my seven years, for this one final renewal dissent.
BROADCASTING IN AMERICA
The Performance of Network
Affiliates
in the Top 50 Markets
July 1973 -- A case study prepared
by FCC Commissioner Nicholas
Johnson and his staff and seminar
students
TABLE OF CONTENTS
|
Page |
Table of
Contents |
4 |
Table of
Tables |
4 |
Credits |
5 |
INTRODUCTION
(and overall programming ranking) |
6 |
Chapter
1. PROGRAMMING PERFORMANCE |
|
I.
Introduction |
14 |
II.
News & Public Affairs |
16 |
III.
Commercialization |
25 |
IV.
Local Programming |
30 |
V.
Confidential Financial Information |
38 |
Chapter
2. EMPLOYMENT |
|
I.
Introduction |
49 |
II.
Analysis of Minority Employment |
52 |
III.
Analysis of Female Employment |
59 |
IV.
Remedies for Claims of Employment Discrimination |
61 |
V.
National Employment Analysis |
64 |
Chapter
3. PATTERNS OF OWNERSHIP |
68 |
Chapter
4. HOW YOU CAN IMPROVE TELEVISION IN YOUR COMMUNITY |
|
I.
What Can You Do? (an Introduction) |
100 |
II.
How Do You Prepare? |
103 |
III.
What Action Can You Take? |
118 |
Appendix
A. Systems Methodology |
123 |
Appendix
B. Citizens' Organizations & Resource Materials |
126 |
Appendix
C. Additional Tables of Information |
128 |
Appendix
D. The Ten Best and Ten Worst Stations |
166 |
Appendix
E. Setting Minimum Levels of Performance |
170 |
Appendix
F. The Top 50 Markets |
171 |
TABLE OF
TABLES |
|
Table
1. Ranking the network affiliates |
|
in the
top 50 markets on their overall |
|
programming
performance |
7 |
Table
2. Overall programming ranking |
|
including
rank in each of the |
|
programming
criteria |
14 |
Table
3. Ranking of performance in |
|
news,
public affairs and "other" |
|
programming |
19 |
Table
4. Ranking of performance in |
|
category
of Public Service announce- |
|
ments |
23 |
Table
5. Ranking of performance in |
|
commercialization
category |
28 |
Table
6. Ranking of performance in local programming |
34 |
Table
7. Ranking based on the percentage |
|
of gross
revenues allocated to |
|
program
expenditures |
44 |
Table
8. Ranking of the total percentage |
|
of
minority employees relative |
|
to the
percentage of minorities in the SMSA |
53 |
Table
9. Ranking of the percentage |
|
of
minorities employed in high pay |
|
positions |
57 |
Table
10. Ranking of the percentage |
|
of women
employed in high pay |
|
positions |
59 |
Table
11. National total of full time, |
|
minority
and women employees of |
|
affiliates
in the study in 1972 |
64 |
Table
12. Stations reporting fewer than |
|
5
minority employees in 1972 |
64 |
Table
13. Total full time, minority and |
|
women
employees in high pay |
|
positions
in 1972 |
65 |
Table
14a. Stations employing 0 or 1 |
|
minorities
in high pay positions in |
|
1972 |
65 |
Table
14b. Stations employing 0 or 1 |
|
women in
high pay positions in 1972 |
65 |
Table
15. Stations showing a decrease |
|
in
employment of minorities or |
|
women in
1972 |
66 |
Table
16. Cross reference of owners to call letters |
74 |
Table
17. Ownership Information |
77 |
CREDITS
This report is very much the product
of a multi-group effort. The groups involved included my own staff, a
group of Georgetown University law students in a seminar I was teaching, FCC
employees outside of my office, and guests appearing before the seminar.
After the markets and stations were
selected, decisions had to be made as to which categories of data to include
and exclude, and the analyses to which they should be subjected. The data
had to be extracted from FCC files. Computer programs were written.
Additional research, writing and editing produced the text. The text and
charts were laid out and typed many times. Each of these tasks involved
uncounted hours of labor.
The principal participants in my own
office were Larry Gage and Elaine Weiss. It was they who did the lion's
share of the administration of the group effort, following up on the thousands
of details necessary to the project's timely completion, editing the seminar
students' contribution, and adding their own substantial segments of
text. Karen Possner, a doctoral candidate in Communications at the University
of Iowa, made valuable contributions to the seminar sessions and this
report. Chuck Shepherd helped out with some of the charts. Bonnie
Herbert and Karen Margrave bore the considerable burdens of typing and
preparing this substantial manuscript at a time when their normal tasks were
especially heavy.
The Georgetown law students were:
Phil Argento, Thomas J. Collin, Raymond C. Fay, Ronald G. Gabler, Larry Harbin,
Karen B. Possner, Lucilla A. Streeter, James R. Tanfield, David Wagner, James
B. Wilcox, Jr. and Brady Williamson. They participated in my seminar with
the advance knowledge that the burdens would be substantial and executed the
assignment with great ability and good spirits. Derrick A. Humphries
participated in the first two months of the seminar. The contribution of
Larry Harbin in preparing and executing our computer programs warrants special
mention.
Those FCC employees outside of my
office who gave us invaluable assistance include: Pearl Cook, Larry Eads, John
Foret, Alex Korn, Quentin Proctor, Allan Stillwell, Wally Johnson, David Westin
and Harold Kassens. We very much appreciate their cooperation --
occasionally requiring their staying well beyond the FCC's normal 4:30 pm.
closing time.
Seminar guests who gave us an
evening of their time included: Sam Buffone, a former seminar student and
currently an associate in Stern Concern; former FCC Commissioner Kenneth A.
Cox; former FCC General Counsel Henry Geller, currently with the Rand
Corporation; Dr. Everett Parker, Director of the United Church of Christ Office
of Communications; Tracy Westen, a former legal assistant of mine and currently
Director of Stern Concern; and Dr. Clay T. Whitehead, Director of the White
House Office of Telecommunications Policy -- as well as most of the FCC employees
mentioned above. Each contributed in his or her own way to the seminar
participants' understanding of the performance and regulation of broadcasting
in America.
The other friends and advisors who
have had some input during the past seven years to my thinking about broadcast
regulation in general and this approach to it in particular are too numerous to
itemize but are no less important to the end product.
With thousands of pieces of data
copied and handled many times, there are undoubtedly errors somewhere in this
report. All I can say is that we have done our best to keep such errors
to an absolute minimum and express our regrets in advance to any broadcaster
who has been adversely affected by such error.
NICHOLAS
JOHNSON, Washington, D.C.
June 1973
INTRODUCTION
The revelations surrounding
Watergate have only dramatized what many concerned citizens and public interest
lawyers have known for a long time: we cannot rely on government to solve our
problems. The regulatory agencies set up to serve the public interest all
too often end up almost totally subservient to industry pressure.
Whatever may be the case elsewhere,
however, the Federal Communications Commission is a classic case of what now
Chief Justice Burger once called "a curious neutrality in favor of the
licensee." n1
n1 Office of Communication of the
United Church of Christ v. Federal Communications Commission, 359 F 2d 994
(D.C. Cir. 1966).
Seemingly congenital pro-industry
bias, of course, is no reason to give up on the agency. Quite the
contrary. It must be watched all the more closely. There must be
appeals to the courts and Congressional and press exposes of the FCC's most
egregious decisions. There must be public participation in license
renewal hearings, fairness doctrine complaints, FCC rule makings, Congressional
hearings involving the agency, and so forth. Still, it is only the better
part of wisdom and imagination to try to come up with alternatives to
government at the same time efforts are being made to maximize the potential of
the FCC.
One such alternative is represented
by this report. It is, quite simply, an effort to use public disclosure
of broadcasters' performance, and comparative rankings of those broadcasters,
as a means of rewarding the better stations and punishing the worst.
It is true, of course, that this
analysis of what is, after all, FCC data, may attract the attention of FCC
staff or Commissioners, or may provide an incentive to outraged citizens to
file license renewal challenges against the worst stations. This report
may be more seriously considered by broadcasters because they are aware of that
potential threat. But that is not the principal purpose of the
report. The major hope is simply that the mere publishing of this data
will, standing alone, provide reinforcement for the better stations and an
incentive to improvement by the worst.
It is true that an FCC Commissioner
was involved in the preparation of this document. But in many ways that
should be irrelevant to its impact. The data used is publicly available
from the FCC's files. And broadcasters have little to fear from the vote
of one dissenting Commissioner on a seven-person Commission. In short,
this is the kind of study that any group should be able to do -- nationally, as
this one, or locally, and in more depth.
This report represents the attempt
of one Commissioner, his staff, and seminar students to analyze the performance
of each of the network affiliates in the top fifty television markets in the
country. Because the findings are presented in the form of rankings of
those stations, in areas of performance from employment to programming, it is
perhaps fitting to begin the report with the overall composite ranking of the
affiliates with regard to their programming performance.
Quite simply, this table ranks each
of the stations in the study based on a composite of all of the programming
criteria analyzed in Chapter one. In this table KPIX-TV, San Francisco,
ranks as the best-programmed station in the top fifty markets, and WCCB, Charlotte,
N.C., ranks as the worst.
TABLE 1. -- Network affiliates
ranked by composite of all programming criteria
Rank |
Call letters |
Net. aff. |
Mkt. No, |
Location |
1 |
KPIX |
CBS |
8 |
San
Francisco |
2 |
WJZ |
ABC |
19 |
Baltimore |
3 |
KING |
NBC |
16 |
Seattle-Tacoma |
4 |
KDKA |
CBS |
9 |
Pittsburgh |
5 |
KYW |
NBC |
4 |
Philadelphia |
6 |
WPLG |
ABC |
18 |
Miami |
7 |
WMAL |
ABC |
10 |
Washington
D.C. |
8 |
WTAE |
ABC |
9 |
Pittsburgh |
9 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
10 |
KGW |
NBC |
26 |
Portland |
11 |
WWL |
CBS |
31 |
New
Orleans |
12 |
WRC |
NBC |
10 |
Washington
D.C. |
13 |
WABC |
ABC |
1 |
New York
City |
14 |
KNBC |
NBC |
2 |
Los
Angeles |
15 |
WIIC |
NBC |
9 |
Pittsburgh |
16 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
17 |
WNAC |
ABC |
6 |
Boston |
18 |
KATU |
ABC |
26 |
Portland |
19 |
WHAS |
CBS |
36 |
Louisville |
20 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
21 |
KOIN |
CBS |
26 |
Portland |
22 |
WBNS |
CBS |
28 |
Columbus |
23 |
KTAR |
NBC |
45 |
Phoenix |
24 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
25 |
WLWT |
NBC |
20 |
Cincinnati |
26 |
WCBS |
CBS |
1 |
New York
City |
27 |
KMOX |
CBS |
12 |
St Louis |
28 |
WSM |
NBC |
30 |
Nashville |
29 |
WKY |
NBC |
41 |
Oklahoma
City |
30 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
31 |
WSB |
NBC |
17 |
Atlanta |
32 |
WBZ |
NBC |
6 |
Boston |
33 |
KSL |
CBS |
50 |
Salt Lake
City |
34 |
WMAR |
CBS |
19 |
Baltimore |
35 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
36 |
WDSU |
NBC |
31 |
New
Orleans |
37 |
WRTV |
NBC |
14 |
Indianapolis |
38 |
WBFN |
CBS |
25 |
Buffalo |
39 |
WNBC |
NBC |
1 |
New York
City |
40 |
KNXT |
CBS |
2 |
Los
Angeles |
41 |
KPRC |
NBC |
15 |
Houston |
42 |
WCPO |
CBS |
20 |
Cincinnati |
43 |
WMAQ |
NBC |
3 |
Chicago |
44 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
45 |
WITI |
ABC |
21 |
Milwaukee |
46 |
WCAU |
CBS |
4 |
Philadelphia |
47 |
WSYR |
NBC |
43 |
Syracuse |
48 |
WBAL |
NBC |
19 |
Baltimore |
49 |
WBRC |
ABC |
38 |
Birmingham |
50 |
WPVI |
ABC |
4 |
Philadelphia |
51 |
WPRI |
CBS |
34 |
Providence |
52 |
WAPI |
NBC |
38 |
Birmingham |
53 |
KUTV |
NBC |
50 |
Salt Lake
City |
54 |
KWTV |
CBS |
41 |
Oklahoma
City |
55 |
WTOP |
CBS |
10 |
Washington
D.C. |
56 |
WCKT |
NBC |
18 |
Miami |
57 |
WSOC |
NBC |
35 |
Charlotte |
58 |
WOAI |
NBC |
45 |
San
Antonio |
59 |
KSTP |
NBC |
13 |
Minneapolis-St
Paul |
60 |
WAGA |
CBS |
17 |
Atlanta |
61 |
WSIX |
ABC |
30 |
Nashville |
62 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
63 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
64 |
KTRK |
ABC |
15 |
Houston |
65 |
WLWI |
ABC |
14 |
Indianapolis |
66 |
KSD |
NBC |
12 |
St Louis |
67 |
WTVJ |
CBS |
18 |
Miami |
68 |
KTVI |
ABC |
12 |
St Louis |
69 |
WWJ |
NBC |
5 |
Detroit |
70 |
KHOU |
CBS |
15 |
Houston |
71 |
WLCY |
ABC |
24 |
Tampa-St
Petersburg |
72 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
73 |
WKBW |
ABC |
25 |
Buffalo |
74 |
WTMJ |
NBC |
21 |
Milwaukee |
75 |
WBBM |
CBS |
3 |
Chicago |
76 |
KGO |
ABC |
8 |
San
Francisco |
77 |
WJW |
CBS |
7 |
Cleveland |
78 |
KSAT |
ABC |
45 |
San Antonio |
79 |
WVUE |
ABC |
31 |
New
Orleans |
80 |
WTVT |
CBS |
24 |
Tampa-St
Petersburg |
81 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
82 |
WBTV |
CBS |
35 |
Charlotte |
83 |
WLWD |
NBC |
39 |
Dayton |
84 |
WCCO |
CBS |
13 |
Minneapolis-St
Paul |
85 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
86 |
WLAC |
CBS |
30 |
Nashville |
87 |
KCMO |
CBS |
23 |
Kansas
City |
88 |
WTEV |
ABC |
34 |
Providence |
89 |
WMC |
NBC |
29 |
Memphis |
90 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
91 |
KOCO |
ABC |
41 |
Oklahoma
City |
92 |
WLKY * |
ABC |
36 |
Louisville |
93 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
94 |
WJAR |
NBC |
34 |
Providence |
95 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
96 |
KFMB |
CBS |
49 |
San Diego |
97 |
KTVK |
ABC |
45 |
Phoenix |
98 |
WTOL |
CBS |
45 |
Toledo |
99 |
KMGH |
CBS |
32 |
Denver |
100 |
WDHO * |
ABC |
45 |
Toledo |
101 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
102 |
KABC |
ABC |
2 |
Los
Angeles |
103 |
WHNB * |
NBC |
22 |
Hartford-New
Haven |
104 |
WISH |
CBS |
14 |
Indianapolis |
105 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
106 |
WAVE |
NBC |
36 |
Louisville |
107 |
WNYS |
ABC |
43 |
Syracuse |
108 |
WHEN |
CBS |
43 |
Syracuse |
109 |
KCPX |
ABC |
50 |
Salt Lake
City |
110 |
WHTN |
ABC |
33 |
Charleston-Huntingto |
111 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
112 |
KGTV |
NBC |
49 |
San Diego |
113 |
KOA |
NBC |
32 |
Denver |
114 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
115 |
WLS |
ABC |
3 |
Chicago |
116 |
WKYC |
NBC |
7 |
Cleveland |
117 |
WXYZ |
ABC |
5 |
Detroit |
118 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
119 |
WSPD |
NBC |
45 |
Toledo |
120 |
WKRC |
ABC |
20 |
Cincinnati |
121 |
WCHS |
CBS |
33 |
Charleston-Huntingto |
122 |
KNSP |
ABC |
13 |
Minneapolis-St
Paul |
123 |
WGR |
NBC |
25 |
Buffalo |
124 |
WSAZ |
NBC |
33 |
Charleston-Huntingto |
125 |
WEWS |
ABC |
7 |
Cleveland |
126 |
WHIO |
CBS |
39 |
Dayton |
127 |
WFLA |
NBC |
24 |
Tampa-St
Petersburg |
128 |
WREC |
CBS |
29 |
Memphis |
129 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
130 |
KENS |
CBS |
45 |
San
Antonio |
131 |
WLWC |
NBC |
28 |
Columbus |
132 |
WISN |
CBS |
21 |
Milwaukee |
133 |
WJBK |
CBS |
5 |
Detroit |
134 |
WDAF |
NBC |
23 |
Kansas
City |
135 |
KMBC |
ABC |
23 |
Kansas
City |
136 |
WTVN |
ABC |
28 |
Columbus |
137 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
138 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
139 |
WBMG * |
CBS |
38 |
Birmingham |
140 |
KOOL |
CBS |
45 |
Phoenix |
141 |
WHBQ |
ABC |
29 |
Memphis |
142 |
KBTV |
ABC |
32 |
Denver |
143 |
WQXI |
ABC |
17 |
Atlanta |
144 |
WCCB * |
ABC |
35 |
Charlotte |
* Denotes UHF network affiliate.
This report represents an effort to
do more than just charge the Commission once again with the refusal to develop
any positive standards for the performance of its broadcast licensees.
Such charges have often been made, in any different forums. This is an
effort to demonstrate the type of analysis that could be made of the available
indicia of a licensee's performance prior to the renewal of its right to profit
from the public airwaves.
The Commission has often been
confronted with the opportunity to develop minimum standards in areas of
programming, ownership and employment. Each time those standards have
either been rejected or thoroughly emasculated by the Commission
majority. n2 When former Commissioner Kenneth A.
Cox was Chief of the Broadcast Bureau, he sent letters to stations with
percentages of news and public affairs programming below certain minimum levels
-- a practice swiftly ended by the full Commission.
n2 The most celebrated, of course,
was the 1946 "Blue Book," Part II, which attempted for the first time
to set minimum standards for service to the public; it did not last the
decade. It is reprinted in F. Kahn, ed., Documents of American
Broadcasting 141-146 (rev'd. ed. 1972). Most recently, former Commission
General Counsel Henry Geller proposed a minimum level of performance below
which a broadcaster would be questioned at renewal time; his proposal -- that
broadcasters program at least 15% local, 10% news and 5% public affairs, both
overall and in prime time -- was never seriously considered by the Commission
majority.
The major problem seems to arise
from the broadcasters' (and most Commissioners') refusal to accept the fact
that there is most emphatically a difference between censorship of programming,
which the Communications Act of 1934 specifically prohibits, n3 and assurance of adequate levels of service in areas
important to the listening or viewing public regardless of the subject matter
or content of the programming presented. n4
n3 47 U.S.C. � 326.
n4 For an excellent explication of
the broadcaster's point of view, see Kalven, "Broadcasting, Public Policy
and the First Amendment," 10 J. Law & Econ. 15 (1967).
When Kenneth Cox was an FCC
Commissioner he attempted to come up with some method at license renewal time
for determining whether or not a licensee had adequately served the public
interest -- or whether it deserved further inquiry because of poor
performance. One simple standard used the data available on the license
renewal form. It merely required the licensee to demonstrate that 5% of
its program week had been devoted to news, 1% to public affairs, and 5% to
"other" non-entertainment programming (which came to be known as the
"5-1-5" standard) -- far too low, especially for television
licensees.
Other approaches were also
tried. The occasion of the Oklahoma renewals (all the licenses in any
given state expire at the same time) was used to do a book-length study of
broadcasting in the state of Oklahoma, describing the communities in detail,
noting the various sources of information available, from print as well as broadcast
media, and generally describing the performance of the licensees seeking
renewal at that time. n5
n5 Renewal of Standard Broadcast and
Television Licenses, an Oklahoma Case Study, 14 F.C.C. 2d 1 (1968).
Later, in the state of New York, n6 and for the renewals processed jointly from
Washington, D.C., Maryland and Virginia, n7
still another approach was used. Stations were ranked by all the criteria
available from their license renewal form -- news and public affairs, the
number of public service announcements, and so forth -- in a manner that is
similar in some ways to the procedure of this larger study of network
affiliates.
n6 Renewal of Standard Broadcast and
Television Licenses, 18 F.C.C. 2d 268, 269, 322 (1969).
n7 Renewals of Standard Broadcast
and Television Licenses, 21 F.C.C. 2d 35 (1969).
The impact of each of these efforts
upon the Commission was minimal, although it has recently adopted a
badly-needed new renewal application which somewhat improves the quality of the
data collected from licensees. n8
It has not, however, acted favorably on any proposals for minimum standards on
that information. n9
n8 In the Matter of Formulation of
Rules and Policies Relating to the Renewal of Broadcast Licensees, Docket No.
19153, FCC 73-451 (May 4, 1973).
n9 For example, see the Henry Geller
proposal discussed in note 2 supra.
The impact upon the industry,
however, has been somewhat more significant, and has been a motivating factor
in this study. For example, even though broadcasters and their lawyers
know that a failure to meet the 5-1-5 standard will have no effect whatsoever
upon license renewals, they are increasingly programming to meet those
standards if only because they dislike even the minimal adverse attention of a
dissenting opinion buried deep within the official FCC Reports. When the
New York and Washington studies were published, broadcasters were quite pleased
to attract public and advertiser attention to their high ratings -- and very
quick to call Commissioners' attention to any miscalculation that resulted in
even a slightly lower rating than they felt they deserved.
In attempting to mount a project
that would have an effect on as wide a segment of American broadcasting as
possible, there has been great selectivity in both the stations chosen and the
criteria used. It would have been impossible to evaluate each and every
one of the more than 8,000 radio and television stations in this country.
First, television was chosen over radio, because its influence is more widely
felt and also, quite frankly, because it was an easy way to eliminate the vast
majority of licensees at the outset. The 50 largest television markets in
the country were selected from among the some 12,000 communities in the United
States, because they contain more than 65% of the American population and
constitute the most "cost effective" focus. n10 The "top 50" have often been selected by
the FCC as a natural break in its broadcasting regulations. Finally, the
three network affiliates in each market were selected (rather than including
independent television stations as well) because those are the choice of
roughly 85% of the nation's viewers at any given moment. n11 Moreover, as they tend to have the largest revenue
of any stations in the industry, one can fairly hold them to the highest
standards. Theoretically, then, that produces a population of some 150
stations (three network affiliates in each of 50 markets). However,
factors intervened to reduce the final sample to 144, although for some purposes
(such as employment there was information available on 147. n12
n10 The "top 50 markets"
used in this study were determined on the basis of the most recent rankings by
the American Research Bureau, published in ARB's 1972 Television Market
Analysis on November 20, 1972. No more current data will be published
until after September 1, 1973. The market's rank is determined according
to the average number of households reached from 9 a.m. to midnight within a
survey area. Survey areas are the geographic areas comprised of those
counties in which ARB estimates 98% of the net weekly circulation of home
market stations occurs. Because the average number of households is
reported by thousands, two markets are tied for the 41st rank and three are tied
for the 45th. Accordingly, we list no 42nd, 46th or 47th rank.
The only exception to ARB's top 50
markets was our deletion of Wilkes Barre-Scranton, which would have been number
49, from our study and the concomitant elevation of Salt Lake City, otherwise
market number 51. This was done because we felt it unfair to compare the
results in Wilkes Barre-Scranton, an all-UHF market, with those of its VHF
competitors, even though we retained five markets in which one network
affiliate broadcasts on UHF (they are appropriately identified in the
rankings).
The top 50 markets include parts of
some 43 different states and help send over 82% of the members of the House of
Representatives to Congress.
n11 That is not to say there aren't
a few enormously successful independents that should have been included in a
study of America's biggest broadcasters. However, we felt we had to draw
the line somewhere, and we could not have justified the inclusion of
independents in less than all the top 50 markets.
n12 Three network affiliates located
in the top 50 markets were eliminated from our study. Three additional
stations were excluded from the over-all ranking and public service
announcement portions of our report, but were included in the employment and
ownership portions. The details are listed below:
Call sign |
KSCT |
Channel |
39 |
Affiliation |
ABC |
City |
San Diego |
Market
number |
49 |
Excluded
from |
Entire Study |
KSCT
became San Diego's ABC |
|
affiliate
early this year. Prior to this, XETV, a |
|
Mexican
station, was the ABC affiliate. |
|
The
Commission has no jurisdiction over, |
|
and
therefore no data pertaining to, |
|
broadcasters
outside the U.S. |
|
Call sign |
KRON |
Channel |
4 |
Affiliation |
NBC |
City |
San Francisco |
Market
Number |
8 |
Excluded
from |
Entire Study |
KRON's
1968 renewal was designated |
|
for
hearing on 3/19/69; a final decision |
|
was not
made until 5/3/73. During |
|
this
period, the station was "in docket" and |
|
not
required to submit renewal application |
|
information.
Thus, we had no more recent |
|
data than
that reflecting the station's |
|
performance
between 1965 and 1968. |
|
Call sign |
WCVB |
Channel |
5 |
Affiliation |
ABC |
City |
Boston |
Market
number |
6 |
Excluded
from |
Entire Study |
WCVB is
just barely into its second |
|
year of
operation after a Commission and |
|
court
battle that lasted nearly a decade; |
|
its
licensee was a successful competing |
|
applicant
for the frequency formerly |
|
licensed
to WHDH, Inc. |
|
Call sign |
WGHP |
Channel |
8 |
Affiliation |
ABC |
City |
Greensboro |
Market
number |
48 |
Excluded
from |
Composite ranking and public
service announcements only |
WGHP was
renewed in 1966, but its |
|
1969
renewal application was designated for |
|
hearing
on 6/1/70. As yet unresolved, |
|
the most
recent renewal application data |
|
reflects
the station's performance between |
|
1963 and
1966. |
|
Call sign |
WKEF |
Channel |
22 |
Affiliation |
ABC |
City |
Dayton |
Market
number |
39 |
Excluded
from |
Composite ranking and public
service announcements only |
WKEF is a
new UHF station which |
|
only
commenced operation in 1969. |
|
Call sign |
WTAR |
Channel |
3 |
Affiliation |
CBS |
City |
Norfolk |
Market
number |
44 |
Excluded
from |
Composite ranking and public
service announcements only |
WTAR was
renewed in 1966, but its |
|
1969
renewal application was designated for |
|
hearing
on 1/21/70. As yet unresolved, |
|
the most
recent renewal application data |
|
reflects
the station's performance between |
|
1963 and
1966. |
As an additional footnote, we wish
to underscore the competitive problems faced by the five UHF affiliates that
have been included in our study (WLKY, Louisville, 91st in our composite
programming ranking; WDHO, Toledo, 100th; WHNB, Hartford, 103rd; WBMG,
Birmingham, 139th; and WCCB, Charlotte, 144th). UHF stations are
traditionally at a severe disadvantage in competing for viewers in a market,
even when they are affiliated with a network. Virtually all UHF stations
operate deeply in the red for years after they go on the air, and it can be
expected that their performance will radically improve as they edge toward
profitability. Finally, it must be noted that at least one of the UHF
stations in this study, WDHO, Toledo, has been ranked on the basis of data
submitted to the FCC before it had acquired even the financial stimulus of a
network affiliation.
The analysis of the performance of
those stations has been limited to information supplied by the broadcasters
themselves on official U.S. Government forms in public files at the FCC. n13 No monitoring (viewing or listening) of any of the
stations was undertaken. Nor was there even an examination of TV Guide or
local newspaper listings for additional information. There was neither
the time nor the manpower, and there was an affirmative desire to avoid any
data gathering or subjective analyses that would subject the findings to
"tis-taint't" arguments with broadcasters.
n13 In order to provide the broadest
possible view of television in the top 50 markets, it was occasionally
necessary to use station data reported by former licensees. For example,
if a station received its license renewal in June, 1972, and was sold in
August, 1972, our data was taken from the information of the earlier
licensee. This was the case with the seven stations listed below:
KBTV, Channel 9, ABC, Denver,
Colorado.
Present licensee: Combined
Communications Corp.
Former licensee: Mullins
Broadcasting Co.
Date of change: September 19, 1972
KGTV, Channel 10, NBC, San Diego,
California
Present licensee: McGraw-Hill
Broadcasting Co.
Former licensee: Time-Life
Broadcasting, Inc.
Date of change: June 1, 1972
Former call letters: KOGO
KMGH, Channel 7, CBS, Denver,
Colorado
Present licensee: McGraw-Hill.
Former licensee: Time-Life.
Date of change: June 1, 1972
Former call letters: KLZ
KOCO, Channel 5, ABC, Oklahoma City
Present licensee: Combined
Communications
Former licensee: Cimaron Television
Corp.
Date of change: August 29, 1972
WCHS, Channel 8, CBS,
Charleston-Huntington, W. Va.
Present licensee: Rollins
Telecasting, Inc.
Former licensee: WCHS AM-TV Corp.
Date of change: April 30, 1973
WRTV, Channel 6, WBC, Indianapolis
Present licensee: McGraw-Hill
Former licensee: Time-Life
Date of change: June 1, 1972
Former call letters: WFMB
WTMJ, Channel 4, NBC, Milwaukee
Present licensee: WTMJ, Inc.
Former licensee: The Journal Co.
In addition, data other than form
303 programming data from the seven stations listed below was partially
affected by similar changes in licensees:
Financial and Employment Data:
WXII, Channel 12, NBC,
Greensboro/Winston Salem/High Point, N.C.
Present licensee: Multimedia, Inc.
Former licensee: Triangle
Broadcasting Corp.
Date of change: October 2, 1972
WBTV, Channel 3, CBS, Charlotte, N.
Carolina
Present licensee: Jefferson-Pilot
Broadcasting Co.
Former licensee: Jefferson-Standard
Broadcasting Co.
Date of change: November 7, 1972
WDSU, Channel 6, NBC, New Orleans
Present licensee: Cosmos
Broadcasting of Louisiana
Former licensee: WDSU-TV, Inc.
Date of charge: November 29, 1972
Financial data only (taken partially
from former and partially from present licensee):
WPVI, Channel 6, ABC, Philadelphia
Present: Capital Cities
Former: Triangle Publications
Date of change: April 27, 1971
WSAZ, Channel 3, NBC,
Charleston-Huntington, W. Va.
Present licensee: Lee Enterprises,
Inc.
Former licensee: Capital Cities
Date of change: April 27, 1971
WTEN, Channel 10, CBS,
Albany-Schenectady-Troy, N.Y.
Present licensee: Albany TV, Inc.
Former licensee: Capital Cities
Date of change: April 27, 1971
WTNH, Channel 8, ABC, Hartford/New
Haven
Present licensee: Capital Cities
Former licensee: Triangle
Publications
Date of change: April 27, 1971
Finally, station WWYS-TV, Syracuse,
New York, was granted a modification on December 12, 1972 that changed the name
of the licensee from WRG Baker Television Corp. to WNYS-TV. The actual
owners of the station remained substantially the same. And station WOTV,
Grand Rapids-Kalamazoo was granted a change of call letters on July 1, 1972,
from WOOD, although the licensee also remains the same.
The findings are grouped into three
separate chapters dealing with programming performance, minority and female
employment statistics, and ownership information. A fourth chapter is
devoted to the use of this information by interested community groups or
individuals. Appendices have been added that deal with the computer
programming methodology, potential sources of information and assistance for
those interested in pursuing the subject further, and additional information
not included in the main body of the report.
The method of analyzing the
stations' performance has been to select the most precise criteria available
from the data collected and then simply rank the stations based on their
performance. Thus, in programming, some four factors were isolated and
explored. They were then combined for determination of a single overall
ranking based on a composite computation of programming performance.
By this method, television station
KPIX, San Francisco, owned by the Westinghouse Broadcasting Company, was the
best-programmed station among network affiliates in the top 50 markets as of
June, 1973; WCCB, Charlotte, N.C., was the worst. There is often a wide
range of performance among affiliates within a city. But Pittsburgh and
Portland would appear to be among the best, and Charleston-Huntington, W. Va.,
and Kansas City, Mo., among the worst. Baltimore seems to have the best
performance overall in local programming, Washington in news. public affairs
and other; Syracuse scores lowest in both categories. Oklahoma City
stations have the most public service announcements; Nashville stations the
fewest. Westinghouse Broadcasting Company's five television stations
ranked 1, 2, 4, 5 and 31, thus making Westinghouse by far the best multiple
owner in the country. The stations of Taft, ranked 49, 120, 123, 134 and
136, showed that corporate owner to be one of the worst.
In the employment chapter, stations
with low or non-existent minority or female employment are singled out for
special mention, and all the stations in the study are ranked on the basis of
total employment as well as employment of minorities and women in high-paying
positions. Stations WTEV, Providence, WNYS, Syracuse, and WCAU,
Philadelphia were among the best, while KSL, Salt Lake City, KMSP, Minneapolis
and WKZO, Kalamazoo-Grand Rapids were among the worst.
In the ownership chapter, the
findings have been collated and rearranged to show the performance of
individual owners, especially when (as is most often the case) they own two or
more stations. In each section Commission policy is considered and its
shortcomings pointed out, but the most important part of this report is the
information regarding the relative performance of each network affiliate in the
top 50 markets. See Appendix D for a summary of the ten best and ten
worst stations in each area of programming and employment and Appendix E for a
summary of what we consider to be the minimum tolerable levels of performance
in each of those areas.
Finally, Chapter 4 is included on
the assumption that anyone interested in improving the quality of broadcasting
in this country can use this study as a handbook for the further pursuit of
those improvements. This report is necessarily incomplete. Only the
action of concerned people in their own local communities can ensure that it
will have maximum impact on improving broadcasters' performance.
Chapter 1
PROGRAMMING PERFORMANCE
I. INTRODUCTION
The composite programming ranking
announced in the Introduction to this report consists of an evaluation of the
programming of each of 144 network affiliates in the top 50 markets on the
basis of four distinct programming criteria: a combination of news, public
affairs and other programming; local programming; commercialization; and
allocation of financial resources to program expenditures. Each of these
areas will be explained in detail, and individual area rankings given, in the
four sections of this chapter below. The composite programming ranking
that precedes the substantive discussion in this chapter was determined by
transposing the quantitative performance of each licensee in each of the four
areas onto a scale of 0 to 100, then weighting them equally in determining the
final average on which the overall ranking was based. For a more complete
explanation of the analytical models used in this section, see Appendix
A. The programming criteria are presented in Table 2 in the form of the
station's rank in each of the four areas. For a composite ranking that
presents the criteria based on the relative scale of 0 to 100, see Table 1-a in
Appendix C.
Network affiliates ranked by
composite of all programming criteria
|
Call |
Net. |
Mkt. |
|
Rank |
letters |
aff. |
No. |
Location |
1 |
KPIX |
CBS |
8 |
San
Francisco |
2 |
WJZ |
ABC |
19 |
Baltimore |
3 |
KING |
NBC |
16 |
Seattle-Tacoma |
4 |
KDKA |
CBS |
9 |
Pittsburgh |
5 |
KYW |
NBC |
4 |
Philadelphia |
6 |
WPLG |
ABC |
18 |
Miami |
7 |
WMAL |
ABC |
10 |
Washington,
D.C. |
8 |
WTAE |
ABC |
9 |
Pittsburgh |
9 |
WFMY |
CBS |
48 |
Gnsb-HighPt-Win
Sal |
10 |
KGW |
NBC |
26 |
Portland |
11 |
WWL |
CBS |
31 |
New
Orleans |
12 |
WTC |
NBC |
10 |
Washington,
D.C. |
13 |
WABC |
ABC |
1 |
New York
City |
14 |
KNBC |
NBC |
2 |
Los
Angeles |
15 |
WIIC |
NBC |
9 |
Pittsburgh |
16 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
17 |
WNAC |
ABC |
6 |
Boston |
18 |
KATO |
ABC |
26 |
Portland |
19 |
WHAS |
CBS |
36 |
Louisville |
20 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
21 |
KOIN |
CBS |
26 |
Portland |
22 |
WBNS |
CBS |
28 |
Columbus |
23 |
KTAR |
NBC |
45 |
Phoenix |
24 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
25 |
WLWT |
NBC |
20 |
Cincinnati |
26 |
WCBS |
CBS |
1 |
New York
City |
27 |
KMOX |
CBS |
12 |
St. Louis |
28 |
WSM |
NBC |
30 |
Nashville |
29 |
WKY |
NBC |
41 |
Oklahoma
City |
30 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
31 |
WSB |
NBC |
17 |
Atlanta |
31 |
WBZ |
NBC |
6 |
Boston |
33 |
KSL |
CBS |
50 |
Salt Lake
City |
34 |
WMAR |
CBS |
19 |
Baltimore |
35 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
36 |
WDSU |
NBC |
31 |
New
Orleans |
37 |
WRTV |
NBC |
14 |
Indianapolis |
38 |
WBEN |
CBS |
25 |
Buffalo |
39 |
WNBC |
NBC |
1 |
New York
City |
40 |
KNXT |
CBS |
2 |
Los
Angeles |
41 |
KPRC |
NBC |
15 |
Houston |
42 |
WCPO |
CBS |
20 |
Cincinnati |
43 |
WMAQ |
NBC |
3 |
Chicago |
44 |
KOVR |
abc/ |
27 |
Sacramento-Stockton |
45 |
WITI |
ABC |
21 |
Milwaukee |
46 |
WCAU |
CBS |
4 |
Philadelphia |
47 |
WSYR |
NBC |
43 |
Syracuse |
48 |
WDAL |
NBC |
19 |
Baltimore |
49 |
WBRC |
ABC |
38 |
Birmingham |
50 |
WPVI |
ABC |
4 |
Philadelphia |
51 |
WPRI |
CBS |
34 |
Providence |
52 |
WAPI |
NBC |
38 |
Birmingham |
53 |
KUTV |
NBC |
50 |
Salt Lake
City |
54 |
KWTV |
CBS |
41 |
Oklahoma
City |
55 |
WTOP |
CBS |
10 |
Washington
D.C. |
56 |
WCKT |
NBC |
18 |
Miami |
57 |
WSOC |
NBC |
35 |
Charlotte |
58 |
WOAI |
NBC |
45 |
San
Antonio |
59 |
KSTP |
NBC |
13 |
Minneapolis-St
Paul |
60 |
WAGA |
CBS |
17 |
Atlanta |
61 |
WSIX |
ABC |
30 |
Nashville |
62 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
63 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
64 |
KIRK |
ABC |
15 |
Houston |
65 |
WLWI |
ABC |
14 |
Indianapolis |
66 |
KSD |
NBC |
12 |
St.
Louiis |
66 |
WTVJ |
CBS |
18 |
Miami |
68 |
KTVI |
ABC |
12 |
St. Louis |
69 |
WWJ |
NBC |
5 |
Detroit |
70 |
KHOU |
CBS |
15 |
Houston |
71 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
72 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
73 |
WKBW |
ABC |
25 |
Buffalo |
74 |
WTMJ |
NBC |
21 |
Milwaukee |
74 |
WBBM |
CBS |
3 |
Chicago |
76 |
KGO |
ABC |
8 |
San
Antonio |
77 |
WJW |
CBS |
7 |
Cleveland |
78 |
KSAT |
ABC |
45 |
San
Antonio |
79 |
WVUE |
ABC |
31 |
New
Orleans |
80 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
81 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
82 |
WBTV |
CBS |
35 |
Charlotte |
83 |
WLWD |
NBC |
39 |
Dayton |
84 |
WCCO |
CBS |
13 |
Minneapolis-St.
Paul |
85 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
86 |
WLAC |
CBS |
30 |
Nashville |
87 |
KCMO |
ABC |
23 |
Kansas
City |
88 |
WTFV |
ABC |
34 |
Providence |
89 |
WMC |
NBC |
29 |
Memphis |
90 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
91 |
KOCO |
ABC |
41 |
Oklahoma
City |
92 |
WLKY |
ABC |
36 |
Louisville |
93 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
94 |
WJAR |
NBC |
34 |
Providence |
95 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
96 |
KFMB |
CBS |
49 |
San Diego |
97 |
KTVK |
ABC |
45 |
Phoenix |
98 |
WTOL |
CBS |
45 |
Toledo |
99 |
KMGH |
CBS |
32 |
Denver |
100 |
WDHO |
ABC |
45 |
Toledo |
101 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
102 |
KABC |
ABC |
2 |
Los
Angeles |
103 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
104 |
WISH |
CBS |
14 |
Indianapolis |
105 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
106 |
WAVE |
NBC |
36 |
Louisville |
107 |
WNYS |
ABC |
43 |
Syracuse |
108 |
WHEN |
CBS |
43 |
Syracuse |
109 |
KCPX |
ABC |
50 |
Salt Lake
City |
110 |
WHTN |
ABC |
33 |
Charleston-Huntington |
111 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
112 |
KGTV |
NBC |
49 |
San Diego |
113 |
KOA |
NBC |
32 |
Denver |
114 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
115 |
WLS |
ABC |
3 |
Chicago |
116 |
WKYC |
NBC |
7 |
Cleveland |
117 |
WXYZ |
ABC |
5 |
Detroit |
118 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
119 |
WSPD |
NBC |
45 |
Toledo |
120 |
WKRC |
ABC |
20 |
Cincinnati |
121 |
WCHS |
CBS |
33 |
Charleston-Huntington |
122 |
KMSP |
ABC |
13 |
Minneapolis-St.
Paul |
123 |
WGR |
NBC |
25 |
Buffalo |
124 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
125 |
WEWS |
ABC |
7 |
Cleveland |
126 |
WHIO |
CBS |
39 |
Dayton |
127 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
128 |
WREC |
CBS |
29 |
Memphis |
129 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
130 |
KENS |
CBS |
45 |
San
Antonio |
131 |
WLWC |
NBC |
28 |
Columbus |
132 |
WISN |
CBS |
21 |
Milwaukee |
133 |
WJBK |
CBS |
5 |
Detroit |
134 |
WDAF |
NBC |
23 |
Kansas
City |
135 |
KMBC |
ABC |
23 |
Kansas
City |
136 |
WTVN |
ABC |
28 |
Columbus |
137 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
138 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
139 |
WBMG |
CBS |
38 |
Birmingham |
140 |
KOOL |
CBS |
45 |
Phoenix |
141 |
WHBQ |
ABC |
29 |
Memphis |
142 |
KBTV |
ABC |
32 |
Denver |
143 |
WQXI |
ABC |
17 |
Atlanta |
144 |
WCCB |
ABC |
35 |
Charlotte |
|
|
News, |
Commer. |
Financial |
Rank |
Local |
Pa |
||
|
|
and other |
||
1 |
31 |
13 |
1 |
103 |
2 |
6 |
59 |
4 |
24 |
3 |
76 |
48 |
6 |
3 |
4 |
4 |
6 |
30 |
57 |
5 |
2 |
7 |
23 |
123 |
6 |
10 |
1 |
81 |
52 |
7 |
28 |
40 |
41 |
9 |
8 |
52 |
60 |
10 |
15 |
9 |
96 |
38 |
2 |
76 |
10 |
67 |
35 |
49 |
2 |
11 |
7 |
24 |
70 |
31 |
12 |
49 |
15 |
101 |
7 |
13 |
63 |
77 |
49 |
1 |
14 |
3 |
3 |
138 |
35 |
15 |
17 |
53 |
101 |
8 |
16 |
68 |
28 |
5 |
110 |
17 |
37 |
41 |
24 |
59 |
18 |
50 |
96 |
24 |
13 |
19 |
35 |
84 |
33 |
20 |
20 |
27 |
14 |
70 |
69 |
21 |
84 |
29 |
57 |
12 |
22 |
22 |
19 |
81 |
61 |
23 |
8 |
64 |
63 |
48 |
24 |
32 |
66 |
57 |
28 |
25 |
1 |
118 |
129 |
44 |
26 |
75 |
4 |
108 |
27 |
27 |
59 |
11 |
101 |
36 |
28 |
24 |
97 |
63 |
16 |
29 |
16 |
78 |
36 |
70 |
30 |
135 |
119 |
8 |
4 |
31 |
5 |
56 |
49 |
116 |
31 |
15 |
16 |
49 |
138 |
33 |
57 |
90 |
88 |
6 |
34 |
11 |
25 |
78 |
104 |
35 |
112 |
45 |
41 |
14 |
36 |
20 |
55 |
81 |
55 |
37 |
65 |
39 |
36 |
64 |
38 |
55 |
21 |
57 |
80 |
39 |
60 |
17 |
88 |
58 |
40 |
21 |
8 |
121 |
88 |
41 |
29 |
22 |
78 |
94 |
42 |
40 |
49 |
98 |
33 |
43 |
41 |
2 |
132 |
74 |
44 |
134 |
120 |
16 |
5 |
45 |
72 |
111 |
16 |
41 |
46 |
42 |
9 |
121 |
73 |
47 |
117 |
127 |
13 |
10 |
48 |
19 |
33 |
88 |
101 |
49 |
23 |
12 |
49 |
144 |
50 |
14 |
62 |
112 |
45 |
51 |
115 |
94 |
3 |
113 |
52 |
126 |
46 |
16 |
63 |
53 |
83 |
104 |
63 |
11 |
54 |
77 |
82 |
70 |
25 |
55 |
79 |
10 |
117 |
50 |
56 |
71 |
27 |
41 |
117 |
57 |
122 |
75 |
16 |
47 |
58 |
58 |
88 |
30 |
93 |
59 |
43 |
91 |
57 |
71 |
60 |
70 |
5 |
121 |
79 |
61 |
82 |
125 |
30 |
22 |
62 |
48 |
37 |
106 |
67 |
63 |
118 |
105 |
28 |
21 |
64 |
18 |
95 |
63 |
100 |
65 |
64 |
26 |
129 |
37 |
66 |
36 |
68 |
70 |
108 |
66 |
105 |
87 |
33 |
46 |
68 |
86 |
140 |
24 |
19 |
69 |
9 |
31 |
129 |
112 |
70 |
25 |
30 |
108 |
127 |
71 |
61 |
44 |
81 |
96 |
72 |
104 |
63 |
13 |
130 |
73 |
78 |
106 |
13 |
130 |
74 |
13 |
92 |
106 |
89 |
74 |
33 |
18 |
141 |
65 |
76 |
94 |
70 |
98 |
30 |
77 |
69 |
43 |
101 |
77 |
78 |
90 |
131 |
28 |
38 |
79 |
107 |
112 |
41 |
34 |
80 |
80 |
32 |
117 |
51 |
81 |
121 |
54 |
36 |
84 |
82 |
46 |
52 |
88 |
120 |
83 |
30 |
42 |
137 |
83 |
84 |
12 |
74 |
139 |
72 |
85 |
47 |
114 |
70 |
85 |
86 |
39 |
101 |
114 |
49 |
87 |
54 |
69 |
101 |
97 |
88 |
130 |
110 |
41 |
32 |
89 |
38 |
80 |
114 |
92 |
90 |
110 |
103 |
70 |
39 |
91 |
62 |
124 |
81 |
53 |
92 |
136 |
142 |
11 |
23 |
93 |
132 |
50 |
36 |
115 |
94 |
114 |
47 |
70 |
91 |
95 |
81 |
81 |
57 |
124 |
96 |
51 |
20 |
132 |
128 |
97 |
88 |
122 |
49 |
75 |
98 |
87 |
71 |
63 |
122 |
99 |
44 |
73 |
117 |
98 |
100 |
139 |
144 |
6 |
29 |
101 |
26 |
34 |
121 |
141 |
102 |
123 |
115 |
88 |
17 |
103 |
116 |
23 |
63 |
136 |
104 |
73 |
65 |
78 |
135 |
105 |
101 |
36 |
121 |
66 |
106 |
95 |
85 |
88 |
86 |
107 |
144 |
143 |
8 |
18 |
108 |
127 |
89 |
88 |
54 |
109 |
142 |
136 |
16 |
40 |
110 |
140 |
107 |
16 |
102 |
111 |
143 |
137 |
12 |
60 |
112 |
111 |
102 |
88 |
62 |
113 |
56 |
79 |
108 |
132 |
114 |
66 |
83 |
108 |
125 |
115 |
53 |
61 |
142 |
68 |
116 |
113 |
86 |
121 |
43 |
117 |
89 |
116 |
132 |
26 |
118 |
100 |
121 |
36 |
129 |
119 |
124 |
113 |
41 |
107 |
120 |
74 |
138 |
33 |
133 |
121 |
85 |
132 |
24 |
140 |
122 |
109 |
141 |
13 |
126 |
123 |
141 |
109 |
41 |
81 |
124 |
119 |
58 |
70 |
139 |
125 |
92 |
134 |
98 |
56 |
126 |
45 |
123 |
132 |
87 |
127 |
120 |
51 |
132 |
78 |
128 |
131 |
108 |
57 |
114 |
129 |
103 |
57 |
117 |
121 |
130 |
106 |
93 |
81 |
134 |
131 |
99 |
67 |
121 |
118 |
132 |
97 |
98 |
121 |
82 |
133 |
93 |
99 |
114 |
106 |
134 |
34 |
72 |
144 |
131 |
135 |
102 |
133 |
88 |
90 |
136 |
128 |
130 |
63 |
105 |
137 |
137 |
135 |
41 |
95 |
138 |
108 |
100 |
88 |
142 |
139 |
125 |
117 |
49 |
143 |
140 |
98 |
76 |
140 |
119 |
141 |
138 |
139 |
49 |
111 |
142 |
91 |
128 |
142 |
42 |
143 |
129 |
126 |
112 |
99 |
144 |
133 |
129 |
81 |
137 |
II. NEWS AND PUBLIC AFFAIRS
"60
per cent of all Americans over the age of 21 rely on television as their
primary source of news." Barry Cole, Television (1970).
To argue that Congress intended
television to be dedicated summarily to the aggrandizement of the personal or
corporate fortunes of its licensees is to argue the absurd. Rather,
Congress intended that television frequencies be used to serve the public, n1 and any reasonable interpretation of "serving
the public" must include equipping them to be better citizens, via the
informational programming most often encountered in the rather cumbersome
categories known to the Commission as "news," "public
affairs" and "other." n2
n1 See 47 U.S.C. �
307(a)(b). Indeed, the Commission stated early in its development that:
It is axiomatic that one of the most vital questions of mass
communications in a democracy is the development of an informed public opinion
through the public dissemination of news and ideas concerning the vital issues
of the day... It is this right of the public to be informed, rather than
any other right on the part of the government, any broadcast licensee or any
individual member of the public to broadcast his own particular views of any
matter, which is the foundation stone of the American system of broadcasting.
Quoted in Walter Emery, National and International Systems
of Broadcasting, at 13, Michigan State University Press (1969). For
legislative history of the Communications Act, see Rosenbloom, "Authority
of the Federal Communications Commission," in Coons, ed., Freedom and
Responsibility in Broadcasting at 96 (1961).
n2 The categories of
"news" and "public affairs" are self-explanatory.
"Other" programming is described as all programming not falling in
those two categories or in the categories of "entertainment" or
"sports."
The Commission first determined that
news and public affairs were "critical programming categories" and
began collecting this data in its current form in 1966, when it adopted the
license renewal application now in use. n3 But collecting this data and putting it to significant use are two
entirely different things, and the practice of this Commission to date has been
to make no inquiry whatsoever into a licensee's news, public affairs, and other
non-sports, non-entertainment programming, no matter how badly a station had
performed, and more than a few stations have been renewed notwithstanding a
total failure to deliver programming in one or more of these categories. n4 Even a major television station like WCCO-TV, a
Minneapolis CBS affiliate, was renewed automatically in March, 1968, despite no
public affairs shown during the composite week and only 30 minutes weekly
proposed for the future.
n3 FCC 2d 175 (1966).
n4 See, e.g., Herman C. Hall, 11 FCC
2d 344 (1968).
Although the Commission has never
set standards in its renewal procedures for weighing the news and public
affairs data it receives, a 5% news, 1% public affairs and 5% "other"
standard thought to be comparable to the minimum diet necessary to stave off
complete informational starvation was established and discussed at one time by
just two of the seven Commissioners (Cox and Johnson). n5 Since those standards have been so minimal and so
easy to comply with, many previously offending broadcasters have made an effort
to do so, as can be seen by a glance at the raw data in the three
categories. n6 There continues to be some,
however, who do not choose even to provide that infinitesimal level of public
service, who regularly devote more minutes of time to commercials than to the
three informational categories combined; and yet the staff continues to do
nothing every two months but provide, as a gesture of courtesy, a compilation
of those stations falling below the 5-1-5 standard in each bimonthly
"package" of renewals for the remaining concerned Commissioner to use
in his lonely dissents.
n5 See discussion of these studies
at notes 5, 6 and 7 in the Introduction to this Report.
n6 The ten best and ten worst
stations in each category may be found in Appendix D.
The news, public affairs, and other
programming information required of a licensee on his renewal application is
collected in the form of hours and minutes of air time devoted to each.
Of course, quality of programming cannot be determined from this data. It
is impossible to tell without actual observation, for example, whether a
station's news operation is of the wire service "rip and read"
variety or whether there are mobile camera units roaming the city to provide
original feeds at all hours. Until such information is available,
however, we must rely on what the stations are required to tell the Commission
quantitatively about their programming operations. For, although a
station broadcasting only 8 hours of news in a 140-hour week may in fact be investing
more time, expense, and imagination in its production than one airing 14 hours
in the same week, the only presumption we can make is the contrary -- the more
news, the better the potential for service to the public. We proceed
therefore on the assumption that, all other factors being equal, a station
running 14 hours of news on a weekly basis better serves the public interest
and need than a station running 8 hours. The same reasoning would apply
to public affairs and other programming.
Another shortcoming of the existing
renewal application is that it makes no inquiry into when during the broadcast
day news, public affairs, and other programming are being aired. It is
conceivable, for example, that a station may air one hour of public affairs between
3:30 am and 4:30 am daily and, when this is added to its other public affairs
programs, post a total of 10 hours for the week. n7 It should be self-evident, however, that the seven
hours of programming in the early morning can be written off as little more than
no programming at all, reaching such a small audience as to be of virtually no
service to the public. This lacuna in our information must be borne in
mind when reviewing these figures, and local program guides or station logs
should be consulted to learn the distribution of news, public affairs and other
programming in a particular station's broadcast week.
n7 In addition, many commercial
stations will run the same public affairs special more than once, thereby
getting credit for two or even three hours of programming for just one show.
Our ranking of station programming
performance is based solely on the hours of programming presented. For
the overall ranking of this performance factor, we have simply added together
the number of hours and minutes of news, public affairs and other programming
presented during the composite week and ranked the stations on the basis of
that total. We list the number of hours of each of the three categories
separately, and provide a ranking for each. For example, the top station
in the overall news-public affairs-"other" ranking, station WPLG,
Miami, can be seen to be number 9 in news, number 7 in public affairs and
number 12 in other programming. These additional statistics are provided
in this chapter because a station's failure to devote substantial time to any
one of them is indefensible whatever its overall raking, and such a station
should be singled out for further inquiry. n8
n8 WLWI, Indianapolis, for example,
was number 26 in its overall news, public affairs and other ranking, due to a
fine showing in the latter two categories (32nd and 4th). Its news
programming, however, placed it an abysmal 127th, thereby clearly delineating
an area in which the licensee could improve.
Although the percentage of the total
programming week devoted by a licensee to each of these categories is available
from the station's license renewal form and has been used in similar studies in
the past, n9 we have decided in this study to
use the raw total of hours. This has been done because the use of
percentages, we feel, tends to favor those broadcasters with a shorter
broadcast week. For example, a station on the air 120 hours a week with
12 hours of news would be programming 10% news, while a station broadcasting
146 hours a week with 13 hours of news would actually show a lower
percentage. We feel the additional hours of news programmed by the latter
should be given greater credit than the higher percentage of the former, and
have acted accordingly.
n9 See the studies cited in notes 5,
6, and 7 in the Introduction to this Report.
In addition to the hours of news,
public affairs, and other programming broadcast by a station in the composite
week, the disparity between a station's promised performance and its actual
performance and the decrease (or increase) in performance levels from one
renewal period to the next can also be revealing measures of a station's
service. Indeed, the Commission has said as much in a few specific
instances in the past. n10 And even the
current Commission, which at one time or another has indicated that it favors
the total elimination of existing Commission programming standards, concedes
that a station's "promise vs. performance" is a valid indication of
its performance in the public interest. n11 While we have not attempted, due to the length of this study, to relate
the licensees' most recent performance to either his current or his previous
promises, the necessary information is readily available, in the licensee's
public file or at the FCC for those who are interested.
n10 See, e.g., WKBN Broadcasting
Corp., 30 FCC 2d 958, 975 (1971); Southern Broadcasting Co., 26 FCC 2d 998
(1970); WMOZ, Inc., 36 FCC 201, 241 (1964); and KORD, Inc., 31 FCC 85, 88
(1961).
n11 See Letter from Clay T. Whitehead,
Director of Office of Telecommunications Policy, to Rep. Carl Albert, March 13,
1973.
Network affiliates ranked by total
hours of news, Public Affairs, and "Other" in composite week
Rank |
Call letters |
Net. aff. |
Mkt. No. |
Location |
News and rank |
|
1 |
WPLG |
ABC |
18 |
Miami |
17.90 |
9 |
2 |
WMAQ |
NBC |
3 |
Chicago |
19.98 |
4 |
3 |
KNBC |
NBC |
2 |
Los
Angeles |
22.00 |
1 |
4 |
WCBS |
CBS |
1 |
New York
City |
16.13 |
27 |
5 |
WAGA |
CBS |
17 |
Atlanta |
17.72 |
12 |
6 |
KDKA |
CBS |
9 |
Pittsburgh |
20.20 |
2 |
7 |
KYW |
NBC |
4 |
Philadelphia |
18.55 |
6 |
8 |
KNXT |
CBS |
2 |
Los
Angles |
17.05 |
19 |
9 |
WCAU |
CBS |
4 |
Philadelphia |
16.37 |
25 |
10 |
WTOP |
CBS |
10 |
Washington
D.C. |
172.12 |
17 |
11 |
KMOX |
CBS |
12 |
St. Louis |
16.25 |
26 |
12 |
WBRC |
ABC |
38 |
Birmingham |
13.97 |
54 |
13 |
KPIX |
CBS |
8 |
San
Francisco |
16.62 |
23 |
14 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
20.15 |
3 |
15 |
WRC |
NBC |
10 |
Washington
D.C. |
14.83 |
41 |
16 |
WBZ |
NBC |
6 |
Boston |
18.53 |
7 |
17 |
WNBC |
NBC |
1 |
New York
City |
15.08 |
39 |
18 |
WBBM |
CBS |
3 |
Chicago |
14.28 |
49 |
19 |
WBNS |
CBS |
28 |
Columbus |
13.60 |
55 |
20 |
KFMB |
CBS |
49 |
San Diego |
19.27 |
5 |
21 |
WBEN |
CBS |
25 |
Buffalo |
15.90 |
30 |
22 |
KPRC |
NBC |
15 |
Houston |
15.80 |
32 |
23 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
15.20 |
36 |
24 |
WWL |
CBS |
31 |
New
Orleans |
16.77 |
20 |
25 |
WMAR |
CBS |
19 |
Baltimore |
15.07 |
40 |
26 |
WLWI |
ABC |
14 |
Indianapolis |
8.17 |
127 |
27 |
WCKT |
NBC |
18 |
Miami |
14.37 |
46 |
28 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
13.58 |
56 |
29 |
KOIN |
CBS |
26 |
Portland |
14.03 |
53 |
30 |
KHOU |
CBS |
15 |
Houston |
14.65 |
44 |
31 |
WWJ |
NBC |
5 |
Detroit |
14.80 |
42 |
31 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
16.77 |
20 |
33 |
WBAL |
NBC |
19 |
Baltimore |
14.07 |
52 |
34 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
16.65 |
22 |
35 |
KGW |
NBC |
26 |
Portland |
16.48 |
24 |
36 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
17.22 |
16 |
37 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
14.68 |
43 |
38 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
12.82 |
67 |
39 |
WRTV |
NBC |
14 |
Indianapolis |
12.62 |
69 |
40 |
WMAL |
ABC |
10 |
Washington
D.C. |
10.43 |
101 |
41 |
WNAC |
ABC |
6 |
Boston |
11.43 |
84 |
42 |
WLWD |
NBC |
39 |
Dayton |
11.83 |
74 |
43 |
WJW |
CBS |
7 |
Cleveland |
11.57 |
81 |
43 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
8.08 |
129 |
45 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
6.25 |
137 |
46 |
WAPI |
NBC |
38 |
Birmingham |
15.63 |
33 |
47 |
WJAR |
NBC |
34 |
Providence |
13.35 |
63 |
48 |
KING |
NBC |
16 |
Seattle-Tacoma |
13.48 |
61 |
49 |
WCPO |
CBS |
20 |
Cincinnati |
11.27 |
88 |
50 |
WBAP |
NBC |
11 |
Dallas-FortWorth |
15.02 |
29 |
51 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
16.10 |
28 |
52 |
WBTV |
CBS |
35 |
Charlotte |
15.13 |
38 |
53 |
WIIC |
NBC |
9 |
Pittsburgh |
17.55 |
13 |
54 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
13.50 |
58 |
55 |
WDSU |
NBC |
31 |
New
Orleans |
17.12 |
17 |
56 |
WSB |
NBC |
17 |
Atlanta |
17.40 |
15 |
57 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
11.32 |
87 |
58 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
14.37 |
46 |
59 |
WJZ |
ABC |
19 |
Baltimore |
11.58 |
79 |
60 |
WTAE |
ABC |
9 |
Pittsburgh |
11.82 |
75 |
61 |
WLS |
ABC |
3 |
Chicago |
9.50 |
114 |
62 |
WPVI |
ABC |
4 |
Philadelphia |
9.32 |
117 |
63 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
11.33 |
86 |
64 |
KTAR |
NBC |
45 |
Phoenix |
17.85 |
10 |
65 |
WISH |
CBS |
14 |
Indianapolis |
18.42 |
8 |
66 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
12.88 |
66 |
66 |
WLWC |
NBC |
28 |
Columbus |
9.33 |
116 |
68 |
KSD |
NBC |
12 |
St. Louis |
17.47 |
14 |
69 |
KCMO |
CBS |
23 |
Kansas
City |
11.72 |
77 |
70 |
KGO |
ABC |
8 |
San
Francisco |
10.05 |
107 |
70 |
WIOL |
CBS |
45 |
Toledo |
13.37 |
62 |
72 |
WDAF |
NBC |
23 |
Kansas
City |
17.75 |
11 |
73 |
KMGH |
CBS |
32 |
Denver |
11.58 |
79 |
74 |
WCCO |
CBS |
13 |
Minneapolis-St.
Paul |
13.50 |
58 |
75 |
WSOC |
NBC |
35 |
Charlotte |
13.50 |
58 |
76 |
KOOL |
CBS |
45 |
Phoenix |
15.33 |
34 |
77 |
WABC |
ABC |
1 |
New York
City |
10.58 |
98 |
77 |
WKY |
NBC |
41 |
Oklahoma
City |
14.58 |
45 |
79 |
KOA |
NBC |
32 |
Denver |
14.32 |
48 |
80 |
WMC |
NBC |
29 |
Memphis |
15.82 |
31 |
81 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
8.87 |
121 |
82 |
KWTV |
CBS |
41 |
Oklahoma
City |
12.25 |
72 |
83 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
14.23 |
50 |
84 |
WHAS |
CBS |
36 |
Louisville |
15.27 |
35 |
85 |
WAVE |
NBC |
36 |
Louisville |
11.47 |
82 |
86 |
WKYC |
NBC |
7 |
Cleveland |
11.73 |
76 |
87 |
WTVJ |
CBS |
18 |
Miami |
12.05 |
73 |
88 |
WOAI |
NBC |
45 |
San
Antonio |
15.17 |
37 |
89 |
WHEN |
CBS |
43 |
Syracuse |
11.37 |
85 |
90 |
KSL |
CBS |
50 |
Salt Lake
City |
10.57 |
99 |
91 |
KSTP |
NBC |
13 |
Minneapolis-St.
Paul |
14.10 |
51 |
92 |
WIMJ |
NBC |
21 |
Milwaukee |
12.40 |
71 |
93 |
KFNS |
CBS |
45 |
San
Antonio |
12.82 |
67 |
94 |
WPRI |
CBS |
34 |
Providence |
12.98 |
65 |
95 |
KIRK |
ABC |
15 |
Houston |
10.97 |
91 |
96 |
KATU |
ABC |
26 |
Portland |
10.85 |
94 |
97 |
WSM |
NBC |
30 |
Nashville |
13.00 |
64 |
98 |
WISN |
CBS |
21 |
Milwaukee |
10.23 |
104 |
99 |
WJBK |
CBS |
5 |
Detroit |
10.05 |
107 |
100 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
8.58 |
124 |
101 |
WLAC |
CBS |
30 |
Nashville |
10.83 |
95 |
102 |
KGTV |
NBC |
49 |
San Diego |
13.57 |
57 |
103 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
10.62 |
97 |
104 |
KUTV |
NBC |
50 |
Salt Lake
City |
10.32 |
102 |
105 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
10.88 |
93 |
106 |
WKBW |
ABC |
25 |
Buffalo |
8.75 |
123 |
107 |
WHTN |
ABC |
33 |
Charleston-Huntington |
10.22 |
105 |
108 |
WREC |
CBS |
29 |
Memphis |
11.05 |
89 |
109 |
WGR |
NBC |
25 |
Buffalo |
10.50 |
100 |
110 |
WTEV |
ABC |
34 |
Providence |
11.63 |
78 |
111 |
WITI |
ABC |
21 |
Milwaukee |
9.55 |
113 |
112 |
WVUE |
ABC |
31 |
New
Orleans |
10.08 |
106 |
113 |
WSPD |
NBC |
45 |
Toledo |
9.68 |
111 |
114 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
12.62 |
69 |
115 |
KABC |
ABC |
22 |
Los
Angeles |
9.75 |
110 |
116 |
WXYZ |
ABC |
5 |
Detroit |
10.30 |
103 |
117 |
WBMG |
CBS |
38 |
Birmingham |
7.73 |
132 |
118 |
WLWT |
NBC |
20 |
Cincinnati |
11.00 |
90 |
119 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
9.22 |
119 |
120 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
9.57 |
112 |
121 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
11.47 |
82 |
122 |
KTVK |
ABC |
45 |
Phoenix |
9.50 |
114 |
123 |
WHIO |
CBS |
39 |
Dayton |
8.38 |
125 |
124 |
KOCO |
ABC |
41 |
Oklahoma
City |
8.00 |
130 |
125 |
WSIX |
ABC |
30 |
Nashville |
5.35 |
141 |
126 |
WQXI |
ABC |
17 |
Atlanta |
9.22 |
119 |
127 |
WSYR |
NBC |
43 |
Syracuse |
9.25 |
118 |
128 |
KBTV |
ABC |
32 |
Denver |
9.97 |
109 |
129 |
WCCB |
ABC |
35 |
Charlotte |
5.08 |
142 |
130 |
WTVN |
ABC |
28 |
Columbus |
7.42 |
133 |
131 |
KSAT |
ABC |
45 |
San Antonio |
10.95 |
92 |
132 |
WCHS |
CBS |
33 |
Charleston-Huntington |
8.85 |
122 |
133 |
KMBC |
ABC |
23 |
Kansas
City |
7.37 |
134 |
134 |
WEWS |
ABC |
7 |
Cleveland |
8.12 |
128 |
135 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
10.63 |
96 |
136 |
KCPX |
ABC |
50 |
Salt Lake
City |
6.00 |
139 |
137 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
8.00 |
130 |
138 |
WKRC |
ABC |
20 |
Cincinnati |
5.88 |
140 |
139 |
WHBQ |
ABC |
29 |
Memphis |
6.47 |
136 |
140 |
KTVI |
ABC |
12 |
St. Louis |
6.15 |
138 |
141 |
KMSP |
ABC |
13 |
Minneapolis-St.
Paul |
8.20 |
126 |
142 |
WLKY |
ABC |
36 |
Louisville |
4.53 |
143 |
143 |
WNYS |
ABC |
43 |
Syracuse |
6.55 |
135 |
144 |
WDHO |
ABC |
45 |
Toledo |
1.67 |
144 |
Rank |
Pub. affairs and rank |
Other and rank |
|
||
|
|
|
|
|
Composite |
1 |
11.12 |
7 |
16.82 |
12 |
45.833 |
2 |
9.10 |
15 |
14.00 |
21 |
43.083 |
3 |
10.03 |
9 |
10.78 |
70 |
42.817 |
4 |
4.10 |
83 |
21.72 |
1 |
41.950 |
5 |
4.97 |
59 |
18.92 |
6 |
41.600 |
6 |
7.13 |
31 |
13.50 |
27 |
40.833 |
7 |
11.43 |
3 |
10.83 |
69 |
40.817 |
8 |
4.10 |
83 |
19.63 |
5 |
40.783 |
9 |
3.62 |
98 |
20.12 |
3 |
40.100 |
10 |
9.92 |
10 |
12.52 |
38 |
39.550 |
11 |
4.70 |
68 |
18.22 |
8 |
39.167 |
12 |
6.07 |
39 |
18.72 |
7 |
38.750 |
13 |
10.72 |
8 |
11.37 |
59 |
38.700 |
14 |
7.67 |
20 |
10.57 |
77 |
38.383 |
15 |
9.37 |
13 |
13.78 |
23 |
37.983 |
16 |
7.78 |
19 |
11.17 |
65 |
37.483 |
17 |
11.13 |
6 |
11.08 |
66 |
37.300 |
18 |
5.57 |
48 |
17.42 |
9 |
37.267 |
19 |
5.60 |
47 |
16.87 |
11 |
36.067 |
20 |
4.22 |
80 |
12.08 |
46 |
35.567 |
21 |
7.45 |
23 |
12.05 |
48 |
35.400 |
22 |
7.32 |
27 |
12.03 |
49 |
35.150 |
23 |
6.27 |
36 |
13.55 |
25 |
35.017 |
24 |
5.50 |
49 |
12.70 |
36 |
34.967 |
25 |
6.33 |
35 |
13.52 |
26 |
34.917 |
26 |
6.83 |
32 |
19.83 |
4 |
34.833 |
27 |
7.38 |
25 |
12.68 |
37 |
34.433 |
28 |
5.18 |
55 |
15.60 |
18 |
34.367 |
29 |
3.07 |
117 |
17.25 |
10 |
34.350 |
30 |
8.70 |
16 |
10.47 |
83 |
33.817 |
31 |
4.75 |
66 |
13.95 |
22 |
33.500 |
31 |
5.22 |
54 |
11.52 |
56 |
33.500 |
33 |
4.45 |
74 |
14.85 |
19 |
33.367 |
34 |
3.22 |
113 |
13.45 |
28 |
33.317 |
35 |
5.73 |
44 |
11.05 |
68 |
33.267 |
36 |
4.07 |
89 |
11.40 |
58 |
32.683 |
37 |
6.42 |
34 |
11.53 |
55 |
32.633 |
38 |
3.87 |
92 |
15.82 |
16 |
32.500 |
39 |
7.47 |
22 |
12.33 |
43 |
32.417 |
40 |
7.67 |
20 |
14.25 |
20 |
32.350 |
41 |
11.17 |
4 |
9.38 |
95 |
31.983 |
42 |
7.92 |
18 |
12.08 |
46 |
31.833 |
43 |
3.43 |
104 |
16.70 |
13 |
31.700 |
43 |
7.38 |
25 |
16.23 |
15 |
31.700 |
45 |
4.30 |
79 |
21.12 |
2 |
31.667 |
46 |
4.90 |
60 |
11.08 |
66 |
31.617 |
47 |
7.40 |
24 |
10.53 |
79 |
31.283 |
48 |
4.50 |
72 |
13.25 |
32 |
31.233 |
49 |
3.28 |
110 |
16.52 |
14 |
31.067 |
50 |
7.22 |
30 |
7.90 |
118 |
31.033 |
51 |
2.98 |
119 |
11.85 |
52 |
30.933 |
52 |
3.30 |
108 |
12.40 |
41 |
30.833 |
53 |
4.83 |
62 |
8.40 |
110 |
30.783 |
54 |
8.15 |
17 |
9.10 |
99 |
30.750 |
55 |
4.53 |
71 |
9.10 |
99 |
30.750 |
56 |
4.10 |
83 |
9.22 |
97 |
30.717 |
57 |
3.57 |
100 |
15.62 |
17 |
30.500 |
58 |
5.38 |
51 |
10.73 |
71 |
30.483 |
59 |
11.90 |
2 |
6.85 |
133 |
30.333 |
60 |
9.63 |
12 |
8.75 |
104 |
30.200 |
61 |
7.25 |
28 |
13.43 |
30 |
30.183 |
62 |
9.25 |
14 |
11.50 |
57 |
30.067 |
63 |
7.23 |
29 |
11.35 |
60 |
29.917 |
64 |
6.27 |
36 |
5.67 |
140 |
29.783 |
65 |
2.50 |
126 |
8.67 |
107 |
29.583 |
66 |
5.30 |
53 |
11.32 |
61 |
29.500 |
66 |
9.67 |
11 |
10.50 |
80 |
29.500 |
68 |
6.05 |
40 |
5.98 |
138 |
29.500 |
69 |
3.93 |
90 |
13.62 |
24 |
29.267 |
70 |
11.15 |
5 |
7.80 |
121 |
29.000 |
70 |
2.35 |
133 |
13.28 |
31 |
29.000 |
72 |
4.18 |
81 |
6.88 |
132 |
28.817 |
73 |
4.32 |
78 |
12.82 |
35 |
28.717 |
74 |
3.88 |
91 |
11.20 |
63 |
28.583 |
75 |
4.77 |
65 |
10.18 |
86 |
28.450 |
76 |
2.52 |
125 |
10.57 |
77 |
28.417 |
77 |
5.37 |
52 |
12.42 |
40 |
28.367 |
77 |
5.88 |
42 |
7.90 |
118 |
28.367 |
79 |
6.17 |
38 |
7.87 |
120 |
28.350 |
80 |
5.13 |
57 |
7.33 |
127 |
28.283 |
81 |
12.92 |
1 |
6.43 |
136 |
28.217 |
82 |
3.55 |
101 |
12.22 |
44 |
28.017 |
83 |
4.40 |
76 |
9.15 |
98 |
27.783 |
84 |
1.08 |
143 |
11.23 |
62 |
27.783 |
85 |
4.08 |
86 |
12.00 |
51 |
27.550 |
86 |
5.15 |
56 |
10.62 |
75 |
27.500 |
87 |
5.07 |
58 |
10.23 |
85 |
27.350 |
88 |
6.75 |
33 |
5.42 |
141 |
27.333 |
89 |
3.73 |
96 |
12.17 |
45 |
27.267 |
90 |
3.77 |
95 |
12.92 |
34 |
27.250 |
91 |
5.62 |
46 |
7.33 |
127 |
27.050 |
92 |
4.08 |
86 |
10.50 |
80 |
26.983 |
93 |
3.10 |
116 |
10.72 |
72 |
26.633 |
94 |
4.70 |
68 |
8.10 |
115 |
25.783 |
95 |
4.85 |
61 |
9.82 |
89 |
25.633 |
96 |
2.83 |
120 |
11.83 |
53 |
25.517 |
97 |
4.35 |
77 |
8.17 |
113 |
25.517 |
98 |
2.80 |
121 |
12.35 |
42 |
25.383 |
99 |
3.28 |
110 |
12.02 |
50 |
25.350 |
100 |
3.30 |
108 |
13.45 |
28 |
25.333 |
101 |
2.33 |
134 |
11.83 |
53 |
25.000 |
102 |
4.50 |
72 |
6.77 |
134 |
24.833 |
103 |
3.20 |
114 |
10.65 |
74 |
24.467 |
104 |
5.98 |
41 |
8.12 |
114 |
24.417 |
105 |
4.45 |
74 |
8.93 |
102 |
24.267 |
106 |
5.82 |
43 |
9.67 |
98 |
24.233 |
107 |
3.48 |
103 |
10.50 |
80 |
24.200 |
108 |
4.17 |
82 |
8.75 |
104 |
23.967 |
109 |
4.63 |
70 |
8.45 |
109 |
23.583 |
110 |
5.65 |
45 |
6.22 |
137 |
23.500 |
111 |
3.43 |
104 |
10.40 |
84 |
23.383 |
112 |
3.32 |
107 |
9.90 |
87 |
23.300 |
113 |
2.50 |
126 |
11.10 |
65 |
23.283 |
114 |
3.25 |
112 |
7.17 |
131 |
23.033 |
115 |
4.83 |
62 |
8.38 |
111 |
22.967 |
116 |
3.82 |
93 |
8.75 |
104 |
22.867 |
117 |
5.40 |
50 |
9.50 |
94 |
22.633 |
118 |
3.42 |
106 |
7.92 |
117 |
22.333 |
119 |
3.73 |
96 |
9.30 |
96 |
22.250 |
120 |
1.80 |
142 |
10.67 |
73 |
22.033 |
121 |
3.00 |
118 |
7.38 |
126 |
21.850 |
122 |
4.83 |
62 |
7.28 |
129 |
21.617 |
123 |
2.45 |
130 |
10.60 |
76 |
21.433 |
124 |
3.58 |
99 |
9.70 |
92 |
21.283 |
125 |
2.65 |
122 |
12.95 |
33 |
20.950 |
126 |
4.08 |
86 |
7.22 |
130 |
20.517 |
127 |
3.55 |
101 |
7.47 |
125 |
20.267 |
128 |
3.20 |
114 |
6.55 |
135 |
19.717 |
129 |
1.90 |
141 |
12.52 |
38 |
19.500 |
130 |
2.20 |
136 |
9.80 |
90 |
19.417 |
131 |
3.80 |
94 |
4.27 |
144 |
19.017 |
132 |
2.00 |
139 |
7.97 |
116 |
18.817 |
133 |
2.40 |
132 |
8.98 |
101 |
18.750 |
134 |
2.03 |
137 |
8.35 |
112 |
18.500 |
135 |
2.43 |
131 |
5.27 |
142 |
18.333 |
136 |
4.75 |
66 |
7.53 |
124 |
18.283 |
137 |
2.62 |
123 |
7.58 |
123 |
18.200 |
138 |
2.50 |
126 |
9.78 |
91 |
18.167 |
139 |
2.33 |
134 |
8.87 |
103 |
17.667 |
140 |
2.55 |
124 |
8.67 |
107 |
17.367 |
141 |
2.03 |
137 |
5.68 |
139 |
15.917 |
142 |
2.47 |
129 |
7.73 |
122 |
14.733 |
143 |
1.93 |
140 |
5.12 |
143 |
13.600 |
144 |
83 |
144 |
9.90 |
87 |
12.400 |
Public
Service Announcements
In addition to requiring information
with respect to news, public affairs, and other programming, the FCC requires
that stations report the number of public service announcements (psa's) aired
during the composite week and the number proposed to be aired during an average
week in the future renewal period. While the broadcasting of psa's is one
measure of a station's performance in the public interest, the Commission, in
common with the data it receives on news, public affairs, and other
programming, has never attempted to set "psa standards" at renewal
time, for the purpose of evaluating licensee performance. n12
n12 Indeed, Deputy Broadcast Bureau
Chief Harold Kassens, in noting that some licensees even fail to fill in this
blank on their application, said "It doesn't matter whether they run one
or 1000... we're not going to do anything about it...."
Although we believe that the
quantity of psa's broadcast by a station in any given week is a measure of its
performance in the public interest, it must be recognized that the number by
itself reveals very little about a station's performance. In point of
fact, what the figure does not reveal may be even more significant than what it
does.
The figure does not disclose, for
example, how the psa's are distributed during a typical broadcast day.
Because they are aired free of charge it is likely that a station will run them
most frequently during the hours when its rates are lowest and it sells the
least commercial time -- i.e., late might and early morning. The natural
tendency, given that television as presently constituted is a profit-maximizing
enterprise, is to broadcast psa's in the hours when air time is cheapest and,
accordingly, audiences smallest. To run a sixty-second psa during prime
time will ordinarily cost a station hundreds of dollars in lost revenue,
whereas running it at 2:30 am entails either no loss (because the time could
not be sold) or a loss of considerably smaller magnitude.
Notwithstanding, therefore, that a station may be presenting large numbers of
psa's during any given week, their effect and value will be marginal if they
appear predominantly at those times when television audiences are smallest.
Not only does the present renewal
application not disclose the distribution of psa's, but it also does not
disclose their length. Although a psa of ten seconds duration may on
occasion be just as effective as one of sixty seconds, it is likely that a
station running five-and ten-second psa's exclusively is doing so solely in
order to lose as little revenue as possible and is therefore indiscriminately
rejecting all announcements of greater length. This practice is
manifestly not consonant with station performance in the public interest.
Finally, the renewal application
does not require that a licensee disclose the source of psa's. Licensees
have a Congressional mandate to serve the public interest, convenience, and
necessity of their local communities, and it necessarily follows that psa's
should be well-suited to this task. Although national organizations are
fully entitled to free time for psa's, service to the local community is the
raison d'etre of a television station, hence locally produced announcements
ought to be given preferred treatment. When a station airs only
professionally produced announcements from national organizations (e.g., Heart
Association, the U.S. Army or CARE), because they are better-sounding or appearing
or easier to broadcast for technical reasons, or because they are less
hard-hitting and controversial (having been cleared by the Advertising
Council), it can scarcely be maintained that the local community is being as
well served as it would be by announcements regarding even a local blood drive
or a library fund-raising event -- not to mention more controversial local
issues. Unfortunately, the present renewal application does not reveal
whether or not such treatment is in fact being accorded locally originated
psa's, and determination of that, as well as the time and duration of
announcements, must be left to the monitoring techniques of concerned local
organizations.
Notwithstanding these substantial
shortcomings, the number of announcements listed on the renewal applications
does give some indication of service to the public. We do feel that the
station with 450 psa's and the station with but 50 both deserve to have that
fact noted in our study. Accordingly, we present below a ranking based
solely on the number of psa's. Because of the defects in these numbers
which we have just discussed, however, we have not included this factor in our
final composite ranking.
Network
Affiliates Ranked by Number of Public Service Announcements in Composite Week
Rank |
Call letters |
Net. aff. |
Mkt. No. |
Location |
PSA's |
1 |
WKY |
NBC |
41 |
Oklahoma City |
572 |
2 |
WJZ |
ABC |
19 |
Baltimore |
495 |
3 KYW |
NBC |
4 |
Philadelphia |
464 |
|
4 |
WLCY |
ABC |
24 |
Tampa-St. Petersburg |
462 |
5 |
KOIN |
CBS |
26 |
Portland |
446 |
6 |
WIVT |
CBS |
24 |
Tampa-St. Petersburg |
386 |
7 |
WJAR |
NBC |
34 |
Providence |
369 |
8 |
KWTV |
CBS |
41 |
Oklahoma City |
365 |
9 |
KDKA |
CBS |
9 |
Pittsburgh |
364 |
10 |
WPVI |
ABC |
4 |
Philadelphia |
348 |
11 |
KOOL |
CBS |
45 |
Phoenix |
336 |
12 |
KPRC |
NBC |
15 |
Houston |
327 |
13 |
WTIC |
CBS |
22 |
Hartford-New Haven |
326 |
14 |
KPIX |
CBS |
8 |
San Francisco |
317 |
14 |
WBNS |
CBS |
28 |
Columbus |
317 |
16 |
WTAE |
ABC |
9 |
Pittsburgh |
309 |
17 |
WBZ |
NBC |
6 |
Boston |
300 |
17 |
WMAL |
ABC |
10 |
Washington, D.C. |
300 |
17 |
WAPI |
NBC |
38 |
Birmingham |
300 |
20 |
WAVY |
NBC |
44 |
Norf-Newp News-Hamp |
297 |
21 |
WBAL |
NBC |
19 |
Baltimore |
290 |
22 |
WCBS |
CBS |
1 |
New York City |
287 |
22 |
WNAC |
ABC |
6 |
Boston |
287 |
24 |
WZZM |
ABC |
41 |
Kalamazoo-Gr Rapids |
286 |
25 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
285 |
26 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
281 |
27 |
WSYR |
NBC |
43 |
Syracuse |
272 |
28 |
WINH |
ABC |
22 |
Hartford-New Haven |
270 |
29 |
KCPX |
ABC |
50 |
Salt Lake City |
269 |
30 |
WBAP |
NBC |
11 |
Dallas-Fort Worth |
265 |
31 |
WKBW |
ABC |
25 |
Buffalo |
263 |
32 |
KGW |
NBC |
26 |
Portland |
262 |
33 |
WTEV |
ABC |
34 |
Providence |
259 |
33 |
KOCO |
ABC |
41 |
Oklahoma City |
259 |
35 |
WBEN |
CBS |
25 |
Buffalo |
258 |
36 |
WLWT |
NBC |
20 |
Cincinnati |
256 |
37 |
KFMB |
CBS |
49 |
San Diego |
251 |
38 |
WCAU |
CBS |
4 |
Philadelphia |
247 |
38 |
WOAI |
NBC |
45 |
San Antonio |
247 |
40 |
WTOP |
CBS |
10 |
Washington, D.C. |
246 |
41 |
WMAR |
CBS |
19 |
Baltimore |
245 |
41 |
WKRC |
ABC |
20 |
Cincinnati |
245 |
43 |
KABC |
ABC |
2hLos Angeles |
243 |
|
44 |
WQXI |
ABC |
17 |
Atlanta |
242 |
45 |
KDFW |
CBS |
11 |
Dallas-Fort Worth |
241 |
45 |
KSD |
NBC |
12 |
St. Louis |
241 |
45 |
WCKT |
NBC |
18 |
Miami |
241 |
48 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
238 |
49 |
KMOX |
CBS |
12 |
St. Louis |
237 |
50 |
WLWI |
ABC |
14 |
Indianapolis |
235 |
51 |
KMGH |
CBS |
32 |
Denver |
234 |
52 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
231 |
52 |
WBBM |
CBS |
3 |
Chicago |
231 |
54 |
WFLA |
NBC |
24 |
Tampa-St. Petersburg |
230 |
54 |
KATU |
ABC |
26 |
Portland |
230 |
56 |
WPLG |
ABC |
18 |
Miami |
226 |
56 |
WIIC |
NBC |
9 |
Pittsburgh |
226 |
58 |
WISN |
CBS |
21 |
Milwaukee |
224 |
59 |
WHTN |
ABC |
33 |
Charleston-Huntington |
221 |
60 |
KHOU |
CBS |
15 |
Houston |
218 |
61 |
|
||||
KOA |
NBC |
32 |
Denver |
216 |
|
62 |
WABC |
ABC |
1 |
New York City |
214 |
63 |
WBTV |
CBS |
35 |
Charlotte |
212 |
64 |
KENS |
CBS |
45 |
San Antonio |
211 |
65 |
WNBC |
NBC |
1 |
New York City |
207 |
65 |
WHAS |
CBS |
36 |
Louisville |
207 |
67 |
WFAA |
ABC |
11 |
Dallas-Fort Worth |
204 |
67 |
WISH |
CBS |
14 |
Indianapolis |
204 |
69 |
WGR |
NBC |
25 |
Buffalo |
203 |
69 |
WCHS |
CBS |
33 |
Charleston-Huntington |
203 |
71 |
WJW |
CBS |
7 |
Cleveland |
200 |
72 |
WVUE |
ABC |
31 |
New Orleans |
198 |
73 |
WNYS |
ABC |
43 |
Syracuse |
197 |
74 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
195 |
74 |
WOTV |
NBC |
41 |
Kalamazoo-Gr Rapids |
195 |
76 |
WTVN |
ABC |
28 |
Columbus |
194 |
77 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
192 |
78 |
WSB |
NBC |
17 |
Atlanta |
191 |
79 |
WLWD |
NBC |
39 |
Dayton |
188 |
80 |
WMC |
NBC |
29 |
Memphis |
186 |
81 |
|
||||
WDAF |
NBC |
23 |
Kansas City |
185 |
|
81 |
WBRC |
ABC |
38 |
Birmingham |
185 |
83 |
WWJ |
NBC |
5 |
Detroit |
184 |
83 |
WAVE |
NBC |
36 |
Louisville |
184 |
85 |
KNXT |
CBS |
2 |
Los Angeles |
183 |
85 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
183 |
87 |
WLS |
ABC |
3 |
Chicago |
182 |
88 |
WKYC |
NBC |
7 |
Cleveland |
179 |
88 |
WRTV |
NBC |
14 |
Indianapolis |
179 |
88 |
KTAR |
NBC |
45 |
Phoenix |
179 |
91 |
WLWC |
NBC |
28 |
Columbus |
177 |
91 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
177 |
91 |
WVEC |
ABC |
44 |
Norf-Newp News-Hamp |
177 |
91 |
WFMY |
CBS |
48 |
Gnsb-High Pt-Win Sal |
177 |
95 |
WWL |
CBS |
31 |
New Orleans |
176 |
96 |
WRC |
NBC |
10 |
Washington D.C. |
173 |
97 |
KMBC |
ABC |
23 |
Kansas City |
172 |
97 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
172 |
99 |
KNBC |
NBC |
2 |
Los Angeles |
169 |
100 |
WAGA |
CBS |
17 |
Atlanta |
166 |
101 |
WMAQ |
NBC |
3 |
Chicago |
165 |
101 |
KTRK |
ABC |
15 |
Houston |
165 |
103 |
WTOL |
CBS |
45 |
Toledo |
163 |
104 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
162 |
105 |
WPRI |
CBS |
34 |
Providence |
159 |
106 |
KGO |
ABC |
8 |
San Francisco |
155 |
106 |
KUTV |
NBC |
50 |
Salt Lake City |
155 |
108 |
WSPD |
NBC |
45 |
Toledo |
154 |
109 |
|
||||
KCMO |
CBS |
23 |
Kansas City |
151 |
|
109 |
WSOC |
NBC |
35 |
Charlotte |
151 |
111 |
KTVK |
ABC |
45 |
Phoenix |
150 |
112 |
WXII |
NBC |
48 |
Gnsp-High Pt-Win Sal |
149 |
112 |
WTVJ |
CBS |
18 |
Miami |
149 |
112 |
WCCB |
ABC |
35 |
Charlotte |
149 |
115 |
WHEN |
CBS |
43 |
Syracuse |
148 |
116 |
WCCO |
CBS |
13 |
Minneapolis-St Paul |
147 |
117 |
WDHO |
ABC |
45 |
Toledo |
146 |
118 |
KSL |
CBS |
50 |
Salt Lake City |
135 |
119 |
WBMG |
CBS |
38 |
Birmingham |
134 |
120 |
WILL |
ABC |
21 |
Milwaukee |
133 |
121 |
KGIV |
NBC |
49 |
San Diego |
132 |
122 |
KMSP |
ABC |
13 |
Minneapolis-St. Paul |
130 |
123 |
KBTV |
ABC |
32 |
Denver |
129 |
124 |
WEWS |
ABC |
7 |
Cleveland |
127 |
125 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
126 |
126 |
KSIP |
NBC |
13 |
Minneapolis-St. Paul |
124 |
127 |
WCPO |
CBS |
20 |
Cincinnati |
121 |
128 |
KSAT |
ABC |
45 |
San Antonio |
115 |
129 |
WKZO |
CBS |
41 |
Kalamazoo-Gr Rapids |
114 |
130 |
WLKY |
ABC |
36 |
Louisville |
112 |
131 |
WREC |
CBS |
29 |
Memphis |
112 |
132 |
WJBK |
CBS |
5 |
Detroit |
110 |
133 |
KING |
NBC |
16 |
Seattle-Tacoma |
109 |
134 |
WHBQ |
ABC |
29 |
Memphis |
107 |
135 |
WTMJ |
NBC |
21 |
Milwaukee |
103 |
136 |
WDSU |
NBC |
31 |
New Orleans |
98 |
137 |
KTVI |
ABC |
12 |
St. Louis |
86 |
138 |
WSIX |
ABC |
30 |
Nashville |
84 |
139 |
WLAC |
CBS |
30 |
Nashville |
84 |
140 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
83 |
141 |
WXYZ |
ABC |
5 |
Detroit |
81 |
142 |
WSM |
NBC |
30 |
Nashville |
75 |
143 |
WHIO |
CBS |
39 |
Dayton |
60 |
144 |
WHNB |
NBC |
22 |
Hartford-New Haven |
0 |
|
|
III. COMMERCIALIZATION
Public concern with the amount and
character of broadcast advertising was recognized as early as 1922 when Herbert
Hoover, then Secretary of Commerce and in charge of radio regulation, said:
"It is inconceivable that we should allow so great a possibility for
service, for news, for entertainment, for education and for vital commercial
purposes to be drowned in advertising chatter." n13
n13 Hearings Before Communications
Subcommittee of Committee on Interstate and Foreign Commerce on H.R. 8316, H.R.
8318, H.R. 8729, H.R. 8896, H.R. 8980, H.R. 9042 at 37 (Nov. 6, 1963).
In 1960 the FCC said that broadcast
licensees have an obligation "to avoid abuses with respect to the total
amount of time devoted to advertising continuity as well as the frequency with
which regular programs are interrupted for advertising messages." n14 The problem, however, is that the Commission has
never done anything concrete about over commercialization, because its
knee-jerk response tends to be to protect the industry's profits rather than
the public interest.
n14 Id.
In 1963, for example, the Commission
tentatively announced that it would attempt to propose the adoption of rules
requiring all broadcast licensees to observe the limitations on advertising
contained in the industry�s own self-regulatory handbook, the National
Association of Broadcasters Code of Good Practices. n15 Those limitations, which can be ignored by
broadcasters if they choose, today would include 9 1/2 minutes per hour of
commercials in prime time and 16 minutes at all other times except children's
weekend programming, from 7:00 am to 2:00 pm Saturday and Sunday, which has
recently been limited to 12 minutes per hour.
n15 See the comprehensive discussion
of this rulemaking and its ultimate demise in Krasnow and Longley, The Politics
of Broadcast Regulations 105-111 (1973).
Needless to say, the industry outcry
to the suggestion was as rapid as it was furious, and the Commission quickly
backed off with a 1964 promise to continue to develop its policy on
commercialization on a case by case basis. n16 Broadcasting Magazine, always privy to the Commissions innermost
thoughts and processes, assured the industry in July of 1964 that only the most
extreme cases of over commercialization would ever be brought to the
Commission's attention. n17
n16 Id., at 107. The Commission
found its ground cut out from under it by a concerted broadcaster assault on
Congress which led to hearings on a bill "to prohibit the Commission from
adopting any rules governing the length or frequency of broadcast ads."
When the bill overwhelmingly passed the House (before dying in the Senate) the
Commission seemed to get the "message" and allowed its rulemaking to
expire without coming to any results.
n17 "FCC Again Rebuff's
Chairman," Broadcasting, July 27, 1969, at 34.
The basic assumption used in
applying the commercialization factor in the final ranking of our study is that
the greater the emphasis on commercials (the more the commercial time) the
worse the station is performing. While recognizing the current need of
the broadcaster to protect his financial self-interest (and that of his
stockholders), we have attempted to balance that self-interest against the
needs of the viewing public in determining the relative service of each
affiliate in the study. Moreover, we are not convinced that greater
service to the public, via fewer commercials, necessarily means less revenue to
the broadcaster. An advertising executive concerned about the value of
his commercial product recently screened for his colleagues a single
"clutter clip" spanning the even minute period between the end of one
prime time network show and the beginning of the next, in which he counted no
fewer than thirty-five separate "messages" to the viewer!
Surely, if fewer "minutes" of commercial time are made available, as
a service to the public, the advertiser will be willing to pay a higher price
for the greater exclusivity he is buying.
This theory is at least partially
borne out by the variety of international experiences in setting commercial
limitations. In Germany, for example, advertisers willingly pay more for
one of the twenty minutes of commercials allowed per day than they would if
commercials were appearing at a rate of 12 or 16 minutes per hour. Such
advertising, moreover, is strictly limited to the 6-8 pm portion of German
"prime time," in which the normally varied German television fare is
given over to -- you guessed it! - American series reruns. Other
international standards included those of France which, in 1968, only allowed a
total of 2 minutes of advertising per day. Newer rulings, however, allow
5 minutes of advertising on one channel and 15 minutes on another. Canada
limits commercial time to 7 minutes per hour segment and also places a limit on
the amount of advertisements during any 15 minute period to 5 in number and 4
minutes of total time.
The extent of the Commission
regulation of commercials at the present time is "the 18 month
letter" which is sent to all television licensees who propose in their
renewal applications to exceed 16 minutes of commercial matter per hour.
In response to this letter the applicant must give information on complaints,
total number of hours in excess of 16 minutes of commercial time, and defenses
of the station's policies in terms of community and public interest. The
"18 month letter" amounts only to a doubt expressed by the Commission
that the licensee is not meeting the public interest in commercialization -- a
"doubt" involving as little actual sanction as does the NAB Code.
The data gathered in the course of
this study was limited to the resources available, namely the license renewal
form 303 filed by the licensee. Form 303, Section IV-B, Part IV asks the
applicant to list past commercial practices and Part V asks for proposed
commercial practices including the following questions: "What is the maximum
amount of commercial matter in any 60 minute segment which the applicant
proposes normally to allow? If the applicant proposes to permit this
amount to be exceeded at times, state under what circumstances and how often
this is expected to occur, and the limits that would then apply." The form
fails, however, to request a breakdown of commercialization in prime time and
non prime-time hours. Nor does it require submission of crucial
information on program interruption or other matters, such as loudness violations.
n18
n18 Statement of Policy Concerning
Loud Commercials, FCC 65-618 (July 12, 1965).
The license renewal application
requests the licensee to submit the number of 60 minute segments which fall
into four categories: (A) up to and including 8 minutes; (B) over 8 and up to
and including 12 minutes; (C) over 12 and up to and including 16 minutes; (D)
over 16 minutes. We concluded that the categories (C) and (D) (over
12-16, and over 16) were most significant for our study; 12 minutes of commercials
per hour means that the public is being subjected to commercials at a rate of
one hour out of every five, or 20% of all broadcasting time, and is a useful
maximum limit. Such commercialization would violate even the industry's
own standards in prime time and during children's programming. We find no
justification for giving any weight at all to the NAB's 16 minute non-prime
time standard.
The total column and the ranking
column in the commercialization table will indicate the number of 60 minute
segments in which 12 or more commercial minutes appeared during the composite
week: the number one station is therefore that station with the fewest 60
minute segments with 12 or more commercial minutes.
We considered and rejected using a
method of ranking based on the number of 60 minute segments with 12 or more
minutes of commercials expressed as a percentage of the total number of 60
minute segments in the station's broadcast week, because a clear advantage
would then accrue to stations operating between 12 midnight and 6:00 am, when
far fewer commercials can be sold. The result would have been an
unrealistic lower overall percentage. By using raw data the focus is on
the time of greatest audience viewing, and a more accurate reflection of significant
over-commercialization should thus be obtained.
We also considered more heavily
weighting the over-16 category as a penalty, since per se violations were
obvious here. A random sampling of the stations indicated, however, that
this category produced such a small occurrence relative to those in the over 12
to 16 category (just one or two 60 minute segments per station) that unless an
extremely high weighting factor (e.g., 5x) was applied there would be no
significance to the overall ranking. Moreover, any weighting would
necessarily be arbitrary. Where ties occurred, however, in the
commercialization ranking, the number of segments of over-16 minutes of
commercials was used to break them.
We recognize that this analysis --
and the data upon which it is based -- is less than ideal. For a
broadcaster to run 13 minutes of non-program matter during 60 minutes when the
NAB Code would permit 16 is one thing; to run 13 minutes when the Code permits
9 1/2 is something else again. And yet the renewal form does not permit
such distinctions. On the other hand, to the viewer who is watching, 13
minutes is 13 minutes whatever time of day the commercials may be run.
Another factor we could not analyze
from the available data was whether a broadcaster could have sold more commercials
than he did. For example, of the 20 highest ranked stations on the
commercialization index (that is, the 20 with the fewest number of commercials)
14 are in markets 26 to 50. It is possible to conclude that this
"favorable" ranking reflects no higher ethical values, or desire to
serve the public interest, but merely the inability to sell more commercials
than that.
Network
Affiliates Ranked by Number of Composite Week Hours With More Than 12 Min of
Commercials
Rank |
Call letters |
Net. aff. |
Mkt. |
Location |
|
|
|
No. |
|
1 |
KPIX |
CBS |
8 |
San
Francisco |
2 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
3 |
WPRI |
CBS |
34 |
Providence |
4 |
WJZ |
ABC |
19 |
Baltimore |
5 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
6 |
KING |
NBC |
16 |
Seattle-Tacoma |
6 |
WDHO |
ABC |
45 |
Toledo |
8 |
WNYS |
ABC |
43 |
Syracuse |
9 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
10 |
WTAE |
ABC |
9 |
Pittsburgh |
11 |
WLKY |
ABC |
36 |
Louisville |
12 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
13 |
WSYR |
NBC |
43 |
Syracuse |
13 |
WFBC |
NBC |
40 |
Gnville-Spinbg-Ashvi |
13 |
KMSP |
ABC |
13 |
Minneapolis-St
Paul |
16 |
KCPX |
ABC |
50 |
Salt Lake
City |
16 |
WSOC |
NBC |
35 |
Charlotte |
16 |
WHTN |
ABC |
33 |
Charleston-Huntington |
16 |
KDVR |
ABC |
27 |
Sacramento-Stockton |
16 |
WKBW |
ABC |
25 |
Buffalo |
16 |
WITI |
ABC |
21 |
Milwaukee |
22 |
WAPI |
NBC |
38 |
Birmingham |
23 |
KYW |
NBC |
4 |
Philadelphia |
24 |
KATU |
ABC |
26 |
Portland |
24 |
KTVI |
ABC |
12 |
St. Louis |
26 |
WNAC |
ABC |
6 |
Boston |
27 |
WCHS |
CBS |
33 |
Charleston-Huntington |
28 |
KSAT |
ABC |
45 |
San
Antonio |
28 |
WXII |
NBC |
48 |
Gnsb-High
Pt-WinSal |
30 |
KDKA |
CBS |
9 |
Pittsburgh |
31 |
WSIX |
ABC |
30 |
Nashville |
32 |
WOAI |
NBC |
45 |
San
Antonio |
33 |
WKRC |
ABC |
20 |
Cincinnati |
33 |
WTVJ |
CBS |
18 |
Miami |
35 |
WHAS |
CBS |
36 |
Louisville |
36 |
WAVY |
NBC |
44 |
Norfolk-Newport
News-Hampton |
36 |
WRGB |
NBC |
37 |
Albany-Schenectady-Troy |
36 |
WRTV |
NBC |
14 |
Indianapolis |
39 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
40 |
WKY |
NBC |
41 |
Oklahoma
City |
41 |
WSPD |
NBC |
45 |
Toledo |
41 |
WVEC |
ABC |
44 |
Norfolk-Newport
News-Hampton |
41 |
WGR |
NBC |
25 |
Buffalo |
41 |
WMAL |
ABC |
10 |
Washington,
D.C. |
41 |
WIEV |
ABC |
34 |
Providence |
46 |
WZZM |
ABC |
41 |
Kalamazoo-Grand
Rapids |
46 |
WVUE |
ABC |
31 |
New
Orleans |
46 |
WCKT |
NBC |
18 |
Miami |
49 |
KTVK |
ABC |
45 |
Phoenix |
49 |
WHDQ |
ABC |
29 |
Memphis |
49 |
KGW |
NBC |
26 |
Portland |
49 |
WSB |
NBC |
17 |
Atlanta |
49 |
WBZ |
NBC |
6 |
Boston |
49 |
WABC |
ABC |
1 |
New York
City |
55 |
WBMG |
CBS |
38 |
Birmingham |
56 |
WBRC |
ABC |
38 |
Birmingham |
57 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
57 |
WREC |
CBS |
29 |
Memphis |
57 |
WBEN |
CBS |
25 |
Buffalo |
57 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
57 |
KSTP |
NBC |
13 |
Minneapolis-St.
Paul |
62 |
KOIN |
CBS |
26 |
Portland |
63 |
KUTV |
NBC |
50 |
Salt Lake
City |
63 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
63 |
WIDL |
CBS |
45 |
Toledo |
63 |
KTAR |
NBC |
45 |
Phoenix |
63 |
WSM |
NBC |
30 |
Nashville |
63 |
KTRK |
ABC |
15 |
Houston |
69 |
WTVN |
ABC |
28 |
Columbus |
70 |
WJAR |
NBC |
34 |
Providence |
70 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
70 |
WWL |
CBS |
31 |
New
Orleans |
70 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
70 |
KWTV |
CBS |
41 |
Oklahoma
City |
75 |
KSD |
NBC |
12 |
St. Louis |
75 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
77 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
78 |
WMAR |
CBS |
19 |
Baltimore |
78 |
WISH |
CBS |
14 |
Indianapolis |
80 |
KPRC |
NBC |
15 |
Houston |
81hKOCO |
ABC |
41 |
Oklahoma City |
|
81 |
WDSO |
NBC |
31 |
New
Orleans |
81 |
KENS |
CBS |
45 |
San
Antonio |
81 |
WCCB |
ABC |
35 |
Charlotte |
81 |
WBNS |
CBS |
28 |
Columbus |
86 |
WPLG |
ABC |
18 |
Miami |
87 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
88 |
KSL |
CBS |
50 |
Salt Lake
City |
88 |
KGTV |
NBC |
49 |
San Diego |
88 |
WHEN |
CBS |
43 |
Syracuse |
88 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
88 |
WAVE |
NBC |
36 |
Louisville |
88 |
WBTV |
CBS |
35 |
Charlotte |
88 |
KMBC |
ABC |
23 |
Kansas
City |
88 |
WBAL |
NBC |
19 |
Baltimore |
88 |
WNBC |
NBC |
1 |
New York
City |
97 |
KABC |
ABC |
2 |
Los
Angeles |
98 |
WEWS |
ABC |
7 |
Cleveland |
99 |
WCPO |
CBS |
20 |
Cincinnati |
99 |
KGO |
ABC |
8 |
San
Francisco |
101 |
KCMO |
CBS |
23 |
Kansas
City |
101 |
WRC |
NBC |
10 |
Washington,
D.C. |
101 |
WJW |
CBS |
7 |
Cleveland |
101 |
KMOX |
CBS |
12 |
St. Louis |
105 |
WIIC |
NBC |
9 |
Pittsburgh |
106 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
106 |
WIMJ |
NBC |
21 |
Milwaukee |
108 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
108 |
WCBS |
CBS |
1 |
New York
City |
110 |
KHOU |
CBS |
15 |
Houston |
111 |
KOA |
NBC |
32 |
Denver |
112 |
WQXI |
ABC |
17 |
Atlanta |
113 |
WPVI |
ABC |
4 |
Philadelphia |
114 |
WMC |
NBC |
29 |
Memphis |
114 |
WJBK |
CBS |
5 |
Detroit |
116 |
WLAC |
CBS |
30 |
Nashville |
117 |
KMGH |
CBS |
32 |
Denver |
117 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
119 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
119 |
WTOP |
CBS |
10 |
Washington,
D.C. |
121 |
WAGA |
CBS |
17 |
Atlanta |
121 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
121 |
WKYC |
NBC |
7 |
Cleveland |
121 |
WCAU |
CBS |
4 |
Philadelphia |
121 |
KNXT |
CBS |
2 |
Los
Angeles |
126 |
WLWC |
NBC |
28 |
Columbus |
126 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
128 |
WISN |
CBS |
21 |
Milwaukee |
129 |
WWJ |
NBC |
5 |
Detroit |
130 |
WLWI |
ABC |
14 |
Indianapolis |
131 |
WLWT |
NBC |
20 |
Cincinnati |
132 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
132 |
WXYZ |
ABC |
5 |
Detroit |
132 |
WMAQ |
NBC |
3 |
Chicago |
135 |
WHIO |
CBS |
39 |
Dayton |
136 |
KFMB |
CBS |
49 |
San Diego |
137 |
WLWD |
NBC |
39 |
Dayton |
138 |
KNBC |
NBC |
2 |
Los
Angeles |
139 |
WCCO |
CBS |
13 |
Minneapolis-St.
Paul |
140 |
KOOL |
CBS |
45 |
Phoenix |
141 |
WBBM |
CBS |
3 |
Chicago |
142 |
KBTV |
ABC |
32 |
Denver |
143 |
WLS |
ABC |
3 |
Chicago |
144 |
WDAF |
NBC |
23 |
Kansas
City |
Rank |
12-16 |
Over 16 |
Total |
|
min. |
|
|
1 |
2 |
0 |
2 |
2 |
4 |
0 |
4 |
3 |
10 |
1 |
11 |
4 |
13 |
0 |
13 |
5 |
15 |
0 |
15 |
6 |
18 |
0 |
18 |
6 |
18 |
0 |
18 |
8 |
19 |
0 |
19 |
9 |
18 |
1 |
19 |
10 |
20 |
0 |
20 |
11 |
21 |
1 |
22 |
12 |
23 |
0 |
23 |
13 |
24 |
0 |
24 |
13 |
24 |
0 |
24 |
13 |
24 |
0 |
24 |
16 |
25 |
0 |
25 |
16 |
25 |
0 |
25 |
16 |
25 |
0 |
25 |
16 |
25 |
0 |
25 |
16 |
25 |
0 |
25 |
16 |
25 |
0 |
25 |
22 |
24 |
1 |
25 |
23 |
26 |
0 |
26 |
24 |
27 |
0 |
27 |
24 |
27 |
0 |
27 |
26 |
26 |
1 |
27 |
27 |
24 |
3 |
27 |
28 |
28 |
0 |
28 |
28 |
28 |
0 |
28 |
30 |
29 |
0 |
29 |
31 |
28 |
1 |
29 |
32 |
27 |
2 |
29 |
33 |
30 |
0 |
30 |
33 |
30 |
0 |
30 |
35 |
29 |
1 |
30 |
36 |
31 |
0 |
31 |
36 |
31 |
0 |
31 |
36 |
31 |
0 |
31 |
39 |
30 |
1 |
31 |
40 |
29 |
2 |
31 |
41 |
32 |
0 |
32 |
41 |
32 |
0 |
32 |
41 |
32 |
0 |
32 |
41 |
32 |
0 |
32 |
41 |
32 |
0 |
32 |
46 |
31 |
1 |
32 |
46 |
31 |
1 |
32 |
46 |
31 |
1 |
32 |
49 |
33 |
0 |
33 |
49 |
33 |
0 |
33 |
49 |
33 |
0 |
33 |
49 |
33 |
0 |
33 |
49 |
33 |
0 |
33 |
49 |
33 |
0 |
33 |
55 |
31 |
2 |
33 |
56 |
29 |
4 |
33 |
57 |
35 |
0 |
35 |
57 |
35 |
0 |
35 |
57 |
35 |
0 |
35 |
57 |
35 |
0 |
35 |
57 |
35 |
0 |
35 |
62 |
33 |
2 |
35 |
63 |
36 |
0 |
36 |
63 |
36 |
0 |
36 |
63 |
36 |
0 |
36 |
63 |
36 |
0 |
36 |
63 |
36 |
0 |
36 |
63 |
36 |
0 |
36 |
69 |
36 |
1 |
36 |
70 |
37 |
0 |
37 |
70 |
37 |
0 |
37 |
70 |
37 |
0 |
37 |
70 |
37 |
0 |
37 |
70 |
37 |
0 |
37 |
75 |
36 |
1 |
37 |
75 |
36 |
1 |
37 |
77 |
35 |
2 |
37 |
78 |
38 |
0 |
38 |
78 |
38 |
0 |
38 |
80 |
36 |
2 |
38 |
81 |
39 |
0 |
39 |
81 |
39 |
0 |
39 |
81 |
39 |
0 |
39 |
81 |
39 |
0 |
39 |
81 |
39 |
0 |
39 |
86 |
38 |
1 |
39 |
87 |
37 |
2 |
39 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
88 |
40 |
0 |
40 |
97 |
39 |
1 |
40 |
98 |
41 |
0 |
41 |
99 |
40 |
1 |
41 |
99 |
40 |
1 |
41 |
101 |
42 |
0 |
42 |
101 |
42 |
0 |
42 |
101 |
42 |
0 |
42 |
101 |
42 |
0 |
42 |
105 |
41 |
1 |
42 |
106 |
43 |
0 |
43 |
106 |
43 |
0 |
43 |
108 |
44 |
0 |
44 |
108 |
44 |
0 |
44 |
110 |
43 |
1 |
44 |
111 |
42 |
2 |
44 |
112 |
45 |
0 |
45 |
113 |
44 |
1 |
45 |
114 |
45 |
1 |
46 |
114 |
45 |
1 |
46 |
116 |
44 |
2 |
46 |
117 |
47 |
0 |
47 |
117 |
47 |
0 |
47 |
119 |
46 |
1 |
47 |
119 |
46 |
1 |
47 |
121 |
48 |
0 |
48 |
121 |
48 |
0 |
48 |
121 |
48 |
0 |
48 |
121 |
48 |
0 |
48 |
121 |
48 |
0 |
48 |
126 |
47 |
1 |
48 |
126 |
47 |
1 |
48 |
128 |
46 |
2 |
48 |
129 |
49 |
0 |
49 |
130 |
48 |
1 |
49 |
131 |
46 |
3 |
49 |
132 |
50 |
0 |
50 |
132 |
50 |
0 |
50 |
132 |
50 |
0 |
50 |
135 |
48 |
2 |
50 |
136 |
47 |
3 |
50 |
137 |
49 |
2 |
51 |
138 |
52 |
0 |
52 |
139 |
51 |
2 |
53 |
140 |
55 |
0 |
55 |
141 |
56 |
0 |
56 |
142 |
57 |
1 |
58 |
143 |
55 |
3 |
58 |
144 |
49 |
10 |
59 |
IV. LOCAL PROGRAMMING
From the beginning, a strong legal
and cultural emphasis in American broadcasting has been on local service.
The Federal Communications Act of 1934, for example, provides that broadcast
licenses should be divided "among the several states and communities as to
provide a fair, efficient, and equitable distribution of radio services to each
of the same." n19 The Act never mentions networks,
except to emphasize that the FCC should watch over their operation, n20 and in repeated decisions and rulings since then,
both the courts and the FCC have defined television in America as local
television. n21
n19 47 U.S.C. � 307(b).
n20 47 U.S.C. � 303(i) gives
the Commission authority to "make special regulations applicable to radio
stations engaged in chain broadcasting."
n21 There was a considerable amount
of language to that effect in National Broadcasting Co. v. United States, 319
U.S. (1943), which upheld the right of the Commission to regulate the practices
of the networks.
It didn't have to be this way, and
in retrospect it would have been more efficient and more profitable for
television service to have been national or regional in nature, with superpower
stations blanketing the country and "local" service limited only to
translating or augmenting the central station's signal. This scheme is
used in most of the civilized nations of the world, and indeed, was seriously
considered in the United States in what was called DuMont Plan, which the
Commission finally rejected in its Sixth Report and Order on Television
Allocations in 1952. n22 It said:
n22 Dockets 8736, 8975, 8976 and
9175, 1 P & F Radio Reg. 91:599 (part 3) (1952).
This
Commission... believes that on the basis of the Communications Act it must
recognize the importance e of making it possible... for a large number of
communities to obtain television assignments of their own. In the
Commission's view as many communities as possible should have the opportunity of
enjoying the advantages that derive from having local outlets that will be
responsive to local needs. [emphasis added] n23
n23 Id., at paragraph 79.
This
allocation decision was by no means a minor one, either, since it required a
far greater chunk of the valuable, limited frequency space than any system of
national or regional broadcasting would have required. As the Commission
reiterated in the course of its 1960 en banc Programming Inquiry, it had long
since determined that "the principal ingredient of the licensee's
obligation to operate his station in the public interest is the diligent,
positive and continuing effort by the licensee to discover and fulfill the
tastes, needs and desires of his community...." n24
n24 Report and Statement of Policy
Re: Commission En Banc Programming Inquiry, 25 F.R. 7291. 20 P & F
Radio Reg. 1901 (1960).
Despite this conscious attempt to
emphasize local service concerned with local politics, education, sports,
entertainment, religion, and so forth, for network affiliates the concept has
largely been a failure. The statistical analysis of the local programming
of the stations in this study indicates that the average station did little
more than 13 hours of local programming in a week -- 13 hours out of a broadcast
week that sometimes stretches to 135 hours and beyond. And with most
stations, fewer than one-fourth of all "local" hours were programmed
in prime time. The rest of the broadcast week is left to be filled by the
network feeding often as much as 17 continuous hours a day with national
entertainment, news, and sports. Moreover, any gap is often taken up by
syndicated programs purchased independently by the local stations -- programs
like The Mike Douglas Show or The Dating Game, or old movies.
The networks simply dominate
"local" television. Most viewers know their local television
stations by channel number, but few identify those channels with local
stations. The identification tends to be with the network. Without
the occasional station "I.D." required by the FCC, the local stations
could very well slip into total anonymity.
Variety's Les Brown blames the
profit-motive:
It was a noble theory to make the station the basic
component of the system and hold it responsible for what it broadcasts, but in
practice it has been about as effective as holding the newsstand dealer
responsible for what appears in the papers. Like the newsstand operator,
all the average station owners really want to do is sell. n25
n25 Lee Brown, Television: The
Business Behind the Box, 179 Harcourt Brace Jovanovich, Inc. (1971).
It is simply cheaper -- and, therefore, better business --
to let the network provide the programming. For each network program that
the local station carries it receives a small percentage of the network's
advertising revenue from that program in return. In addition, the network
leaves open a number of commercial "spots" within and around the
program that the local station can sell. During prime time hours, and for
sports events, those benefits can generate a tremendous amount of revenue for
the local station -- certainly far more than producing and selling a local
program. Instead of creating a local program, paying people to produce it
and perform in it, and then worrying about selling it to an advertiser, a local
station merely carries its network's programming or acquires nationally
syndicated programs.
Moreover, an advertiser, whether his
product is sold locally or nationally, is far more likely to buy time on a
network or syndicated program than on a local program. With "All in
the Family," for example, an advertiser knows he has a successful program,
he knows how many people he will be reaching, how old they are, and whether
they are male or female. With a local program, he seldom can have that
information at all, let alone in advance. It's the difference between the
favorite and a long-shot in a horse race. Every one of these factors
helps explain why there is so little local programming, and even less high
quality local programming.
Ranking television stations on the
basis of their local programming is particularly difficult. The FCC
license renewal form sets out a lengthy definition of a "local
program":
... any program originated or
produced by the station, or for the production of which the station is
primarily responsible and employing live talent for more than 50% of the
time. Such a program, taped or recorded for later broadcast, shall be
classified as local. A local program fed to a network shall be classified
by the originating station as local. All non-network news programs may be
classified as local. Programs primarily featuring records or
transcriptions shall be classified as recorded even though a station announcer
appears in connection with such material. However, identifiable units of
such programs which are live and separately logged as such may be classified as
local. n26
n26 F.C.C. Form No. 303, Section 4,
b, page i.
It is a flexible, confusing definition that different
stations interpret differently, but it leaves no doubt as to the importance of
local programming. In addition to this definition, the Policy Statement
attached to the renewal form identifies 14 major elements as "necessary or
desirable to serve the broadcast needs of many communities." n27 Local programming is necessarily an important part
of at least seven of those elements, although only three -- news, public
affairs, and local programming -- are singled out for special attention on the
license renewal form. n28
n27 Id.
n28 See Part I of this Chapter.
In ranking the stations based on
their local programming the raw total of hours is used rather than the
expression of that total as a percentage of the composite week, for the reasons
given in this section on news. n29
Two factors from the renewal application are combined to give a total
"index" of the licensee's local programming performance. The
total hours of local programming and the total hours of local programming in
prime time are added to one another and that total divided by two. The stations
are then ranked on the basis of that index. Thus, we have given
additional significance to the prime time local programming factor. Prime
time local programming is, in effect, being counted twice -- once by itself and
once as part of the total hours of local programming. This additional
weight reflects a conscious judgment on our part that the impact of television
should be measured in terms of the number of people it reaches, which number is
far greater in prime time than any other time during the broadcast week.
For a network affiliate to program locally in prime time, other than during the
half hour "returned" under the prime time access rule, n30 requires a greater degree of commitment to the local
viewing public as well as to the local advertiser. While counting the
prime time local twice may be arbitrary, in view of the considerably greater
number of viewers during prime time, we feel it is a legitimate and
conservative additional weighting. n31
n29 See text at page 27 of this
Chapter. "Total hours of local programming," for purposes of
this report was limited to local programming logged between the hours of 8:00
a.m. and 11:00 a.m. While we would have preferred to have information limited
to the hours between 8:00 a.m. and 12:00 p.m. (to account for the half hour of
local news broadcast by most network affiliates between the hours of 11:00 p.m.
and 11:30 p.m.), we felt it was more important to discourage stations from
seeking to improve their "rating" by dumping additional local
programming into the virtually viewerless hours of the early morning. As
additional justification for ignoring that "traditional" half hour of
local news, we would note:
i) this particular programming is
generally the same for every network affiliate in the top 50 markets; and
ii) It will have already been
accounted for under the category "news, public affairs and other."
n30 47 CFR � 658 (k).
n31 One problem encountered in this
analysis was the precise definition of "prime time." In some central
and mountain time zone states, for example, prime time actually runs from 5:00
PM to 10:00 PM instead of 6:00 PM to 11:00 PM.While the recently adopted
license renewal form specifically takes that phenomenon into effect, all the
data we have gathered has been subject to the interpretation of "prime
time" by the licensee. It has not appeared to have a major effect on
the analysis, but should be borne in mind especially when considering the local
programming segment of this report.
The over-all results of the survey
of local programming are not encouraging. With but few exceptions, local
network affiliates pay little attention to local programming and even less
attention to local programming in prime time. And the Commission, rather
than set standards for further scrutiny in this area it has supposedly
considered so important for so long, continues to look the other way at renewal
time.
Network affiliates ranked by local
programming
Rank |
Call letters |
Net. aff. |
Mkt. No. |
Location |
1 |
WLWT |
NBC |
20 |
Cincinnati |
2 |
KYW |
NBC |
4 |
Philadelphia |
3 |
KNBC |
NBC |
2 |
Los
Angeles |
4 |
KDKA |
CBS |
9 |
Pittsburgh |
5 |
WSB |
NBC |
17 |
Atlanta |
6 |
WJZ |
ABC |
19 |
Baltimore |
7 |
WWL |
CBS |
31 |
New
Orleans |
8 |
KTAR |
NBC |
45 |
Phoenix |
9 |
WWJ |
NBC |
5 |
Detroit |
10 |
WPLG |
ABC |
18 |
Miami |
11 |
WMAR |
CBS |
19 |
Baltimore |
12 |
WCCO |
CBS |
13 |
Minneapolis-St.
Paul |
13 |
WTMJ |
NBC |
21 |
Milwaukee |
14 |
WPVI |
ABC |
4 |
Philadelphia |
15 |
WBZ |
NBC |
6 |
Boston |
16 |
WKY |
NBC |
41 |
Oklahoma
City |
17 |
WIIC |
NBC |
9 |
Pittsburgh |
18 |
KTRK |
ABC |
15 |
Houston |
19 |
WBAL |
NBC |
19 |
Baltimore |
20 |
WDSU |
NBC |
31 |
New
Orleans |
21 |
KNXT |
CBS |
2 |
Los
Angeles |
22 |
WBNS |
CBS |
28 |
Columbus |
23 |
WBRC |
ABC |
38 |
Birmingham |
24 |
WSM |
NBC |
30 |
Nashville |
25 |
KHOU |
CBS |
15 |
Houston |
26 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
27 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
28 |
WMAL |
ABC |
10 |
Washington
D.C |
29 |
KPRC |
NBC |
15 |
Houston |
30 |
WLWD |
NBC |
39 |
Dayton |
31 |
KPIX |
CBS |
8 |
San Francisco |
32 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
33 |
WBBM |
CBS |
3 |
Chicago |
34 |
WDAF |
NBC |
23 |
Kansas
City |
35 |
WHAS |
CBS |
36 |
Louisville |
36 |
KSD |
NBC |
12 |
St. Louis |
37 |
WNAC |
ABC |
6 |
Boston |
38 |
WMC |
NBC |
29 |
Memphis |
39 |
WLAC |
CBS |
30 |
Nashville |
40 |
WCPO |
CBS |
20 |
Cincinnati |
41 |
WMAQ |
NBC |
3 |
Chicago |
42 |
WCAU |
CBS |
4 |
Philadelphia |
43 |
KSTP |
NBC |
13 |
Minneapolis-St.
Paul |
44 |
KMGH |
CBS |
32 |
Denver |
45 |
WHIO |
CBS |
39 |
Dayton |
46 |
WBTV |
CBS |
35 |
Charlotte |
47 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
48 |
WDTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
49 |
WRC |
NBC |
10 |
Washington
D.C |
49 |
KATU |
ABC |
26 |
Portland |
51 |
KFMB |
CBS |
49 |
San Diego |
52 |
WTAE |
ABC |
9 |
Pittsburgh |
53 |
WLS |
ABC |
3 |
Chicago |
54 |
KCMO |
CBS |
23 |
Kansas
City |
54 |
WBEN |
CBS |
25 |
Buffalo |
54 |
KOA |
NBC |
32 |
Denver |
57 |
KSL |
CBS |
50 |
Salt Lake
City |
58 |
WOAI |
NBC |
45 |
San
Antonio |
59 |
KMOX |
CBS |
12 |
St. Louis |
60 |
WNBC |
NBC |
1 |
New York
City |
60 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
62 |
KOCO |
ABC |
41 |
Oklahoma
City |
63 |
WABC |
ABC |
1 |
New York
City |
64 |
WLWI |
ABC |
14 |
Indianapolis |
64 |
WRTV |
NBC |
14 |
Indianapolis |
66 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
67 |
KGW |
NBC |
26 |
Portland |
68 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
69 |
WJW |
CBS |
7 |
Cleveland |
70 |
WAGA |
CBS |
17 |
Atlanta |
71 |
WCKT |
NBC |
18 |
Miami |
71 |
WITI |
ABC |
21 |
Milwaukee |
73 |
WISH |
CBS |
14 |
Indianapolis |
74 |
WKRC |
ABC |
20 |
Cincinnati |
75 |
WCBS |
CBS |
1 |
New York
City |
76 |
KING |
NBC |
16 |
Seattle-Tacoma |
77 |
KWTV |
CBS |
41 |
Oklahoma
City |
78 |
WKBW |
ABC |
25 |
Buffalo |
79 |
WTOP |
CBS |
10 |
Washington
D.C |
80 |
WTVT |
CBS |
24 |
Tampa-St.
Peterburg |
81 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
82 |
WSIX |
ABC |
30 |
Nashville |
83 |
KUTV |
NBC |
50 |
Salt Lake
City |
84 |
KOIN |
CBS |
26 |
Portland |
85 |
WCHS |
CBS |
33 |
Charleston-Huntington |
86 |
KTVI |
ABC |
12 |
St. Louis |
87 |
WTOL |
CBS |
45 |
Toledo |
88 |
KTVK |
ABC |
45 |
Phoenix |
89 |
WXYZ |
ABC |
5 |
Detroit |
89 |
KSAT |
ABC |
45 |
San
Antonio |
91 |
KBTV |
ABC |
32 |
Denver |
92 |
WEWS |
ABC |
7 |
Cleveland |
93 |
WJBK |
CBS |
5 |
Detroit |
94 |
KGO |
ABC |
8 |
San
Francisco |
95 |
WAVE |
NBC |
36 |
Louisville |
95 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
97 |
WISN |
CBS |
21 |
Milwaukee |
97 |
KOOL |
CBS |
45 |
Phoenix |
99 |
WLWC |
NBC |
28 |
Columbus |
99 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
101 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
102 |
KMBC |
ABC |
23 |
Kansas
City |
103 |
WSPA |
CBS |
40 |
Giville-Sptnbg-Ashvi |
104 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
105 |
WTVJ |
CBS |
18 |
Miami |
106 |
KENS |
CBS |
45 |
San
Antonio |
107 |
WVUE |
ABC |
31 |
New
Orleans |
108 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
109 |
KMSP |
ABC |
13 |
Minneapolis-St
Paul |
110 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
111 |
KGTV |
NBC |
49 |
San Diego |
112 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
113 |
WKYC |
NBC |
7 |
Cleveland |
114 |
WJAR |
NBC |
34 |
Providence |
115 |
WPRI |
CBS |
34 |
Providence |
116 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
117 |
WSYR |
NBC |
43 |
Syracuse |
118 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
119 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
120 |
WFLA |
NBC |
24 |
Ampa-St.
Petersburg |
120 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
122 |
WSDC |
NBC |
35 |
Charlotte |
123 |
KABC |
ABC |
2 |
Los
Angeles |
123 |
WSPD |
NBC |
45 |
Toledo |
125 |
WBMG |
CBS |
38 |
Birmingham |
126 |
WAPI |
NBC |
38 |
Birmingham |
127 |
WHEN |
CBS |
43 |
Syracuse |
128 |
WTVN |
ABC |
28 |
Columbus |
129 |
WQXI |
ABC |
17 |
Atlanta |
130 |
WTFV |
ABC |
34 |
Providence |
131 |
WREC |
CBS |
29 |
Memphis |
132 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
133 |
WCCB |
ABC |
35 |
Charlotte |
134 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
135 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
136 |
WLKY |
ABC |
36 |
Louisville |
137 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
138 |
WHBQ |
ABC |
29 |
Memphis |
139 |
WDHO |
ABC |
45 |
Toledo |
140 |
WHTN |
ABC |
33 |
Charleston-Huntington |
141 |
WGR |
NBC |
25 |
Buffalo |
142 |
KCPX |
ABC |
50 |
Salt Lake
City |
143 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
144 |
WNYS |
ABC |
43 |
Syracuse |
Rank |
Prime time local and rank |
Local programming and rank |
|
||
|
|
|
|
|
Composite |
1 |
6.17 |
42 |
35.67 |
1 |
20.917 |
2 |
6.00 |
46 |
25.42 |
2 |
15.708 |
3 |
8.00 |
7 |
21.92 |
4 |
14.958 |
4 |
8.82 |
5 |
19.88 |
8 |
14.350 |
5 |
9.00 |
2 |
19.42 |
11 |
14.208 |
6 |
8.53 |
6 |
19.45 |
10 |
13.992 |
7 |
9.58 |
1 |
17.92 |
21 |
13.750 |
8 |
8.00 |
7 |
18.92 |
15 |
13.458 |
9 |
6.52 |
27 |
20.30 |
6 |
13.408 |
10 |
4.53 |
76 |
22.02 |
3 |
13.275 |
11 |
7.42 |
16 |
19.03 |
14 |
13.225 |
12 |
8.92 |
4 |
17.25 |
32 |
13.083 |
13 |
8.00 |
7 |
17.95 |
20 |
12.975 |
14 |
4.00 |
80 |
21.92 |
4 |
12.958 |
15 |
6.50 |
29 |
19.35 |
12 |
12.925 |
16 |
6.20 |
41 |
19.32 |
13 |
12.758 |
17 |
6.50 |
29 |
18.83 |
16 |
12.667 |
18 |
7.38 |
18 |
17.90 |
22 |
12.642 |
19 |
7.80 |
10 |
17.30 |
31 |
12.550 |
20 |
7.50 |
15 |
17.58 |
27 |
12.542 |
21 |
6.50 |
29 |
18.55 |
17 |
12.525 |
22 |
6.67 |
25 |
18.33 |
18 |
12.500 |
23 |
5.23 |
65 |
19.62 |
9 |
12.425 |
24 |
7.02 |
20 |
17.60 |
26 |
12.308 |
25 |
6.03 |
44 |
18.25 |
19 |
12.142 |
26 |
7.67 |
12 |
16.17 |
39 |
11.917 |
27 |
7.40 |
17 |
16.27 |
38 |
11.833 |
28 |
3.50 |
91 |
20.07 |
7 |
11.783 |
29 |
7.52 |
14 |
15.93 |
42 |
11.725 |
30 |
5.50 |
57 |
17.83 |
23 |
11.667 |
31 |
7.00 |
21 |
16.00 |
40 |
11.500 |
32 |
6.00 |
46 |
16.98 |
33 |
11.492 |
33 |
7.73 |
11 |
15.23 |
53 |
11.483 |
34 |
6.50 |
29 |
16.45 |
36 |
11.475 |
35 |
5.57 |
56 |
17.35 |
30 |
11.458 |
36 |
6.50 |
29 |
16.33 |
37 |
11.417 |
37 |
5.00 |
70 |
17.58 |
27 |
11.292 |
38 |
7.00 |
21 |
15.47 |
48 |
11.233 |
39 |
6.92 |
23 |
15.00 |
55 |
10.958 |
40 |
4.00 |
80 |
17.75 |
25 |
10.875 |
41 |
4.15 |
78 |
17.57 |
29 |
10.858 |
42 |
6.00 |
46 |
15.58 |
44 |
10.792 |
43 |
6.52 |
27 |
15.00 |
55 |
10,758 |
44 |
6.27 |
38 |
15.07 |
54 |
10.667 |
45 |
6.00 |
46 |
15.30 |
51 |
10.650 |
46 |
5.70 |
55 |
15.53 |
46 |
10.617 |
47 |
9.00 |
2 |
12.00 |
79 |
10.500 |
48 |
5.00 |
70 |
15.93 |
42 |
10.467 |
49 |
6.00 |
46 |
14.92 |
58 |
10.458 |
49 |
4.97 |
73 |
15.95 |
41 |
10.458 |
51 |
5.00 |
70 |
15.50 |
47 |
10.250 |
52 |
3.42 |
101 |
16.78 |
34 |
10.100 |
53 |
7.03 |
19 |
13.10 |
74 |
10.667 |
54 |
7.58 |
13 |
12.50 |
76 |
10.042 |
54 |
3.50 |
91 |
16.58 |
35 |
10.042 |
54 |
4.67 |
75 |
15.42 |
49 |
10.042 |
57 |
6.13 |
43 |
13.88 |
64 |
10.008 |
58 |
6.00 |
46 |
13.92 |
62 |
9.958 |
59 |
6.27 |
38 |
13.48 |
68 |
9.875 |
60 |
6.00 |
46 |
13.67 |
66 |
9.833 |
60 |
1.83 |
127 |
17.83 |
23 |
9.833 |
62 |
3.75 |
87 |
15.57 |
45 |
9.658 |
63 |
5.38 |
64 |
13.62 |
67 |
9.500 |
64 |
5.17 |
68 |
13.75 |
65 |
9.458 |
64 |
5.50 |
57 |
13.42 |
71 |
9.458 |
66 |
3.83 |
85 |
14.92 |
58 |
9.375 |
67 |
3.00 |
108 |
15.42 |
49 |
9.208 |
68 |
5.10 |
69 |
13.20 |
73 |
9.150 |
69 |
2.95 |
117 |
15.28 |
52 |
9.117 |
70 |
6.55 |
26 |
11.67 |
83 |
9.108 |
71 |
5.50 |
57 |
12.42 |
77 |
8.958 |
71 |
6.50 |
29 |
11.42 |
84 |
8.958 |
73 |
6.00 |
46 |
11.82 |
81 |
8.908 |
74 |
2.77 |
119 |
14.95 |
57 |
8.858 |
75 |
6.50 |
29 |
11.00 |
88 |
8.750 |
76 |
3.45 |
100 |
14.05 |
61 |
8.750 |
77 |
6.75 |
24 |
10.72 |
92 |
8.733 |
78 |
3.50 |
91 |
13.92 |
62 |
8.708 |
79 |
6.28 |
37 |
11.10 |
86 |
8.692 |
80 |
6.25 |
40 |
10.80 |
90 |
8.525 |
81 |
3.03 |
107 |
13.48 |
68 |
8.258 |
82 |
4.52 |
77 |
11.82 |
82 |
8.167 |
83 |
6.02 |
45 |
10.17 |
100 |
8.092 |
84 |
3.90 |
84 |
12.13 |
78 |
8.015 |
85 |
2.50 |
122 |
13.47 |
70 |
7.800 |
86 |
2.50 |
122 |
13.25 |
72 |
7.877 |
87 |
5.50 |
57 |
10.18 |
99 |
7.842 |
88 |
2.80 |
118 |
12.80 |
75 |
7.800 |
89 |
5.50 |
57 |
10.00 |
104 |
7.750 |
89 |
6.50 |
29 |
9.00 |
115 |
7.750 |
91 |
5.22 |
67 |
10.17 |
100 |
7.692 |
92 |
0.50 |
134 |
14.65 |
60 |
7.575 |
93 |
4.00 |
80 |
10.83 |
89 |
7.417 |
94 |
3.58 |
89 |
11.08 |
87 |
7.333 |
95 |
3.00 |
108 |
11.42 |
84 |
7.208 |
95 |
4.00 |
80 |
10.42 |
95 |
7.208 |
97 |
4.77 |
74 |
9.55 |
108 |
7.158 |
97 |
5.50 |
57 |
8.82 |
118 |
7.158 |
99 |
3.25 |
104 |
10.67 |
93 |
6.958 |
99 |
3.50 |
91 |
10.42 |
95 |
6.958 |
101 |
5.50 |
57 |
8.33 |
124 |
6.917 |
102 |
6.00 |
46 |
7.58 |
136 |
6.792 |
103 |
3.30 |
103 |
10.25 |
98 |
6.775 |
104 |
3.00 |
108 |
10.42 |
95 |
6.708 |
105 |
4.02 |
79 |
9.38 |
112 |
6.700 |
106 |
3.68 |
88 |
9.53 |
109 |
6.608 |
107 |
5.23 |
65 |
7.93 |
128 |
6.583 |
108 |
3.00 |
108 |
10.08 |
103 |
6.542 |
109 |
3.08 |
106 |
9.95 |
107 |
6.517 |
110 |
3.00 |
108 |
10.00 |
104 |
6.500 |
111 |
3.50 |
91 |
9.42 |
111 |
6.458 |
112 |
0.75 |
133 |
12.00 |
79 |
6.375 |
113 |
3.55 |
90 |
9.12 |
114 |
6.333 |
114 |
3.50 |
91 |
8.83 |
117 |
6.167 |
115 |
3.50 |
91 |
8.67 |
121 |
6.083 |
116 |
3.33 |
102 |
8.77 |
119 |
6.050 |
117 |
2.50 |
122 |
9.50 |
110 |
6.000 |
118 |
3.00 |
108 |
8.92 |
116 |
5.958 |
119 |
3.83 |
85 |
7.67 |
135 |
5.750 |
120 |
3.00 |
108 |
8.42 |
123 |
5.708 |
120 |
3.50 |
91 |
7.92 |
129 |
5.708 |
122 |
3.00 |
108 |
8.33 |
124 |
5.667 |
123 |
1.00 |
130 |
10.17 |
100 |
5.583 |
123 |
3.00 |
108 |
8.17 |
127 |
5.583 |
125 |
3.20 |
105 |
7.83 |
131 |
5.517 |
126 |
2.50 |
122 |
8.50 |
122 |
5.500 |
127 |
3.50 |
91 |
7.40 |
137 |
5.450 |
128 |
0.0 |
139 |
10.75 |
91 |
5.375 |
129 |
0.0 |
139 |
10.55 |
94 |
5.275 |
130 |
0.50 |
134 |
10.00 |
104 |
5.250 |
131 |
2.67 |
120 |
7.75 |
133 |
5.208 |
132 |
1.17 |
129 |
9.17 |
113 |
5.167 |
133 |
0.83 |
131 |
8.33 |
124 |
4,583 |
134 |
2.67 |
120 |
6.17 |
141 |
4.417 |
135 |
1.48 |
128 |
7.33 |
138 |
4.408 |
136 |
0.0 |
139 |
8.75 |
120 |
4.375 |
137 |
0.20 |
138 |
7.73 |
134 |
3.967 |
138 |
0.0 |
139 |
7.92 |
129 |
3.958 |
139 |
0.0 |
139 |
7.82 |
132 |
3.908 |
140 |
0.50 |
134 |
7.00 |
139 |
3.750 |
141 |
2.50 |
122 |
4.50 |
143 |
3.500 |
142 |
0.83 |
131 |
6.10 |
142 |
3.467 |
143 |
0.0 |
139 |
6.53 |
140 |
3.267 |
144 |
0.50 |
134 |
2.92 |
144 |
1.708 |
We believe that financial
information is of special relevance in evaluating stations' programming
performance. To the extent that "quality" or "local"
programming costs more than old movies, a station's gross revenues, profit, and
programming expenses are relevant in evaluating whether more should be expected
of the station. Thus, it would often be of advantage to poorer stations
to make this information public. Financial information is traditionally
available for public utilities and other companies regulated by
government. Getting financial information from the FCC is, however,
another matter.
The Commission originally collected
financial information from broadcast licensees as a way of enabling the
government to keep up with the growth and development of a relatively new
communications industry. It was thought that the data would be of
importance to the broadcasters themselves. Even today the Commission
accumulates and publishes market-by-market reports of revenues and expenditures
for the industry.
Over the years the Commission has
gradually expanded its use of this information into more substantive policy
areas. Profits are deemed relevant, for example, in determining how much
a station should be fined for a violation of Commission rules. It is used
to determine whether a market can sustain economically an additional radio or
television station. It can be used in change of format cases to support
(or challenge) the argument of a licensee that significant losses justify a
different programming format.
It is our contention that financial
information should also be used in determining whether a licensee has met its
obligation to operate in the "public interest, convenience or
necessity." Specifically, the amount of money spent on programming,
particularly local programming, compared to the station's profits, or gross
revenues, can be a valid indicator of its commitment to public service.
Our premise is that a station spending a greater percentage of its revenues on
local programming is doing a better job, and accordingly we have included a financial
factor designed to reflect a licensee's performance as a fourth (and final)
input into our overall programming ranking.
There are, of course, severe
limitations upon the effective use of financial information in a report of this
nature. Despite the fact that all licensees are required to file
financial forms annually, there is no uniform system of accounts; so there is
no necessary consistency between licensees' reports. Nor does the
Commission do an audit on the information it receives; so there is no guarantee
of accuracy. Furthermore, the information currently required is not
particularly detailed or specific. For example, it is impossible to tell
how much of its total program expenses have been spent by a licensee on
locally-originated programming or live-on-air talent, as opposed to extensive
libraries of old movies.
Perhaps the most significant
obstacle to the analysis of this information, however, is its
confidentiality. This has made it exceedingly difficult for the
Commission staff to analyze and report our findings in the context of this
study. And it makes it virtually impossible for a concerned citizens
group accurately to gauge the performance of a licensee.
On March 23, 1938, under the
authority of the Communications Act of 1934 n32
and the Rules n33 the Commission ordered that each
licensee of a broadcast station n34
file information about its earnings and expenditures. n35 In April, 1945, the Commission, in seeking to update
the rules regarding the filing of financial data, also invited comments as to
whether any or all of the information required to be filed should be open for
public inspection. n36 In August of that year the proposed
rules were adopted, including for the first time a very limited public
disclosure provision commented upon by Commissioner Clifford Durr as follows:
n32 47 U.S.C. � 308(b).
n33 Then numbered � 1.341 of
the Commission rules. Today that authorization may be found at 47 CFR
� 1.611.
n34 Id. Today the language
requires the reports of "each licensee or permittee of a commercially
operated standard, FM, television or international broadcast station (as
defined in Part 73 of this chapter)...."
n35 At that time the forms were 705
and 706 and were labelled "Annual Financial Report for Standard Broadcast
Stations and Networks." By 1940, Section 1.341, note 33 supra, was deleted
and redesignated Section 1.361. In August 1943, Section 1.361 was revised
and forms were thereafter referred to as 324, 328, and 329. Information
regarding ownership, operation, interests and contracts was also required by
that date.
n36 In the Matter of Promulgation of
Rules and Regs. Concerning the Filing of Financial Ownership and Other Reports
of Broadcast Licensees, Docket 6756, 10 Fed. Reg. 4364 (1945).
... the amended rules are a move in
the right direction, but in my opinion they stop far short of making available
to the public information to which it is properly entitled. Section 1.5
still withholds from public scrutiny balance sheets and income statements of
broadcasting licensees filed with the Commission pursuant to Section 1.301 and
network and transcription service contracts filed pursuant to Section
1.302. It is true that the Commission... announced "that it is
giving consideration to expanding its annual statistical report so that the
report will contain certain financial data with respect to the operations of
individual stations." This, too, gives promise of a further move in the
right direction, but I can see no reason for giving the public less than
complete information. n37
n37 Memorandum of Commissioner
Clifford Durr, dated August 3, 1975.
In 1960 the Commission staff undertook extensive revision of
the annual financial report with the purpose of obtaining more detailed,
current data on all stations. A Notice of Proposed Rulemaking was adopted
and published in November 1960, n38
and the currently applicable financial Form 324 was adopted in a Memorandum
Order and Opinion in January of 1963. n39
The comments received in the course of the proceeding mainly spoke of the
additional burdens on the licensees to furnish more complete information.
The question of confidentiality was not fully considered. The information
collected on April 1 of each year remains "confidential," subject of
the provisions of August, 1945, its disclosure permitted only upon a
"substantial showing of relevancy and need." n40
n38 25 Fed. Reg. 10738 (1960).
n39 28 Fed. Reg. 36 (1963).
n40 See 47 CFR � 0.451, 0.457,
0.461 (1968): Multivision Northwest, Inc., 8 F.C.C. 2d 892, aff's on reconsideration,
10 F.C.C. 2d 391 (1967).
Two provisions of the Public
Information Act of 1966 are pertinent to the Commission's authority to disclose
or withhold confidential financial information: 5 U.S.C. � 552 provides
that the general requirement of each administrative agency to "make
available to the public" certain types of information does not apply to
"... trade secrets and commercial or financial information obtained from a
person and privileged or confidential." Notwithstanding this language,
� 552 does not prohibit the disclosure of such financial information; it
merely exempts it from compulsory disclosure, leaving the release of financial
information to the discretion of the agency. The Commission has
explicitly recognized this discretionary authority in the text of its rule, n41 which states that the Commission is "authorized
to withhold" -- not prevented from withholding -- such confidential
information under Federal law.
n41 5 U.S.C. � 552(b)(4).
The second pertinent provision of
the U.S. Code is contained in 18 U.S.C. � 1905, which provides in part:
Whoever,
being an officer or employee of the United States or any department or agency
thereof, publishes, divulges, discloses, or makes known in any manner or to any
extent not authorized by law any information coming to him in the course of his
employment or official duties..., which information concerns or relates to...
the identity, confidential statistical data, amount or source of any income,
profits, losses, or expenditures of any person, firm, partnership, corporation,
or association; or permits any income return or copy thereof... to be seen or
examined by any person except as provided by law; shall be fined...."
[emphasis added]
Once again, Section 1905 does not bar an agency from releasing
otherwise confidential financial information. It merely imposes sanctions
for the "unauthorized" release of such information -- that is, in a
manner not approved by the agency in its official capacity. As the Court
explained in Consumers Union of U.S., Inc v. Veterans Administration, 425 F.2d
578 (D.C. Circuit 1970):
Unlike other statutes which specifically define the range of
disclosable information..., Section 1905 merely creates a criminal sanction for
the release of "confidential information." Since this type of
information is already protected from disclosure under the Act by �
552(b)(4), Section 1905 should not be read to expand this exemption, especially
because the Act requires that exemptions be narrowly construed, 5 U.S.C.
� 552(b) (Supp. IV, 1969). n42
n42 47 CFR � 0.457(d).
The scope
of Section 1905, therefore, is governed by that of Section 552, which, in turn,
leaves disclosure to the discretion of the individual agency. Where the
"public interest" is concerned, the Public Information Act and its
legislative history has been interpreted to place on the government agency the
burden of justifying denials of disclosures:
This law
was initiated by Congress and signed by the President with several key
concerns: (a) that disclosure be the general rule, not the exception; (b) that
all individuals have equal rights of access; (c) that the burden be on the
Government to justify the withholding of a document, not on the person who
requests it... n43
n43 425 F. 2d 578 (D.D. Circuit
1970).
The
Commission rules contain its principal guidelines on nondisclosure of
confidential information:
The
Commission is authorized to withhold from public inspection materials which
would be privileged as a matter of law if retained by the person who submitted
them and materials which would not customarily be released to the public by
that person, whether or not such materials are protected from disclosure by a
privilege. n44
n44 See Memorandum of the Attorney
General on the Public Information Act, pp. iii-iv (June 1967); See also
Amendment of Part 0, Rules and Regulations, 8 F.C.C. 2d 908 (1967).
In the same
Section, the Commission goes on to include the following material in non-public
status: "(i) Financial reports submitted by licensees of broadcast stations
pursuant to � 1.611 of this chapter or by radio and television
networks. n45
n45 47 C.F.R. � 0.457(d)(1)
(1969).
Although the Commission's rules
permit the disclosure of confidential financial information upon a
"persuasive showing as to the reasons for inspection of such
materials," n46 this "persuasive showing"
is difficult for the average citizens group. The Commission's procedures,
for example, may require three separate rounds of pleadings: the first to
obtain an initial ruling from the Commission's Executive Director; a second to
seek review by the full Commission; and a third to obtain judicial review of
Commission denials of disclosure. n47
Months can pass before the Commission issues a final ruling suitable for
judicial review. n48 Faced with these obstacles,
inexperienced petitioners are highly unlikely to prevail even if they are able
to follow the prescribed procedures. n49
n46 Id. Indeed, the Commission
has exercised its discretion on numerous occasions, releasing otherwise confidential
information for "public interest" reasons. See, e.g., Cape Cod
Broadcasting Co., Inc., 23 F.C.C. 2d 277 (1970); Fetzer Cable Vision, 11 F.C.C.
2d 516 (1968): MultiVision Northwest, Inc., 8 F.C.C. 2d 892 (1967); aff'd on
reconsideration, 10 F.C.C. 2d 391 (1967); cf. Sioux Empire Broadcasting
Co., 10 F.C.C. 2d 132 (1967).
n47 See the procedure outlined in 47
C.F.R. � 0.461, "Requests for inspection of materials not routinely
available for inspection."
n48 See, e.g., Request by Reuben B.
Robertson, 25 F.C.C. 2d 942 (1970) (more than two months taken to resolve a
simple inspection request).
n49 See, e.g., McKeon Construction
Co., 27 F.C.C. 2d 879 (1971); KOWL, Inc., 24 F.C.C. 2d 305 (1970): cf. Sioux
Empire Broadcasting Co., 10 F.C.C. 2d (1967).
There have been three significant
recent tests of the right of the Commission to withhold confidential financial
information from public groups seeking to use that information to assess the
relative performance of broadcast licensees: the Alianza case, the KTTV/Metromedia
Commission proceeding, and the Stern Community Law Firm petition for a change
in Commission rules.
In the Alianza case, n50 the D.C. circuit Court of Appeals uphold the
refusal of the Commission to disclose the annual financial reports of three
Albuquerque, New Mexico, television stations to an organization of
Mexican-Americans who claimed the reports would be helpful to it in deciding
whether to oppose the stations' license renewals. n51 The Commission decided the release turned upon
"the reasonable necessity for petitioner having the information, the
position of the station in the proceeding involved, the inability to obtain the
requested information from other sources, and the relevancy and materiality of
the information sought." n52
n50 Alianza Federal de Pueblos
Libres v. Federal Communications Commission, 25 P & F Radio Rig. 2d 20001
(D.C. circuit 1972).
n51 See the Commission's original
Alianza decision. 31 F.C.C. 2d 557 (1971). See also Sioux Empire
Broadcasting Co., 10 F.C.C. 2d 132, 134 (1967).
n52 KOWL, Inc., 24 F.C.C. 2d 305
(1970). A fuller discussion of the confidential treatment accorded to annual
financial reports and of past treatment of similar requests may be found at 24
F.C.C. 2d 306.
Alianza contended that its request
met the Commission's qualifications for disclosure. Before the Commission
can review a television broadcast license, the group alleged, it must find that
the station's past three-year performance has sufficiently served the
"public interest, convenience, and necessity." A critical element in
judging past performance under that standard is the past programming.
Discussing one criterion in evaluating past programming. Alianza stated:
"there no longer seems any question that the adequacy of a station's programming
must be judged in substantial part by the extent to which it reinvests an
adequate percentage of its profits into locally originated and
community-oriented programming." Alianaza maintained further that a
broadcaster is a "public trustee," whose profits derive from the use
of publicly-owned property. The public, it asserted, is entitled to a
"fair return" on their investment in the nature of programming.
This "fair return" is the value of the programming benefits received
by the public expressed as a function of profits. Consequently the profit
figures and programming expenditures contained in FCC forms 324 are necessary
to determine the "fair return." n53
n53 As authority for its argument,
Alianza cite Wichita-Hutchinson Co., Inc., 19 F.C.C. 2d 433 (1969), a case
involving the transfer of KTVH-TV in Hutchinson, Kansas, to the owner of
WKY-TV, in Oklahoma City. In that case, the Commission compared the two
stations' percentages of programming expenditures to profits and gross revenue
to attempt to determine if the transferee would better serve the public
interest than the transferor. Alianza also cited Citizens Communications
Center v. FCC, 447 F 2d 1201 (D.C. Circuit, June 11, 1971) in which the Court
suggested that "... one test of superior service should certainly be
whether and to what extent the incumbent has reinvested the profit on his
The Court of Appeals, in a brief per
curiam opinion upholding the Commission's contention that Alianza's arguments
were not sufficiently substantial to warrant disclosure, merely accepted the
Commission's argument that
the issue
of financial disclosure is prematurely before the court... because the licensee
may be denied renewal for deficient public service programming without
reference to financial circumstances, or, in any hearing which the Commission
may hold, disclosure may become necessary if the licensee attempts to justify
inadequate public service programming by reference to its financial
necessities. n54
n54 Alianza, supra note 51, 25 R.R.
2d at 20002.
"In
any event," the court concluded, "if renewal is granted, petitioner
may seek review of that action in this court and urge as error the Commission's
handling of the financial disclosure question." n55
n55 Id.
The second major recent landmark in
the area of financial disclosure was the request by Citizens Communications
Center for inspection of the financial reports of Metromedia, Inc., licensee of
KTTV-TV, Los Angeles, California, n56
decided just one month after Alianza. In KTTV the Commission chose to
uphold the decision of its Executive Director to allow Citizens Communication
Center, on behalf of the National Association for Better Broadcasting and
others, to examine the licensee's financial reports for the years 1969, 1970
and 1971. Metromedia, in response to various petitions to deny the
renewal of its KTTV license, has asserted that the Commission should examine
its programming performance "in the light of its income picture compared
to the huge profits of the three network owned stations," and also that
"Commission records reflect that... the 'large profits' in this market are
being made by the network owned stations. The rate of return for
Metromedia on capital invested in KTTV has been less than the Commission permits
a public utility to make." n57
The Commission felt that these assertions relied sufficiently upon the
confidential information contained in the financial reports to require the
disclosure of that information to the petitioners to deny. n58
n56 FCC 72-1068 (Released December
1, 1972).
n57 Id., at pp. 2-3.
n58 In so holding the Commission
pointed to a series of analogous cases. including Multivision, et al,
supra note 47.
The Alianza and KTTV cases epitomize
the case-by-case approach the Commission has been taking with regard to
disclosure of financial information; in neither case was there any cogent
discussion of the value of making all financial reports available to the public
as Commissioner Durr had suggested in his Memorandum some 28 years ago.
In the course of oral argument of the Alianza case before the Court of Appeals,
however, the FCC did go on record with the assertion that if all financial
information were to be made public, it should be done in a formal rulemaking
and not in the course of resolving an individual case.
The Stern Community Law Firm,
counsel for Alianza in that dispute, took the Commission at its word and
proceeded to file a petition for just such a rulemaking, looking toward the
adoption of rules (1) to permit public inspection of all FCC forms 324,
"Annual Financial Report of Networks and Licensee of Broadcast
Stations" at the offices of the Commission and at the offices of
individual networks and broadcast licensees, and (2) to amend FCC form 324 to
require each broadcast licensee to list its programming expenditures in four
programming categories -- news, public affairs, all other (excluding
entertainment and sports), and total local programming.
Earlier this year the Commission
staff, obviously feeling somewhat boxed in by its position in the Alianza oral
argument, brought up a Notice of Proposed Rulemaking, based on the Stern
petition, for Commission consideration. n59 While the Notice proposed no specific amendments to existing Rules, it
did invite comments on the Stern Firm suggestions and indicated an open mind
rather than any specific position on the proposed changes. The Commission
majority was not nearly so troubled, however, by the considerations of
inconsistent prior positions, and it quickly consigned the proposal to an early
demise, with clear instructions to the staff to withdraw its proposed Notice
and substitute a decision denying the Stern Firm petition. The latter
document has not yet come up for consideration, but one would have to assume
that the cumbersome case-by-case process will continue to be the law in this
area, and that the result will be simply to ensure that future licensees will
no longer attempt to defend themselves on financially-based grounds. n60
n59 Unreleased staff memorandum.
n60 Even though this document was
never publicly released, I discuss it here because I recorded a dissenting vote
to the decision to "recommit" the staff document for modification.
The form 324 financial information,
while not available to the seminar students, was available to members of the
Commissioner's staff. It has been utilized in preparing this report in
such fashion as not to reveal any information still currently held to be
confidential. n61
n61 It is possible, however, for a
member of the public to obtain complete financial information, in totals for
any three stations in a broadcasting market.
Ideally, we would have preferred to
rank the stations in this report by reporting their total "programming
expenses" in dollars (the only "programming" item listed
separately on form 324, a sample of which is included at the end of this Part)
and their profit. This could be expressed as a ratio. We were
unable to do this for a variety of reasons. For one, it would have been
difficult to rank the stations in such a manner without revealing something
more than we feel we are allowed by law to reveal. In addition, a small
handful of the stations on our list reported no profit at all, and any ranking
based on a program expenses to profit ratio would have necessarily eliminated
those stations. Nevertheless, we feel such a ranking would be useful if
and when the financial information is ever made available to the public.
The method we have chosen to use,
and the basis for the table below, is simply to rank the stations in the study
on the basis of programming expenses as a percentage of gross revenues.
This method leaves much to be desired, primarily because of the differences in
methods of accounting and the lack of specificity in the figures reported, but
this is the only information available to the Commission, and we feel it can be
significant in a relative perspective. That is, the station that can be
shown to be spending 47% of its gross revenues on programming is, we feel,
doing a better job than the station spending just 25 of its revenues. The
stations have been ranked, then, on the basis of that factor, although the
table eliminates any reference to either the dollar figures or even the
percentages in volved. n62
n62 That percentage was used,
however, in the computer analysis to determine more accurately the stations'
relative positions. See the more detailed discussion of the methodology
in Appendix A.
Network Affiliates Ranked by the
Ratio of Program Expenses/Gross Revenues
Rank |
Call |
Net. |
Mkt. |
Location |
|
letters |
aff. |
No. |
|
1 |
WABC |
ABC |
1 |
New York
City |
2 |
KGW |
NBC |
26 |
Portland |
3 |
KING |
NBC |
16 |
Seattle-Tacoma |
4 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
5 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
6 |
KSL |
CBS |
50 |
Salt Lake
City |
7 |
WRC |
NBC |
10 |
Washington,
D.C. |
8 |
WIIC |
NBC |
9 |
Pittsburgh |
9 |
WMAL |
ABC |
10 |
Washington,
D.C. |
WSYR |
NBC |
43 |
Syracuse |
|
11 |
KUTV |
NBC |
50 |
Salt Lake
City |
12 |
KOIN |
CBS |
26 |
Portland |
13 |
KATU |
ABC |
26 |
Portland |
14 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
15 |
WTAE |
ABC |
9 |
Pittsburgh |
16 |
WSM |
NBC |
30 |
Nashville |
17 |
KABC |
ABC |
2 |
Los
Angeles |
18 |
WNYS |
ABC |
43 |
Syracuse |
19 |
KTVI |
ABC |
12 |
St. Louis |
20 |
WHAS |
CBS |
36 |
Louisville |
21 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
22 |
WSIX |
ABC |
30 |
Nashville |
23 |
WLKY |
ABC |
36 |
Louisville |
24 |
WJZ |
ABC |
19 |
Baltimore |
25 |
KWTV |
CBS |
41 |
Oklahoma
City |
26 |
WXYZ |
ABC |
5 |
Detroit |
27 |
WCBS |
CBS |
1 |
New York City |
28 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
29 |
WDHO |
ABC |
45 |
Toledo |
30 |
KGO |
ABC |
8 |
San
Francisco |
31 |
WWL |
CBS |
31 |
New
Orleans |
32 |
WTEV |
ABC |
34 |
Providence |
33 |
WCPO |
CBS |
20 |
Cincinnati |
34 |
WVUE |
ABC |
31 |
New
Orleans |
35 |
KNBC |
NBC |
2 |
Los
Angeles |
36 |
KMOX |
CBS |
12 |
St. Louis |
37 |
WLWI |
ABC |
14 |
Indianapolis |
38 |
KSAT |
ABC |
45 |
San
Antonio |
39 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
40 |
KCPX |
ABC |
50 |
Salt Lake
City |
41 |
WITI |
ABC |
21 |
Milwaukee |
42 |
KBTV |
ABC |
32 |
Denver |
43 |
WKYC |
NBC |
7 |
Cleveland |
44 |
WLWT |
NBC |
20 |
Cincinnati |
45 |
WPVI |
ABC |
4 |
Philadelphia |
46 |
WTVJ |
CBS |
18 |
Miami |
47 |
WSOC |
NBC |
35 |
Charlotte |
48 |
KTAR |
NBC |
45 |
Phoenix |
49 |
WLAC |
CBS |
30 |
Nashville |
50 |
WTOP |
CBS |
10 |
Washington
D.C. |
51 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
52 |
WPLG |
ABC |
18 |
Miami |
53 |
KOCO |
abc/ |
41 |
Oklahoma
City |
54 |
WHEN |
CBS |
43 |
Syracuse |
55 |
WDSU |
NBC |
31 |
New Orleans |
56 |
WEWS |
ABC |
7 |
Cleveland |
57 |
KDKA |
CBS |
9 |
Pittsburgh |
58 |
WNBC |
NBC |
1 |
New York
City |
59 |
WNAC |
ABC |
6 |
Boston |
60 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
61 |
WBNS |
CBS |
28 |
Columbus |
62 |
KGTV |
NBC |
49 |
San Diego |
63 |
WAPI |
NBC |
38 |
Birmingham |
64 |
WRTV |
NBC |
14 |
Indianaplis |
65 |
WBBM |
CBS |
3 |
Chicago |
66 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
67 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
68 |
WLS |
ABC |
3 |
Chicago |
69 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
70 |
WKY |
NBC |
41 |
Oklahoma
City |
71 |
KSTP |
NBC |
13 |
Minneapolis-St
Paul |
72 |
WCCO |
CBS |
13 |
Minneapolis-St
Paul |
73 |
WCAU |
CBS |
4 |
Philadelphia |
74 |
WMAQ |
NBC |
3 |
Chicago |
75 |
KTVK |
ABC |
45 |
Phoenix |
76 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
77 |
WJW |
CBS |
7 |
Cleveland |
78 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
79 |
WAGA |
CBS |
17 |
Atlanta |
80 |
WBEN |
CBS |
25 |
Buffalo |
81 |
WGR |
NBC |
25 |
Buffalo |
82 |
WISN |
CBS |
21 |
Milwaukee |
83 |
WLWD |
NBC |
39 |
Dayton |
84 |
WAVY |
NBC |
44 |
Norf-Newp
news-Hamp |
85 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
86 |
WAVE |
NBC |
36 |
Louisville |
87 |
WHIO |
CBS |
39 |
Dayton |
88 |
KNXT |
CBS |
2 |
Los
Angeles |
89 |
WTMJ |
NBC |
21 |
Milwaukee |
90 |
KMBC |
ABC |
23 |
Kansas
City |
91 |
WJAR |
NBC |
34 |
Providence |
92 |
WMC |
NBC |
29 |
Memphis |
93 |
WOAI |
NBC |
45 |
San
Antonio |
94 |
KPRC |
NBC |
15 |
Houston |
95 |
WVEC |
ABC |
44 |
Norfolk-Newp
News-Hamp |
96 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
97 |
KCMO |
CBS |
23 |
Kansas
City |
98 |
KMGH |
CBS |
32 |
Denver |
99 |
WQXI |
ABC |
17 |
Atlanta |
100 |
KIRK |
ABC |
15 |
Houston |
101 |
WBAL |
NBC |
19 |
Baltimore |
102 |
WHTN |
ABC |
33 |
Charleston-Huntington |
103 |
KPIX |
CBS |
8 |
San
Francisco |
104 |
WMAR |
CBS |
19 |
Baltimore |
105 |
WTVN |
ABC |
28 |
Columbus |
106 |
WJBK |
CBS |
5 |
Detroit |
107 |
WSPD |
NBC |
45 |
Toledo |
108 |
KSD |
NBC |
12 |
St. Louis |
109 |
WKBW |
ABC |
25 |
Buffalo |
110 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
111 |
WHBQ |
ABC |
29 |
Memphis |
112 |
WWJ |
NBC |
5 |
Detroit |
113 |
WPRI |
CBS |
34 |
Providence |
114 |
WREC |
CBS |
29 |
Memphis |
115 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
116 |
WSB |
NBC |
17 |
Atlanta |
117 |
WCKT |
NBC |
18 |
Aliami |
118 |
WLWC |
NBC |
28 |
Columbus |
119 |
KOOL |
CBS |
45 |
Phoenix |
120 |
WBTV |
CBS |
35 |
Charlotte |
121 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
122 |
WTOL |
CBS |
45 |
Toledo |
123 |
KYW |
NBC |
4 |
Philadelphia |
124 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
125 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
126 |
KMSP |
ABC |
13 |
Minneapolis-St.
Paul |
127 |
KHOU |
CBS |
15 |
Houston |
128 |
KFMB |
CBS |
49 |
San Diego |
129 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
130 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
131 |
WDAF |
NBC |
23 |
Kansas
City |
132 |
KOA |
NBC |
32 |
Denver |
133 |
WKRC |
ABC |
20 |
Cincinnati |
134 |
KENS |
CBS |
45 |
San
Antonio |
135 |
WISH |
CBS |
14 |
Indianapolis |
136 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
137 |
WCCB |
ABC |
35 |
Charlotte |
138 |
WBZ |
NBC |
6 |
Boston |
139 |
WSAZ |
NBC |
33 |
Charleston-Huntingto |
140 |
WCHS |
CBS |
33 |
Charleston-Huntingto |
141 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
142 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
143 |
WBMG |
CBS |
38 |
Birmingham |
144 |
WBRC |
ABC |
38 |
Birmingham |
CHAPTER 2
EMFLOYMENT
I. INTRODUCTION
In June, 1969, the FCC issued formal
rules forbidding employment discrimination by radio and television stations
based upon race, color, national origin, or sex. n1 The Commission's duty to issue such rules is rooted
in the national policy against discrimination in employment, as embodied in
Title VII of the 1964 Civil Rights Act, n2
as well as the Communication Act's broad directive that all broadcast licensees
serve the "public interest, convenience and necessity."
n1 47 F.C.R. � 73.680.
n2 42 U.S.C. � 2000 e-2
(1964).
The public interest standard and the
national policy take on added importance when the unique nature of broadcasting
is considered. The broadcast licensee, as a "public trustee" given
profitable, private use of an influential piece of public property, can only
continue to be entrusted with that use if it lives up to the Commission's
affirmative and enforceable public interest obligations, including obligations
relating to employment.
To enable the FCC to monitor station
compliance with its equal employment opportunities ruling, the broadcaster is
required to submit two documents: (1) his station's equal employment
opportunity plan, and (2) an employment report. The equal employment
opportunity program is submitted as part of the applicant's license renewal
form. n3 The employment report (form 395),
which records the number and position of workers by race and sex, is by far the
more objective and significant of the two and must be submitted annually.
n4 It is data from this second
document that is the basis for the employment rankings and statistics of our
network affiliates study. (A sample of the form is included at the end of
this chapter.)
n3 � VI(b) of FCC Broadcast
Renewal application form 303 calls for the applicant to out-line for the
Commission his proposals for conforming his policies to the FCC rules regarding
equal employment opportunities.
n4 47 C.F.R. � 1.612.
The Commission has been collecting
form 395 only since 1971. n5
Nevertheless, it has become clear in that very short time that neither the
Broadcast Bureau nor a majority of the Commissioners have any intention of
improving the questionable employment practices this data has revealed in a
large percentage of the licensees. There are two tough questions that
must be answered before any gains can be made in the employment of minorities
or women in broadcasting today. Neither has been treated seriously by the
Commission. They are: (1) What are to be the standards for licensee compliance
with the Commission rules (and the federal law) concerning equal employment
opportunity? (2) What are to be the penalties for non-compliance?
n5 See Report and Order in Matter of
Petition for Rulemaking to Require Broadcast Licensees to Show
Nondiscrimination in their Employment Practices, 23 FCC 2d 430 (1970).
The latter question should be easy
enough to answer. Theoretically, the FCC penalties for non-compliance
could range from temporary deferral of license renewal, pending further
Commission inquiry into the applicant's employment program or practices, to an
outright denial of the application for renewal following a hearing. A
penalty between deferral and denial might include subjecting the licensee to
the forfeiture (fines) provisions of Section 503 of the Communications
Act. All have their precedent in other areas of Commission regulation,
and proper penalties could be readily determined once the standards for
compliance were set.
The Commission's derogation of its
responsibility to answer the first question, therefore, is a far more serious
one. Prodded perhaps by the presence of the first black Commissioner in
the FCC's history (Commissioner Benjamin Hooks), the Commission finally decided
last August to do "something" about the equal opportunity information
received with the license renewal applications. n6 But the majority was content merely to send letters
to a small handful of licensees, "requesting additional information on the
licensees' efforts to provide equal employment opportunity to minority persons
and women." It seemed to me we should have come up with something more
than that weakly-phrased missive, and I dissented. n7 But even that letter was only sent to stations
having eleven or more employees, in areas with five per cent or greater
minority population, when the form 395's reported (1) a decline in minority
employees from one year to the next, or (2) no minority employees in the past
year, or (3) no women employees in the past year. Note how severely
restrictive those standards are. For example, a television station with
sixty employees, one of whom was black, would not get a letter of inquiry -- so
long as it did not experience a decline in minority employment.
n6 See my dissent in Letter to Reverend
Everett C. Parker, FCC 72-438, 24 P & F Radio Reg. 2d 396, 398 (1972), a
Commission decision handed down just two months before Commissioner Hooks'
arrival. See also my extensive study of employment discrimination among
stations in the Pennsylvania-Delaware renewal package, which may also have had
some affect on the Commission majority, Equal Employment Opportunity Inquiry,
36 FCC 2d 515, 517 (1972).
n7 Pennsylvania and Delaware
Broadcasting Stations, 38 FCC 2d 158 (1972).
There are other serious inconsistencies
in this method of dealing with the problem. A station with sixty
employees whose minority employment had declined from thirty to twenty eight,
for example, would, under these guidelines, receive a letter despite its fine
overall showing. A station with a serious deficiency (and decline) in
female employment would not even be considered unless the station's area had a
five per cent or greater minority employment, thus requiring enforcement of
solutions to the former problem to rely on a completely unrelated
"threshold" criteria related to the latter.
Even within this restrictive (and
illogical) "solution" to the equal employment problem, the Commission
has failed to demonstrate any positive concern for effectively dealing with
discrimination. Although the first of the letters were sent out in
August, 1972, the responses from the licensees were in most cases still
awaiting action by the Boardcast Bureau staff in mid-1973, and no further
Commission initiated action has been taken with regard to even the most blatant
offenders. n8 "We're just kind of waiting
around with the [broadcasters'] replies [to the FCC inquiries]," was the
response of one Broadcast Bureau official to the query of a concerned
citizen. "We don't really know what we could do about licensees who
don't employ fairly anyway." n9
This attitude is taken despite the same official's earlier admission that any
of the potential courses of action outlined above (hearing, denial of renewal,
fine) could be easily initiated at any moment.
n8 Indeed, a number of the stations,
after nothing but the passage of time, were simply renewed.
n9 Interview with an anonymous
analyst in the Renewal Branch of the FCC Broadcast Bureau, March, 1973.
Thus, the Commission leaves itself
open to the charge that it is quietly searching, not for an effective course of
action that would begin to reverse the traditional patterns of discrimination
in the broadcasting industry, but for some course of action that would mollify
critics without adversely affecting its "business-as-usual" rubber
stamping of renewals. n10 That this is
the Commission's true attitude is further evidenced by its
"reassuring" statements to the effect that the data on form 395
annual reports is "chiefly" valuable to determine industry-wide
employment trends, and that, in regard to individual stations, it is not to be
suggested "that such data for any particular year would demonstrate the
existence of discrimination of any station." n11
n10 All the interested reader need
do is compare the Commission's disposition of the WLBT renewal proceeding,
Lamar Life Broadcasting Co., 14 FCC 2d 431 (1968), with the stinging reversal
of the D.C. Circuit Court of Appeals, Office of Communications of the United
Church of Christ v. FCC, 359 F. 2d 994 (1969); the Court outlined in detail the
flagrant, long-standing discrimination of the licensee, in areas of programming
as well as employment.
In this study of the network
affiliates in the top 50 markets we take issue with that contention -- that a
case for discrimination cannot be based upon a reading of the annual employment
data of an individual station. We also dispute the implied contention
that discrimination in employment has no important relation to the service of a
licensee in the "public interest, convenience or necessity."
We have not included our employment
analysis in the overall station ranking found in chapter 1. We have omitted it,
however, only because that ranking was designed to evaluate programming, not
because we consider employment discrimination any less important than
programming. Indeed, the argument could well be made that licensee
discrimination against minorities or women, especially in those jobs with a
greater degree of influence on programming creation and decision-making, is as
directly related to the station's programming as any of the other factors on
which we have been able to gather information. Be that as it may, we have
chosen to treat employment separately from programming. (1) We believe
that community groups other than those oriented specifically towards quality
programming will be able more effectively to consider employment if the
information is presented in this manner. (2) It is our intention that
this chapter complement an excellent survey of all 609 commercial TV stations
already conducted and published by the Office of Communication of the United
Church of Christ in 1972. n12
n12 Jennings, Television Station
Employment Practices: The Status of Minorities and Women, Office of
Communication, United Church of Christ, November, 1972.
A.
Total Employment
We have made the assumption that
minority employment statistics for the top 50 markets can be compared and
ranked most effectively -- and fairly to the broadcasters -- by taking into
consideration the percentage of minorities in the population of the Standard
Metropolitan Statistical Areas (SMSA) of the stations involved. n13 For example, it would be less defensible, we felt,
to compare the minority employment performance of a network affiliate in
Washington, D.C. (with an SMSA minority population of 28.3%) with that of one
in Minneapolis-St. Paul (with a minority population of just 3.7%) without
accounting, somehow, for the differences between the minority employment pool
of the two cities. Thus, we have ranked the licensees by relating their
minority employment to the minority population in the SMSA. The result is
a "factor" comparing two percentages. A station receiving a
factor of 1.000 would be employing exactly the same percentage of minorities in
the station as exist in the population of his area. The station ranked
26th, for example, WKYC, Cleveland, employs 17.62% minorities in an SMSA with a
minority population of 17.6%, for a "factor" of 1.001. The top
station in the ranking, WTEV, Providence, employs 8.33% minorities in an area
with a 3.4% minority population, for a factor of 2.451. While this method
of ranking does tend to favor stations in a region with a lower minority
population, we would point out that a number of such stations, in markets like
Salt Lake City and Minneapolis-St. Paul, nevertheless found themselves at the
very bottom of our study.
n13 Our source for this information
was the U.S. Bureau of the Census. The precise figure we required,
however, included Spanish-surnamed people among "minorities" in an
SMSA and was nowhere printed in an official publication. We had to go
directly to the Bureau in Washington for the information.
It is our opinion that a licensee
with a factor of less than 1.000 deserves, at a minimum, some further inquiry
into its program of employment. It is rather appalling to note that some
82% of the stations in our study have total employment factors of less than
1.000, and more than 35% of them have factors of less than 0.500, Certainly the
latter group deserves a more serious inquiry.
Network Affiliates Ranked by Ratio
of Percent Minorities Employed to Percent Minorities in SMSA
Rank |
Call letters |
Net. Aff. |
Mkt. No. |
Location |
SMSA |
1 |
WTEV |
ABC |
34 |
Providence |
3.4% |
2 |
WNYS |
ABC |
43 |
Syracuse |
5.0% |
3 |
WPRI |
CBS |
34 |
Providence |
3.4% |
4 |
WBZ |
NBC |
6 |
Boston |
6.8% |
5 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
4.7% |
6 |
KING |
NBC |
16 |
Seattle-Tacoma |
8.0% |
7 |
KGW |
NBC |
26 |
Portland |
5.2% |
8 |
WHTN |
ABC |
33 |
Charleston-Huntington |
4.7% |
9 |
WHEN |
CBS |
43 |
Syracuse |
5.0% |
10 |
WCHS |
CBS |
33 |
Charleston-Huntington |
4.7% |
11 |
KDKA |
CBS |
9 |
Pittsburgh |
7.8% |
12 |
WAST |
ABC |
37 |
Albany-Schenectady |
4.4% |
13 |
KWTV |
CBS |
41 |
Oklahoma
City |
12.6% |
14 |
WSYR |
NBC |
43 |
Syracuse |
5.0% |
15 |
WLWC |
NBC |
28 |
Columbus |
12.6% |
16 |
WOTV |
NBC |
41 |
Kalamazoo-Gr.
Rapids |
6.1% |
17 |
KOCO |
ABC |
41 |
Oklahoma
City |
12.6% |
18 |
WTVN |
ABC |
28 |
Columbus |
12.6% |
19 |
WNAC |
CBS |
6 |
Boston |
6.8% |
20 |
WTEN |
CBS |
37 |
Albany-Schenectady |
4.4% |
21 |
KATU |
ABC |
26 |
Portland |
5.2% |
22 |
WZZM |
ABC |
41 |
Kalamazoo-Gr.
Rapids |
6.1% |
23 |
WHIO |
CBS |
39 |
Dayton |
11.9% |
24 |
WIIC |
NBC |
9 |
Pittsburgh |
7.8% |
25 |
WKBW |
ABC |
25 |
Buffalo |
9.9% |
26 |
WKYC |
NBC |
7 |
Cleveland |
17.6% |
27 |
KOIN |
CBS |
26 |
Portland |
5.2% |
28 |
WCCO |
CBS |
13 |
Minneapolis-St.
Paul |
3.7% |
29 |
WGR |
NBC |
25 |
Buffalo |
9.9% |
30 |
WKRC |
ABC |
20 |
Cincinnati |
11.8% |
31 |
KMOX |
CBS |
12 |
St. Louis |
17.3% |
32 |
WTAE |
ABC |
9 |
Pittsburgh |
7.8% |
33 |
WBNS |
CBS |
28 |
Columbus |
12.6% |
34 |
KABC |
ABC |
2 |
Los
Angeles |
32.9% |
35 |
WJAR |
NBC |
34 |
Providence |
3.4% |
36 |
WLWT |
NBC |
20 |
Cincinnati |
11.8% |
37 |
WLWD |
NBC |
39 |
Dayton |
11.9% |
38 |
WTOL |
CBS |
45 |
Toledo |
10.5% |
39 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
8.0% |
40 |
WJBK |
CBS |
5 |
Detroit |
19.9% |
41 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
16.8% |
42 |
KGO |
ABC |
8 |
San
Francisco |
28.9% |
43 |
WRC |
NBC |
10 |
Washington,
D.C |
28.3% |
44 |
WTMJ |
NBC |
21 |
Milwaukee |
9.8% |
45 |
KTAR |
NBC |
45 |
Phoenix |
20.0% |
46 |
WKY |
NBC |
41 |
Oklahoma
City |
12.6% |
47 |
WLWI |
ABC |
14 |
Indianapolis |
13.4% |
48 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
11.8% |
49 |
WRTV |
NBC |
14 |
Indianapolis |
13.4% |
50 |
WLOS |
ABC |
40 |
Gnville-Sptnbc-Ashvi |
13.6% |
51 |
WMAQ |
NBC |
3 |
Chicahgo |
23.4% |
52 |
WJW |
CBS |
7 |
Cleveland |
17.6% |
53 |
KMBC |
ABC |
23 |
Kansas
City |
14.6% |
54 |
WSPD |
NBC |
45 |
Toledo |
10.5% |
55 |
KNBC |
NBC |
2 |
Los
Angeles |
32.9% |
56 |
WPVI |
ABC |
4 |
Philadelphia |
19.8% |
57 |
WISH |
CBS |
14 |
Indianapolis |
13.4% |
58 |
KPIX |
CBS |
8 |
San
Francisco |
28.9% |
59 |
WCAU |
CBS |
4 |
Philadelphia |
19.8% |
60 |
WFBC |
NBC |
40 |
Gnville-Sptnbg-Ashvi |
13.6% |
61 |
KCMO |
CBS |
23 |
Kansas
City |
14.6% |
62 |
WBAL |
NBC |
19 |
Baltimore |
25.1% |
63 |
WLS |
ABC |
3 |
Chicago |
23.4% |
64 |
WAVE |
NBC |
36 |
Louisville |
13.0% |
65 |
WINH |
ABC |
22 |
Hartford-New
Haven |
11.8% |
66 |
WTOP |
CBS |
10 |
Washington,
D.C |
28.3% |
67 |
KOOL |
CBS |
45 |
Phoenix |
20.0% |
68 |
WNBC |
NBC |
1 |
New York
City |
30.3% |
69 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
11.8% |
70 |
WSIX |
ABC |
30 |
Nashville |
18.7% |
71 |
KFMB |
CBS |
49 |
San Diego |
20.6% |
72 |
WAGA |
CBS |
17 |
Atlanta |
23.6% |
73 |
KYW |
NBC |
4 |
Philadelphia |
19.8% |
74 |
WSPA |
CBS |
40 |
Gnville-Sptngb-Ashvi |
13.6% |
75 |
KMGH |
CBS |
32 |
Denver |
16.8% |
76 |
WCBS |
CBS |
1 |
New York
City |
30.0% |
77 |
WQXI |
ABC |
17 |
Atlanta |
23.6% |
78 |
KTVI |
ABC |
12 |
St. Louis |
17.3% |
79 |
KGTV |
NBC |
49 |
San Diego |
49 |
San Diego |
20.6% |
|
|||
80 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
21.3% |
81 |
WBBM |
CBS |
3 |
Chicago |
23.4% |
82 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
8.0% |
83 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
20.3% |
84 |
WLKY |
ABC |
36 |
Louisville |
13.0% |
85 |
KCPX |
ABC |
50 |
Salt Lake
City |
6.9% |
86 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
22.0% |
87 |
WMAL |
ABC |
10 |
Washington,
D.C |
28.3% |
88 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
27.3% |
89 |
WGKP |
ABC |
48 |
Gnsb-High
Pt-Win Sal |
20.3% |
90 |
WSOC |
NBC |
35 |
Charlotte |
23.9% |
91 |
KSTP |
NBC |
13 |
Minneapolis-St
Paul |
3.7% |
92 |
KTVK |
ABC |
45 |
Phoenix |
20.0% |
93 |
WITI |
ABC |
21 |
Milwaukee |
9.8% |
94 |
WWJ |
NBC |
5 |
Detroit |
19.9% |
95 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
21.3% |
96 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
21.3% |
97 |
WXYZ |
ABC |
5 |
Detroit |
19.9% |
98 |
WLAC |
CBS |
30 |
Nashville |
18.7% |
99 |
WABC |
ABC |
1 |
New York
City |
30.0% |
100 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
16.8% |
101 |
WSB |
NBC |
17 |
Atlanta |
23.6% |
102 |
KTRK |
ABC |
15 |
Houston |
30.8% |
103 |
WDAF |
NBC |
23 |
Kansas
City |
14.6% |
104 |
KENS |
CBS |
45 |
San
Antonio |
52.6% |
105 |
WTAR |
CBS |
44 |
Norf-Newp
News-Hamp |
27.3% |
106 |
KHOU |
CBS |
15 |
Houston |
30.8% |
107 |
WEWS |
ABC |
7 |
Cleveland |
17.6% |
108 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
22.0% |
109 |
WREC |
CBS |
29 |
Memphis |
38.4% |
110 |
WHBO |
ABC |
29 |
Memphis |
38.4% |
111 |
WMAR |
CBS |
19 |
Baltimore |
25.1% |
112 |
KNXT |
CBS |
2 |
Los
Angeles |
32.9% |
113 |
KBTV |
ABC |
32 |
Denver |
16.8% |
114 |
KRON |
NBC |
8 |
San
Francisco |
28.9% |
115 |
WDSU |
NBC |
31 |
New
Orleans |
35.6% |
116 |
WTVJ |
CBS |
18 |
Miami |
39.1% |
117 |
WVUE |
ABC |
31 |
New
Orleans |
35.6% |
118 |
WISN |
CBS |
21 |
Milwaukee |
9.8% |
119 |
WBMG |
CBS |
38 |
Birmingham |
30.0% |
120 |
KSAT |
ABC |
45 |
San
Antonio |
52.6% |
121 |
KSD |
NBC |
12 |
St. Louis |
17.3% |
122 |
WBRC |
ABC |
38 |
Birmingham |
30.0% |
123 |
WOAI |
NBC |
45 |
San
Antonio |
52.6% |
124 |
WCKT |
NBC |
16 |
Miami |
39.1% |
125 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
22.0% |
126 |
WPLG |
ABC |
18 |
Miami |
39.1% |
127 |
WCPO |
CBS |
20 |
Cincinnati |
11.8% |
128 |
WJZ |
ABC |
19 |
Baltimore |
25.1% |
129 |
WSM |
NBC |
30 |
Nashville |
18.7% |
130 |
WBEN |
CBS |
25 |
Buffalo |
9.9% |
131 |
WHAS |
CBS |
36 |
Louisville |
13.0% |
132 |
KPRC |
NBC |
15 |
Houston |
30.8% |
133 |
WCCB |
ABC |
35 |
Charlotte |
23.9% |
134 |
WBTV |
CBS |
35 |
Charlotte |
23.9% |
135 |
WRGB |
NBC |
37 |
Albany-Schenectadv-T |
4.4% |
136 |
WMC |
NBC |
29 |
Memphis |
38.4% |
137 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal. |
20.3% |
138 |
KOA |
NBC |
32 |
Denver |
16.8% |
139 |
WWL |
CBS |
31 |
New
Orleans |
35.6% |
140 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
16.8% |
141 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
27.3% |
142 |
WDHO |
ABC |
45 |
Toledo |
10.5% |
143 |
WAPI |
NBC |
38 |
Birmingham |
30.0% |
144 |
KUTV |
NBC |
50 |
Salt Lake
City |
6.9% |
145 |
KSL |
CBS |
50 |
Salt Lake
City |
6.9% |
146 |
KMSP |
ABC |
13 |
Minneapolis-St.
Paul |
3.7% |
147 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
6.1% |
|
Total |
Minorities employed |
|
|
Rank |
employees |
|
Factor |
|
|
|
Number |
Percent |
|
1 |
72 |
6 |
8.33% |
2.451 |
2 |
77 |
8 |
10.39% |
2.078 |
3 |
76 |
5 |
6.58% |
1.935 |
4 |
175 |
23 |
13.14% |
1.933 |
5 |
81 |
7 |
8.64% |
1.839 |
6 |
136 |
19 |
13.97% |
1.746 |
7 |
126 |
11 |
8.73% |
1.679 |
8 |
51 |
4 |
7.84% |
1.669 |
9 |
75 |
6 |
8.00% |
1.600 |
10 |
54 |
4 |
7.41% |
1.576 |
11 |
167 |
19 |
11.38% |
1.459 |
12 |
63 |
4 |
6.35% |
1.443 |
13 |
88 |
16 |
18.18% |
1.443 |
14 |
101 |
7 |
6.93% |
1.386 |
15 |
93 |
16 |
17.20% |
1.365 |
16 |
109 |
9 |
8.26% |
1.354 |
17 |
77 |
13 |
16.88% |
1.340 |
18 |
90 |
15 |
16.67% |
1.323 |
19 |
167 |
15 |
8.98% |
1.321 |
20 |
76 |
4 |
5.26% |
1.196 |
21 |
98 |
6 |
6.12% |
1.177 |
22 |
71 |
5 |
7.04% |
1.154 |
23 |
122 |
16 |
13.11% |
1.102 |
24 |
144 |
12 |
8.33% |
1.068 |
25 |
87 |
9 |
10.34% |
1.045 |
26 |
193 |
34 |
17.62% |
1.001 |
27 |
98 |
5 |
5.10% |
0.981 |
28 |
201 |
7 |
3.48% |
0.941 |
29 |
86 |
8 |
9.03% |
0.940 |
30 |
84 |
9 |
10.71% |
0.908 |
31 |
148 |
23 |
15.54% |
0.898 |
32 |
130 |
9 |
6.92% |
0.888 |
33 |
127 |
14 |
11.02% |
0.875 |
34 |
192 |
55 |
28.65% |
0.871 |
35 |
102 |
3 |
2.94% |
0.865 |
36 |
206 |
21 |
10.19% |
0.864 |
37 |
107 |
11 |
10.28% |
0.864 |
38 |
79 |
7 |
8.86% |
0.844 |
39 |
119 |
8 |
6.72% |
0.840 |
40 |
190 |
31 |
16.32% |
0.820 |
41 |
124 |
17 |
13.71% |
0.816 |
42 |
224 |
52 |
23.21% |
0.803 |
43 |
227 |
51 |
22.47% |
0.794 |
44 |
146 |
11 |
7.53% |
0.769 |
45 |
113 |
17 |
15.04% |
0.752 |
46 |
119 |
11 |
9.24% |
0.734 |
47 |
93 |
9 |
9.68% |
0.722 |
48 |
144 |
12 |
8.33% |
0.706 |
49 |
127 |
12 |
9.45% |
0.705 |
50 |
76 |
7 |
9.21% |
0.677 |
51 |
342 |
54 |
15.79% |
0.675 |
52 |
152 |
18 |
11.84% |
0.673 |
53 |
103 |
10 |
9.71% |
0.665 |
54 |
86 |
6 |
6.98% |
0.664 |
55 |
229 |
50 |
21.83% |
0.664 |
56 |
153 |
20 |
13.07% |
0.660 |
57 |
80 |
7 |
8.75% |
0.653 |
58 |
165 |
31 |
18.79% |
0.650 |
59 |
70 |
9 |
12.86% |
0.649 |
60 |
57 |
5 |
8.77% |
0.645 |
61 |
96 |
9 |
9.38% |
0.642 |
62 |
149 |
24 |
16.11% |
0.642 |
63 |
274 |
41 |
14.96% |
0.639 |
64 |
110 |
9 |
8.18% |
0.629 |
65 |
81 |
6 |
7.41% |
0.628 |
66 |
136 |
24 |
17.65% |
0.624 |
67 |
405 |
13 |
12.38% |
0.619 |
68 |
237 |
44 |
18.57% |
0.619 |
69 |
69 |
5 |
7.25% |
0.614 |
70 |
70 |
8 |
11.43% |
0.611 |
71 |
113 |
14 |
12.39% |
0.601 |
72 |
141 |
20 |
14.18% |
0.601 |
73 |
202 |
24 |
11.88% |
0.600 |
74 |
74 |
6 |
8.11% |
0.596 |
75 |
120 |
12 |
10.00% |
0.595 |
76 |
280 |
50 |
17.86% |
0.595 |
77 |
114 |
16 |
14.04% |
0.595 |
78 |
107 |
11 |
10.28% |
0.594 |
79 |
132 |
16 |
12.12% |
0.588 |
80 |
134 |
16 |
11.94% |
0.561 |
81 |
300 |
39 |
13.00% |
0.556 |
82 |
158 |
7 |
4.43% |
0.554 |
83 |
89 |
10 |
11.24% |
0.553 |
84 |
56 |
4 |
7.14% |
0.549 |
85 |
81 |
3 |
3.70% |
0.537 |
86 |
128 |
15 |
11.72% |
0.533 |
87 |
140 |
21 |
15.00% |
0.530 |
88 |
71 |
10 |
14.08% |
0.516 |
89 |
67 |
7 |
10.45% |
0.515 |
90 |
114 |
14 |
12.28% |
0.514 |
91 |
158 |
3 |
1.90% |
0.513 |
92 |
78 |
8 |
10.26% |
0.513 |
93 |
120 |
6 |
5.00% |
0.510 |
94 |
149 |
15 |
10.07% |
0.506 |
95 |
186 |
20 |
10.75% |
0.505 |
96 |
141 |
15 |
10.64% |
0.499 |
97 |
213 |
21 |
9.86% |
0.495 |
98 |
119 |
11 |
9.24% |
0.494 |
99 |
189 |
28 |
14.81% |
0.494 |
100 |
123 |
10 |
8.13% |
0.484 |
101 |
149 |
17 |
11.41% |
0.483 |
102 |
101 |
15 |
14.85% |
0.482 |
103 |
73 |
5 |
6.85% |
0.469 |
104 |
70 |
17 |
24.29% |
0.462 |
105 |
106 |
13 |
12.26% |
0.449 |
106 |
94 |
13 |
13.83% |
0.449 |
107 |
140 |
11 |
7.86% |
0.446 |
108 |
103 |
10 |
9.71% |
0.441 |
109 |
71 |
12 |
16.90% |
0.440 |
110 |
78 |
13 |
16.67% |
0.434 |
111 |
147 |
16 |
10.88% |
0.434 |
112 |
317 |
44 |
13.88% |
0.422 |
113 |
113 |
8 |
7.08% |
0.421 |
114 |
207 |
25 |
12.08% |
0.418 |
115 |
136 |
20 |
14.71% |
0.413 |
116 |
155 |
25 |
16.13% |
0.413 |
117 |
90 |
13 |
14.44% |
0.406 |
118 |
101 |
4 |
3.96% |
0.404 |
119 |
33 |
4 |
12.12% |
0.404 |
120 |
80 |
17 |
21.25% |
0.404 |
121 |
115 |
8 |
6.96% |
0.402 |
122 |
83 |
10 |
12.05% |
0.402 |
123 |
90 |
19 |
21.11% |
0.401 |
124 |
134 |
21 |
15.67% |
0.401 |
125 |
81 |
7 |
8.64% |
0.393 |
126 |
137 |
21 |
15.33% |
0.392 |
127 |
134 |
6 |
4.48% |
0.379 |
128 |
137 |
13 |
9.49% |
0.378 |
129 |
114 |
8 |
7.02% |
0.375 |
130 |
136 |
5 |
3.68% |
0.371 |
131 |
105 |
5 |
4.76% |
0.366 |
132 |
125 |
14 |
11.20% |
0.364 |
133 |
24 |
2 |
8.33% |
0.349 |
134 |
121 |
10 |
8.26% |
0.316 |
135 |
78 |
1 |
1.28% |
0.291 |
136 |
82 |
9 |
10.98% |
0.286 |
137 |
87 |
5 |
5.75% |
0.283 |
138 |
87 |
4 |
4.60% |
0.274 |
139 |
109 |
10 |
9.17% |
0.258 |
140 |
70 |
3 |
4.29% |
0.255 |
141 |
78 |
5 |
6.41% |
0.235 |
142 |
41 |
1 |
2.44% |
0.232 |
143 |
61 |
4 |
6.56% |
0.219 |
144 |
87 |
1 |
1.15% |
0.167 |
145 |
137 |
1 |
0.73% |
0.106 |
146 |
59 |
0 |
0.0% |
0.0 |
147 |
69 |
0 |
0.0% |
0.0 |
B.
High pay employment
With the factor developed in the
previous section, it would be possible for a station to achieve a relatively
high ranking and still employ most of its minorities in low paying, menial
positions. Discrimination in filling the higher paying, more influential
positions may be every bit as significant to the minority group member
discriminated against. In Table 9, therefore, we rank the stations in our
study based solely on the percentage of minorities employed in the top five job
categories on the reporting form 395 (officials and managers, professionals,
technicians, sales workers, and skilled craftsmen). We have not
"corrected" the rankings in these categories for the total percentage
of minorities in the SMSA because it is our belief that the "market"
for most such employees is a national rather than local one. n14
n14 One need only scan the pages of
the various organs of the trade press, such as Broadcasting magazine, TV-Radio
Age, and so forth, to see that management personnel, on-camera talent, licensed
technicians and engineers and other skilled production personnel form a finite
national pool which advertises for employment (and are advertised for by the
broadcasters) on a nationwide basis.
Network affiliates ranked by percent
minorities employed in high pay positions
Rank |
Call |
Net. |
Mkt. |
Location |
|
letters |
aff. |
No. |
|
1 |
KABC |
ABC |
2 |
Los
Angeles |
2 |
KENS |
CBS |
45 |
San
Antonio |
3 |
KGO |
ABC |
8 |
San
Francisco |
4 |
KSAT |
ABC |
45 |
San
Antonio |
5 |
KNBC |
NBC |
2 |
Los
Angeles |
6 |
WRC |
NBC |
10 |
Washington
D.C. |
7 |
WREC |
CBS |
29 |
Memphis |
8 |
WLWC |
NBC |
28 |
Columbus |
9 |
WVUE |
ABC |
31 |
New
Orleans |
10 |
WHBQ |
ABC |
29 |
Memphis |
11 |
WNBC |
NBC |
1 |
New York
City |
12 |
WROP |
CBS |
10 |
Washington
D.C. |
13 |
KING |
NBC |
16 |
Seattle-Tacoma |
14 |
WTVJ |
CBS |
18 |
Miami |
15 |
KPIX |
CBS |
8 |
San
Francisco |
16 |
WOAI |
NBC |
45 |
San
Antonio |
17 |
WMAL |
ABC |
10 |
Washington
D.C. |
18 |
WKYC |
NBC |
7 |
Cleveland |
19 |
WCBS |
CBS |
1 |
New York
City |
20 |
WBMG |
CBS |
83 |
Birmingham |
21 |
WSB |
NBC |
17 |
Atlanta |
22 |
WSIX |
ABC |
30 |
Nashville |
23 |
WLOS |
ABC |
40 |
Gnville-Sptngb-Ashvi |
24 |
WAGA |
CBS |
17 |
Atlanta |
25 |
WCKF |
NBC |
18 |
Miami |
26 |
WPVI |
ABC |
4 |
Philadelphia |
27 |
WMAQ |
NBC |
3 |
Chicago |
28 |
WBAL |
NBC |
19 |
Baltimore |
29 |
WYVN |
ABC |
28 |
Columbus |
30 |
WLS |
ABC |
3 |
Chicago |
31 |
KNXT |
CBS |
2 |
Los
Angeles |
32 |
WIAR |
CBS |
44 |
Norf-Newp
News-Hamp |
33 |
WMC |
NBC |
29 |
Memphis |
34 |
KRON |
NBC |
8 |
San
Francisco |
35 |
KOOL |
CBS |
45 |
Phoenix |
36 |
KSOU |
CBS |
15 |
Houston |
37 |
KIRK |
ABC |
15 |
Houston |
38 |
WGHP |
ABC |
48 |
Gnsb-High
Pt-Win Sal |
39 |
WKRC |
ABC |
20 |
Cincinnati |
40 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
41 |
KGTV |
NBC |
49 |
San Diego |
42 |
KOCO |
ABC |
41 |
Okahoma
City |
43 |
WHTO |
CBS |
39 |
Dayton |
44 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
45 |
WABC |
ABC |
1 |
New York
City |
46 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
47 |
WSOC |
NBC |
35 |
Charlotte |
48 |
WCAU |
CBS |
4 |
Philadelphia |
49 |
WFBC |
NBC |
40 |
Gnville-Sptbg-Ashvi |
50 |
KPRC |
NBC |
15 |
Houston |
51 |
WQXI |
ABC |
17 |
Atlanta |
52 |
WJW |
CBS |
7 |
Cleveland |
53 |
WPLG |
ABC |
18 |
Miami |
54 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
55 |
WWJ |
NBC |
5 |
Detroit |
56 |
WNYS |
abc/ |
43 |
Syracuse |
57 |
WBTV |
CBS |
35 |
Charlotte |
58 |
WBBM |
CBS |
3 |
Chicago |
59 |
KFMB |
CBS |
49 |
San Diego |
60 |
WJBK |
CBS |
5 |
Detroit |
61 |
WWL |
CBS |
31 |
New
Orleans |
62 |
WXYZ |
ABC |
5 |
Detroit |
63 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
64 |
WNAC |
CBS |
6 |
Boston |
65 |
WAST |
ABC |
37 |
Albany
Schenectady-T |
66 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
67 |
KGW |
NBC |
26 |
Portland |
68 |
WGR |
NBC |
25 |
Buffalo |
69 |
KBTV |
ABC |
32 |
Denver |
70 |
WRTV |
NBC |
14 |
Indianapolis |
71 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
72 |
WBRC |
ABC |
38 |
Birmingham |
73 |
KTVK |
ABC |
45 |
Phoenix |
74 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
75 |
WBZ |
NBC |
6 |
Boston |
76 |
KCMO |
CBS |
23 |
Kansas
City |
77 |
WPRI |
CBS |
34 |
Providence |
78 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
79 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
80 |
WIIC |
NBC |
9 |
Pittsburgh |
81 |
WTMJ |
NBC |
21 |
Milwaukee |
82 |
KWTV |
CBS |
41 |
Oklahoma
City |
83 |
WTEN |
CBS |
37 |
Albany-Schenectady-T |
84 |
KDKA |
CBS |
9 |
Pittsburgh |
85 |
KMOX |
CBS |
12 |
St. Louis |
86 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
87 |
WISH |
CBS |
14 |
Indianapolis |
88 |
WTNH |
ABC |
22 |
Hartford-New
Haven |
89 |
KMBC |
ABC |
23 |
Kansas
City |
90 |
WEWS |
ABC |
7 |
Cleveland |
91 |
KTVI |
ABC |
12 |
St. Louis |
92 |
WMAR |
CBS |
19 |
Baltimore |
93 |
WKBW |
ABC |
25 |
Buffalo |
94 |
WJZ |
ABC |
19 |
Baltimore |
95 |
KMGH |
CBS |
32 |
Denver |
96 |
KYW |
NBC |
4 |
Philadelphia |
97 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
98 |
WSYR |
NBC |
43 |
Syracuse |
99 |
KTAR |
NBC |
45 |
Phoenix |
100 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
101 |
WLWT |
NBC |
20 |
Cincinnati |
102 |
WSM |
NBC |
30 |
Nashville |
103 |
WBNS |
CBS |
28 |
Columbus |
104 |
WCCB |
ABC |
35 |
Charlotte |
105 |
WTAE |
ABC |
9 |
Pittsburgh |
106 |
WBEN |
CBS |
25 |
Buffalo |
107 |
KDA |
NBC |
32 |
Denver |
108 |
WSPD |
NBC |
45 |
Toledo |
109 |
WHEN |
CBS |
43 |
Syracuse |
110 |
WITI |
ABC |
21 |
Milwaukee |
111 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
112 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
113 |
WAVE |
NBC |
36 |
Louisville |
114 |
WLAC |
CBS |
30 |
Nashville |
115 |
WDAF |
NBC |
23 |
Kansas
City |
116 |
WCPO |
CBS |
20 |
Cincinnati |
117 |
KOIN |
CBS |
26 |
Portland |
118 |
WJAR |
NBC |
34 |
Providence |
119 |
KATU |
ABC |
26 |
Portland |
120 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
121 |
WHAS |
CBS |
36 |
Louisville |
122 |
WOIV |
NBC |
41 |
Kalamazo-Gr
Rapids |
123 |
WTEV |
ABC |
34 |
Providence |
124 |
KOPX |
ABC |
50 |
Salt Lake
City |
125 |
WTOL |
CBS |
45 |
Toledo |
126 |
WDSU |
NBC |
31 |
New
Orleans |
127 |
WKY |
NBC |
41 |
Oklahoma
City |
128 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
129 |
WDHO |
ABC |
45 |
Toledo |
130 |
WLKY |
ABC |
36 |
Louisville |
131 |
WLWD |
NBC |
39 |
Dayton |
132 |
WAPI |
NBC |
38 |
Birmingham |
133 |
WCHS |
CBS |
33 |
Charleston-Huntington |
134 |
KSD |
NBC |
12 |
St. Louis |
135 |
WVFC |
ABC |
44 |
Norf-Newp
News-Hamp |
136 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
137 |
WCCO |
CBS |
13 |
Minneapolis-St
Paul |
138 |
KSTP |
NBC |
13 |
Minneapolis-St
Paul |
139 |
WLWI |
ABC |
14 |
Indianapolis |
140 |
WISN |
CBS |
21 |
Milwaukee |
141 |
KSL |
CBS |
50 |
Salt Lake
City |
142 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
143 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
144 |
KUTV |
NBC |
50 |
Salt Lake
City |
145 |
WHTN |
ABC |
33 |
Charleston-Huntington |
146 |
KMSP |
ABC |
13 |
Minneapolis-St
Paul |
147 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
|
|
High pay |
|
Rank |
High pay |
Minorities employed |
|
|
positions |
|
|
|
|
Number |
Percent |
1 |
162 |
45 |
27.78% |
2 |
57 |
12 |
21.05% |
3 |
189 |
38 |
20.11% |
4 |
64 |
12 |
18.75% |
5 |
174 |
29 |
16.67% |
6 |
170 |
27 |
15.88% |
7 |
52 |
8 |
15.38% |
8 |
73 |
11 |
15.07% |
9 |
74 |
11 |
14.86% |
10 |
61 |
9 |
14.75% |
11 |
179 |
26 |
14.53% |
12 |
111 |
16 |
14.41% |
13 |
112 |
16 |
14.29% |
14 |
127 |
18 |
14.17% |
15 |
110 |
15 |
13.64% |
16 |
60 |
8 |
13.33% |
17 |
128 |
17 |
13.28% |
18 |
155 |
20 |
12.90% |
19 |
181 |
23 |
12.71% |
20 |
24 |
3 |
12.50% |
21 |
104 |
13 |
12.50% |
22 |
58 |
7 |
12.07% |
23 |
58 |
7 |
12.07% |
24 |
109 |
13 |
11.93% |
25 |
102 |
12 |
11.76% |
26 |
121 |
14 |
11.57% |
27 |
236 |
27 |
11.44% |
28 |
114 |
13 |
11.40% |
29 |
62 |
7 |
11.29% |
30 |
224 |
25 |
11.16% |
31 |
253 |
28 |
11.07% |
32 |
82 |
9 |
10.98% |
33 |
64 |
7 |
10.94% |
34 |
165 |
18 |
10.91% |
35 |
83 |
9 |
10.84% |
36 |
75 |
8 |
10.67% |
37 |
75 |
8 |
10.67% |
38 |
57 |
6 |
10.53% |
39 |
57 |
6 |
10.53% |
40 |
58 |
6 |
10.34% |
41 |
98 |
10 |
10.20% |
42 |
59 |
6 |
10.17% |
43 |
82 |
8 |
9.76% |
44 |
83 |
8 |
9.64% |
45 |
138 |
13 |
9.42% |
46 |
66 |
6 |
9.09% |
47 |
78 |
7 |
8.97% |
48 |
56 |
5 |
8.93% |
49 |
45 |
4 |
8.89% |
50 |
102 |
9 |
8.82% |
51 |
80 |
7 |
8.75% |
52 |
115 |
10 |
8.70% |
53 |
105 |
9 |
8.57% |
54 |
82 |
7 |
8.54% |
55 |
129 |
7 |
8.57% |
56 |
48 |
4 |
8.33% |
57 |
109 |
9 |
8.26% |
58 |
211 |
17 |
8.06% |
59 |
87 |
7 |
8.05% |
60 |
138 |
11 |
7.97% |
61 |
88 |
7 |
7.95% |
62 |
181 |
14 |
7.73% |
63 |
105 |
8 |
7.62% |
64 |
132 |
10 |
7.58% |
65 |
53 |
4 |
7.55% |
66 |
54 |
4 |
7.41% |
67 |
96 |
7 |
7.29% |
68 |
55 |
4 |
7.27% |
69 |
83 |
6 |
7.23% |
70 |
97 |
7 |
7.22% |
71 |
70 |
5 |
7.14% |
72 |
56 |
4 |
7.14% |
73 |
56 |
4 |
7.14% |
74 |
101 |
7 |
6.93% |
75 |
131 |
9 |
6.87% |
76 |
59 |
4 |
6.78% |
77 |
59 |
4 |
6.78% |
78 |
59 |
4 |
6.78% |
79 |
119 |
8 |
6.72% |
80 |
120 |
8 |
6.67% |
81 |
105 |
7 |
6.67% |
82 |
60 |
4 |
6.67% |
83 |
61 |
4 |
6.56% |
84 |
107 |
7 |
6.54% |
85 |
110 |
7 |
6.36% |
86 |
112 |
7 |
6.25% |
87 |
65 |
4 |
6.25% |
88 |
6 |
4 |
.15% |
89 |
82 |
5 |
6.10% |
90 |
116 |
7 |
6.03% |
91 |
83 |
5 |
6.02% |
92 |
100 |
6 |
6.00% |
93 |
67 |
4 |
5.97% |
94 |
86 |
5 |
5.81% |
95 |
88 |
5 |
5.68% |
96 |
159 |
9 |
5.66% |
97 |
148 |
8 |
5.41% |
98 |
75 |
4 |
5.33% |
99 |
75 |
4 |
5.33% |
100 |
94 |
5 |
5.32% |
101 |
134 |
7 |
5.22% |
102 |
97 |
5 |
5.15% |
103 |
98 |
5 |
5.10% |
104 |
20 |
1 |
5.00% |
105 |
103 |
5 |
4.85% |
106 |
103 |
5 |
4.85% |
107 |
66 |
3 |
4.55% |
108 |
67 |
3 |
4.48% |
109 |
45 |
2 |
4.44% |
110 |
95 |
4 |
4.21% |
111 |
48 |
2 |
4.17% |
112 |
73 |
3 |
4.11% |
113 |
76 |
3 |
3.95% |
114 |
76 |
3 |
3.95% |
115 |
51 |
2 |
3.92% |
116 |
103 |
4 |
3.88% |
117 |
78 |
3 |
3.85% |
118 |
78 |
3 |
3.85% |
119 |
79 |
3 |
3.80% |
120 |
132 |
5 |
3.79% |
121 |
83 |
3 |
3.61% |
122 |
83 |
3 |
3.61% |
123 |
56 |
2 |
3.57% |
124 |
58 |
2 |
3.45% |
125 |
59 |
2 |
3.39% |
126 |
89 |
3 |
3.37% |
127 |
90 |
3 |
3.33% |
128 |
92 |
3 |
3.26% |
129 |
33 |
1 |
3.03% |
130 |
37 |
1 |
2.70% |
131 |
75 |
2 |
2.67% |
132 |
40 |
1 |
2.50% |
133 |
44 |
1 |
2.27% |
134 |
94 |
2 |
2.13% |
135 |
47 |
1 |
2.13% |
136 |
52 |
1 |
1.92% |
137 |
162 |
3 |
1.85% |
138 |
119 |
2 |
1.68% |
139 |
66 |
1 |
1.52% |
140 |
78 |
1 |
1.28% |
141 |
101 |
1 |
0.99% |
142 |
45 |
0 |
0.0% |
143 |
64 |
0 |
0.0% |
144 |
62 |
0 |
0.0% |
145 |
36 |
0 |
0.0% |
146 |
48 |
0 |
0.0% |
147 |
51 |
0 |
0.0% |
III. ANALYSIS OF FEMALE
EMPLOYMENT
Women comprised approximately 22.1%
of the employees at the 147 stations in our study, but only 6.4% of the
employees in the five high-paying categories discussed in the previous
section. That tremendous disparity points up an urgent need for
affirmative action programs designed to get more women into the high-paying,
decision-making end of broadcasting. In Table 10, therefore, we rank the
network affiliates on the percentage of women employed in those five
categories.
Network
Affiliates Ranked by Percent Women Employed in High Pay Positions
Rank |
Call |
Net. |
Mkt. |
Location |
|
letters |
aff. |
No. |
|
1 |
WCAU |
CBS |
4 |
Philadelphia |
2 |
WMAL |
ABC |
10 |
Washington
D.C |
3 |
WTOP |
CBS |
10 |
Washington
D.C |
4 |
WLKY |
ABC |
36 |
Louisville |
5 |
KMBC |
ABC |
23 |
Kansas
City |
6 |
KABC |
ABC |
2 |
Los
Angeles |
7 |
WGHP |
ABC |
48 |
Gnsb-High
Pt-Win Sal |
8 |
WLWI |
ABC |
14 |
Indianapolis |
9 |
WSIX |
ABC |
30 |
Nashville |
10 |
KOMO |
ABC |
16 |
Seattle-Tacoma |
11 |
WAST |
ABC |
37 |
Albany-Schenectady-T |
12 |
WHTN |
ABC |
33 |
Charleston-Huntington |
13 |
WCBS |
CBS |
1 |
New York
City |
14 |
WTVJ |
CBS |
18 |
Miami |
15 |
WVUE |
ABC |
31 |
New
Orleans |
16 |
KTVK |
ABC |
45 |
Phoenix |
17 |
WNBC |
NBC |
1 |
New York
City |
18 |
WXYZ |
ABC |
5 |
Detroit |
19 |
WPLG |
ABC |
18 |
Miami |
20 |
WTOL |
CBS |
45 |
Toledo |
21 |
WCCB |
ABC |
35 |
Charlotte |
22 |
WIIC |
NBC |
9 |
Pittsburgh |
23 |
WCXI |
ABC |
17 |
Atlanta |
24 |
WBZ |
NBC |
6 |
Boston |
25 |
WLS |
ABC |
3 |
Chicago |
26 |
WXII |
NBC |
48 |
Gnsb-High
Pt-Win Sal |
27 |
WLWC |
NBC |
28 |
Columbus |
28 |
WISH |
CBS |
14 |
Indianapolis |
29 |
WCCO |
CBS |
13 |
Minneapolis-St
Paul |
30 |
KBMS |
CBS |
49 |
San Diego |
31 |
WOHO |
ABC |
45 |
Toledo |
32 |
Knox |
CBS |
12 |
St. Louis |
33 |
WBBM |
CBS |
3 |
Chicago |
34 |
KGO |
ABC |
8 |
San
Francisco |
35 |
KING |
NBC |
16 |
Seattle-Tacoma |
37 |
WFAA |
ABC |
11 |
Dallas-Fort
Worth |
38 |
KNBC |
NBC |
2 |
Los
Angeles |
39 |
WTAR |
CBS |
44 |
Norf-Newp
News-Hamp |
40 |
WVEC |
ABC |
44 |
Norf-Newp
News-Hamp |
41 |
WMAO |
NBC |
3 |
Chicago |
42 |
WTIC |
CBS |
22 |
Hartford-New
Haven |
43 |
KMSP |
ABC |
13 |
Minneapolis-St
Paul |
44 |
WRTV |
NBC |
14 |
Indianapolis |
45 |
WBNS |
CBS |
28 |
Columbus |
46 |
WTVN |
ABC |
28 |
Columbus |
47 |
WCKT |
NBC |
18 |
Miami |
48 |
KSAT |
ABC |
45 |
San
Antonio |
49 |
KDFW |
CBS |
11 |
Dallas-Fort
Worth |
50 |
KXTV |
CBS |
27 |
Sacramento-Stockton |
51 |
WPVI |
ABC |
4 |
Philadelphia |
52 |
WPTV |
CBS |
35 |
Charlotte |
53 |
KPIX |
CBS |
8 |
SanFrancisco |
54 |
WSM |
NBC |
30 |
Nashville |
55 |
WBRC |
ABC |
38 |
Birmingham |
56 |
WBAL |
NBC |
19 |
Baltimore |
57 |
WJZ |
ABC |
19 |
Baltimore |
58 |
WAVY |
NBC |
44 |
Norf-Newp
News-Hamp |
59 |
WLOS |
ABC |
40 |
Gnville-Sptnbg-Ashvi |
60 |
WCHS |
CBS |
33 |
Charleston-Huntington |
61 |
KWTV |
CBS |
41 |
Oklahoma
City |
62 |
KTAR |
NBC |
45 |
Phoenix |
63 |
KRON |
NBC |
8 |
San
Francisco |
64 |
WHEN |
CBS |
43 |
Syracuse |
65 |
WABC |
ABC |
1 |
New York
City |
66 |
WRC |
NBC |
10 |
Washington,
D.C. |
67 |
WKYC |
NBC |
7 |
Cleveland |
68 |
KATU |
ABC |
26 |
Portland |
69 |
WITI |
ABC |
21 |
Milwaukee |
70 |
KYW |
NBC |
4 |
Philadelphia |
71 |
KOA |
NBC |
32 |
Denver |
72 |
KNXT |
CBS |
2 |
Los
Angeles |
73 |
KSTP |
NBC |
13 |
Minneapolis-St.
Paul |
74 |
WSB |
NBC |
17 |
Atlanta |
75 |
WFMY |
CBS |
48 |
Gnsb-High
Pt-Win Sal |
76 |
WTMJ |
NBC |
21 |
Milwaukee |
77 |
WDSU |
NBC |
31 |
New
Orleans |
78 |
WHNB |
NBC |
22 |
Hartford-New
Haven |
79 |
WGR |
NBC |
25 |
Buffalo |
80 |
WTEV |
ABC |
34 |
Providence |
81 |
WLWD |
NBC |
39 |
Dayton |
82 |
KHOU |
CBS |
15 |
Houston |
83 |
KSD |
NBC |
12 |
St. Louis |
84 |
KENS |
CBS |
45 |
San
Antonio |
85 |
WLAC |
CBS |
30 |
Nashville |
86 |
WKRC |
ABC |
20 |
Cincinnati |
87 |
WLWT |
NBC |
20 |
Cincinnati |
88 |
KGW |
NBC |
26 |
Portland |
89 |
KOIN |
CBS |
26 |
Portland |
90 |
WISN |
CBS |
21 |
Milwaukee |
91 |
WPRI |
CBS |
34 |
Providence |
92 |
WOAI |
NBC |
45 |
San
Antonio |
93 |
WTAE |
ABC |
9 |
Pittsburgh |
94 |
KUTV |
NBC |
50 |
Salt Lake
City |
95 |
KBTV |
ABC |
32 |
Denver |
96 |
WMC |
NBC |
29 |
Memphis |
97 |
WRGB |
NBC |
37 |
Albany-Schenectady-T |
98 |
KMGH |
CBS |
32 |
Denver |
99 |
WWL |
CBS |
31 |
New
Orleans |
100 |
WBAP |
NBC |
11 |
Dallas-Fort
Worth |
101 |
WSPA |
CBS |
40 |
Gnville-Sptnbg-Ashvi |
102 |
WNYS |
ABC |
43 |
Syracuse |
103 |
WBMG |
CBS |
38 |
Birmingham |
104 |
KGTV |
NBC |
49 |
San Diego |
105 |
WMAR |
CBS |
19 |
Baltimore |
106 |
KTRK |
ABC |
15 |
Houston |
107 |
KPRC |
NBC |
15 |
Houston |
108 |
WCPO |
CBS |
20 |
Cincinnati |
109 |
WWJ |
NBC |
5 |
Detroit |
110 |
WSOC |
NBC |
35 |
Charlotte |
111 |
WREC |
CBS |
29 |
Memphis |
112 |
WNAC |
CBS |
6 |
Boston |
113 |
WFLA |
NBC |
24 |
Tampa-St.
Petersburg |
114 |
WHIO |
CBS |
39 |
Dayton |
115 |
KOOL |
CBS |
45 |
Phoenix |
116 |
KCPX |
ABC |
50 |
Salt Lake
City |
117 |
KOCO |
ABC |
41 |
Oklahoma
City |
118 |
WKY |
NBC |
41 |
Oklahoma
City |
119 |
WHBQ |
ABC |
29 |
Memphis |
120 |
WTEN |
CBS |
37 |
Albany-SchenectadyT |
121 |
WTVT |
CBS |
24 |
Tampa-St.
Petersburg |
122 |
KIRO |
CBS |
16 |
Seattle-Tacoma |
123 |
WKBW |
ABC |
25 |
Buffalo |
124 |
KCRA |
NBC |
27 |
Sacramento-Stockton |
125 |
KDKA |
CBS |
9 |
Pittsburgh |
126 |
WAGA |
CBS |
17 |
Atlanta |
127 |
WAVE |
NBC |
36 |
Louisville |
128 |
WJW |
CBS |
7 |
Cleveland |
129 |
WAPI |
NBC |
38 |
Birmingham |
130 |
WHAS |
CBS |
36 |
Louisville |
131 |
KOVR |
ABC |
27 |
Sacramento-Stockton |
132 |
WJBK |
CBS |
5 |
Detroit |
133 |
WZZM |
ABC |
41 |
Kalamazoo-Gr
Rapids |
134 |
WKZO |
CBS |
41 |
Kalamazoo-Gr
Rapids |
135 |
WDAF |
NBC |
23 |
Kansas
City |
136 |
WBEN |
CBS |
25 |
Buffalo |
137 |
WLCY |
ABC |
24 |
Tampa-St.
Petersburg |
138 |
WEWS |
ABC |
7 |
Cleveland |
139 |
WSAZ |
NBC |
33 |
Charleston-Huntington |
140 |
KCMO |
CBS |
23 |
Kansas
City |
141 |
WINH |
ABC |
22 |
Hartford-New
Haven |
142 |
WSPD |
NBC |
45 |
Toledo |
143 |
WSYR |
NBC |
43 |
Syracuse |
144 |
WJAR |
NBC |
34 |
Providence |
145 |
WOTV |
NBC |
41 |
Kalamazoo-Gr
Rapids |
146 |
KTVI |
ABC |
12 |
St. Louis |
147 |
KSL |
CBS |
50 |
Salt Lake
City |
|
|
High pay women |
|
|
High pay |
employed |
|
|
positions |
|
|
|
|
Number |
Percent |
1 |
56 |
14 |
25.00% |
2 |
128 |
21 |
16.41% |
3 |
111 |
15 |
13.51% |
4 |
37 |
5 |
13.51% |
5 |
82 |
11 |
13.41% |
6 |
162 |
21 |
12.96% |
7 |
57 |
7 |
12.28% |
8 |
66 |
8 |
12.12% |
9 |
58 |
7 |
12.07% |
10 |
132 |
15 |
11.36% |
11 |
53 |
6 |
11.32% |
12 |
36 |
4 |
11.11% |
13 |
181 |
20 |
11.05% |
14 |
127 |
14 |
11.02% |
15 |
74 |
8 |
10.81% |
16 |
56 |
6 |
10.71% |
17 |
179 |
19 |
10.61% |
18 |
181 |
19 |
10.50% |
19 |
105 |
11 |
10.48% |
20 |
59 |
6 |
10.17% |
21 |
20 |
2 |
10.00% |
22 |
120 |
12 |
10.00% |
23 |
80 |
8 |
10.00% |
24 |
131 |
13 |
9.92% |
25 |
224 |
22 |
9.82% |
26 |
73 |
7 |
9.59% |
27 |
73 |
7 |
9.59% |
28 |
64 |
6 |
9.38% |
29 |
162 |
15 |
9.26% |
30 |
87 |
3 |
9.20% |
31 |
33 |
3 |
9.09% |
32 |
110 |
10 |
9.09% |
33 |
211 |
19 |
9.00% |
34 |
189 |
17 |
8.99% |
35 |
112 |
10 |
8.93% |
36 |
45 |
4 |
8.89% |
37 |
148 |
13 |
8.78% |
38 |
174 |
15 |
8.62% |
39 |
82 |
7 |
8.54% |
40 |
47 |
4 |
8.51% |
41 |
236 |
20 |
8.47% |
42 |
119 |
10 |
8.40% |
43 |
48 |
4 |
8.33% |
44 |
97 |
8 |
8.25% |
45 |
98 |
8 |
8.16% |
46 |
62 |
5 |
8.06% |
47 |
102 |
8 |
7.84% |
48 |
64 |
5 |
7.81% |
49 |
105 |
8 |
7.62% |
50 |
66 |
5 |
7.58% |
51 |
121 |
9 |
7.44% |
52 |
109 |
8 |
7.34% |
53 |
110 |
8 |
7.27% |
54 |
97 |
7 |
7.22% |
55 |
56 |
4 |
7.14% |
56 |
114 |
8 |
7.02% |
57 |
86 |
6 |
6.98% |
58 |
58 |
4 |
6.90% |
59 |
58 |
4 |
6.90% |
60 |
44 |
3 |
6.82% |
61 |
60 |
4 |
6.67% |
62 |
75 |
5 |
6.67% |
63 |
165 |
11 |
6.67% |
64 |
45 |
3 |
6.67% |
65 |
138 |
9 |
6.52% |
66 |
170 |
11 |
6.47% |
67 |
155 |
10 |
6.45% |
68 |
79 |
5 |
6.33% |
69 |
95 |
6 |
6.32% |
70 |
159 |
10 |
6.29% |
71 |
66 |
4 |
6.06% |
72 |
253 |
15 |
5.93% |
73 |
119 |
7 |
5.88% |
74 |
104 |
6 |
5.77% |
75 |
70 |
4 |
5.71% |
76 |
105 |
6 |
5.71% |
77 |
89 |
5 |
5.62% |
78 |
54 |
3 |
5.56% |
79 |
55 |
3 |
5.45% |
80 |
56 |
3 |
5.36% |
81 |
75 |
4 |
5.33% |
82 |
75 |
4 |
5.33% |
83 |
94 |
5 |
5.32% |
84 |
57 |
3 |
5.26% |
85 |
76 |
4 |
5.26% |
86 |
57 |
3 |
5.26% |
87 |
134 |
7 |
5.22% |
88 |
96 |
5 |
5.21% |
89 |
78 |
4 |
5.13% |
90 |
78 |
4 |
5.13% |
91 |
59 |
3 |
5.08% |
92 |
60 |
3 |
5.00% |
93 |
103 |
5 |
4.85% |
94 |
62 |
3 |
4.84% |
95 |
83 |
4 |
4.82% |
96 |
64 |
3 |
4.69% |
97 |
64 |
3 |
4.69% |
98 |
88 |
4 |
4.55% |
99 |
88 |
4 |
4.55% |
100 |
112 |
5 |
4.46% |
101 |
45 |
2 |
4.44% |
102 |
48 |
2 |
4.17% |
103 |
24 |
1 |
4.17% |
104 |
98 |
4 |
4.08% |
105 |
100 |
4 |
4.00% |
106 |
75 |
3 |
4.00% |
107 |
102 |
4 |
3.92% |
108 |
103 |
4 |
3.88% |
109 |
129 |
5 |
3.88% |
110 |
78 |
3 |
3.85% |
111 |
52 |
2 |
3.85% |
112 |
132 |
5 |
3.79% |
113 |
82 |
3 |
3.66% |
114 |
82 |
3 |
3.66% |
115 |
83 |
3 |
3.61% |
116 |
58 |
2 |
3.45% |
117 |
59 |
2 |
3.39% |
118 |
90 |
3 |
3.33% |
119 |
61 |
2 |
3.28% |
120 |
61 |
2 |
3.28% |
121 |
92 |
3 |
3.26% |
122 |
94 |
3 |
3.19% |
123 |
67 |
2 |
2.99% |
124 |
101 |
3 |
2.97% |
125 |
107 |
3 |
2.80% |
126 |
109 |
3 |
2.75% |
127 |
76 |
2 |
2.63% |
128 |
115 |
3 |
2.61% |
129 |
40 |
1 |
2.50% |
130 |
83 |
2 |
2.41% |
131 |
83 |
2 |
2.41% |
132 |
138 |
3 |
2.17% |
133 |
48 |
1 |
2.08% |
134 |
51 |
1 |
1.96% |
135 |
51 |
1 |
1.96% |
136 |
103 |
2 |
1.94% |
137 |
52 |
1 |
1.92% |
138 |
116 |
2 |
1.72% |
139 |
59 |
1 |
1.69% |
140 |
59 |
1 |
1.69% |
141 |
65 |
1 |
1.54% |
142 |
67 |
1 |
1.49% |
143 |
75 |
1 |
1.33% |
144 |
78 |
1 |
1.28% |
145 |
83 |
1 |
1.20% |
146 |
83 |
1 |
1.20% |
147 |
101 |
0 |
0.0% |
IV. REMEDIES FOR CLAIMS OF
EMPLOYMENT DISCRIMINATION
Claims of employment discrimination
against any television station may be filed with both the FCC and the Equal
Employment Opportunity Commission (EEOC).
The claim can be filed with the FCC
by any individual or interested community group if there is reason to believe
that an employee has been discriminated against on the basis of race, color,
national origin, or sex. Any claim of discrimination filed with the FCC
should allege -- and demonstrate, to the extent possible -- that the
broadcaster is in violation of his public interest responsibility to engage in
fair employment practices, and that he has failed to comply with the FCC's
equal employment rules. n15 The FCC's
action on a discrimination claim it considers legitimate will be geared toward
bringing the broadcaster into compliance with those rules, and a complaint
before the FCC is thus brought on behalf of the Commission rather than the
individual or group against whom the discrimination is alleged.
n15 47 C.F.R. � 73.680.
If an employee or group merely
wishes to bring a claim of discrimination to the attention of the FCC, without
further pursuing the matter, it may write a letter of complaint to the FCC,
stating the particulars of the claim against the station. The FCC will
review the complaint in much the same manner as it might review a complaint
based on a violation of the fairness doctrine or another type of programming
violation and may request a response from the broadcast. At the very
least, the complaint is placed in the station's complaint file for review when
its license comes up for renewal. If the complaints division finds that
the complaint at issue is significant enough, it will forward the complaint to
the renewal branch at the appropriate time. n16
n16 Unfortunately, time and the
renewal process have proven that what citizens would consider significant and
what the FCC would consider significant are often leagues apart in areas like
employment.
A fuller remedy at the FCC might be
pursued in the form of a petition to deny the station's license renewal. n17 The petition may assert discrimination against
particular employees or it may cite a general trend or pattern of employment
discrimination, both of which are a violation of the FCC's equal employment
rules. The petition to deny provides a remedy separate from the Commission's
independent inquiry into a complaint about the station's equal employment
practices. It requires the Commission to confront the issue directly, and
is therefore somewhat more likely to result in further inquiry by the
Commission, a fine under Section 503 of the Communications Act, n18 or the outright denial of renewal of the
broadcaster's license; at the very least, the issues involved will be given a
fuller airing than they might receive if the complaint merely takes the form of
a letter of information to the FCC.
n17 See the procedures described in
greater detail in Chapter 4 of this Report.
n18 47 U.S.C. � 503(b)(1)
provides for a forfeiture of up to $1000 per violation, up to a limit of
$10,000, against any licensee who "willfully or repeatedly fails to
observe any of the provisions of this Act or any rule or regulation of the
Commission...."
Unlike a claim of employment
discrimination filed at the FCC, a charge of discrimination filed with the EEOC
is aimed at providing relief to the individual employee who feels he has been
discriminated against. The following is but an abbreviated description of
the process to be followed at the EEOC. More information can be acquired
by writing or calling:
U.S. Equal
Employment Opportunity Commission, 1800 G Street, N.W., Washington, D.C. 20506
or District or Regional Offices of the EEOC (listed in local telephone
directories under U.S. Government) Title VII of the 1964 Civil Rights Act,
which created the EEOC forbids discrimination in hiring, upgrading and all
other conditions of employment, where the discrimination is based upon race,
color, religion, sex or national origin. n19 Title VII, as amended, covers all employers with 15 or more employees,
so all the television stations in this survey (and all other television
stations as well) should be required to comply with its provisions.
n19 42 U.S.C. � 2000 e-2
(1964).
A person who believes that he or she
is a victim of discrimination by a broadcast employer may file a complaint with
the EEOC at the above address. A complaint may also be filed by an
individual or a group on behalf of any individual who may have suffered
discrimination.
An individual who feels he or she
cannot file a charge because of a need to remain anonymous may write one of the
EEOC's five Commissioners in Washington, D.C., requesting the filing of a
Commissioner's Charge, and setting forth the facts which warrant the filing of
such a charge. The individual Commissioner may, at his or her discretion,
proceed to file a charge, permitting the complaint to remain anonymous.
It is important that an individual
file the charge as soon as possible after the discrimination takes place.
In most cases the charge must be filed within 180 days of the discrimination
complained of if the EEOC is to have jurisdiction of the matter.
When the EEOC receives the charge, a
representative reviews the facts and contacts the complainant. If the
charge is one which can be handled by the EEOC, an investigator gathers all the
facts from the complainant and from the parties charged with
discrimination. The EEOC is required by law to furnish a copy of the
charge to the parties charged with discrimination.
If the EEOC does not find that the
facts support the complainant's charge, the complainant and the parties charged
with discrimination are notified that the charge has been dismissed.
If the EEOC finds reasonable cause
to believe that the individual has been discriminated against, it then attempts
to conciliate and reach an agreement satisfactory to all parties
involved. Before the passage of the Equal Employment Opportunity Act of
1972, the EEOC was limited to this process of conciliation in seeking a
resolution of the charge. Now, if the EEOC cannot reach a settlement
agreeable to all parties, the Commission may go to a United States District
Court to obtain an order prohibiting the discrimination. n20
n20
U.S.C. (1972 Supp.).
The person filing the complaint is
also entitled to request notification of his or her own right to file a suit if
the EEOC cannot reach a settlement or if the EEOC does not take the case to
court within 180 days after the complaint is filed.
In some instances, however, the EEOC
may not act directly on the charge until state remedies are sought. If
the individual bringing the charge lives in a state or locality which enforces
its own fair employment practices law, the EEOC must initially send the case to
the state or local agency for investigation and notify the individual that it
has done so. After a minimum of 60 days have passed, the EEOC
automatically reactivates the charge, unless it has already been settled to the
satisfaction of the individual bringing the charge by the state or local
agency.
Finally, an individual charging
discrimination should remember that it is illegal for anyone to penalize or
retaliate against the individual in any way. In the event any attempt is
made to penalize or retaliate against a person in any way for filing a charge
with the EEOC, the EEOC should be notified immediately.
For further information about this
avenue of relief, you should acquire, in addition to the United Church of
Christ materials described in Chapter 4, the EEOC pamphlets Facts about Title
VII of the Civil Rights Act of 1964 and Toward Job Equality for Women, from the
EEOC's Washington office.
V. NATIONAL EMPLOYMENT
ANALYSIS
A. Total Employment
The 147 television stations included
in this study, the major network affiliates in the nation's top 50 television
markets, reported 17,641 full-time employees in 1971 and 17,737 in 1972, an
increase of 96, or 0.5%. Employment of minority group employees among
full-time employees at the 147 stations was 1,759 (10.0%) in 1971 and 2,043
(11.5%) in 1972. Women were employed in 3,893 of the full-time positions
(22.1%) in 1971 and 3,926 (22.1%) in 1972.
TABLE 11. -- Total Full-time
Employment -- 147 Stations -- 1972
Total
employees |
17,641 (100%) |
|
|
|
|
17,737 (100%) |
+96 (+0.5%) |
Minority
employees |
1,759 (10.0%) |
|
|
|
2,043 (11.5%) |
+284 (+16.1%) |
|
Women
employees |
3,893 (22.1%) |
|
|
|
3,926 (22.1%) |
+33 (22.1%) |
|
Of the 147 stations, the following
19 reported fewer than five minority employees:
TABLE 12. -- Fewer Than Five
Minority Employees -- 1972
Call |
|
|
|
Number of |
letters |
Channel |
Location |
Market |
minority |
|
# |
|
# |
employees |
KSTP |
5 |
Minneapolis/St.
Paul |
13 |
3 |
KMSP |
9 |
Minneapolis/St.
Paul |
13 |
0 |
WISN |
12 |
Milwaukee |
21 |
4 |
WLCY |
10 |
Tampa/St.
Petersburg |
24 |
3 |
KOA |
4 |
Denver |
32 |
4 |
WHTN |
13 |
Charleston/Huntington |
33 |
4 |
WCHS |
8 |
Charleston/Huntington |
33 |
4 |
WJAR |
10 |
Providence |
34 |
3 |
WCCB |
18 |
Charlotte |
35 |
2 |
WLKY |
32 |
Louisville |
36 |
4 |
WAST |
13 |
Albany/Schenectady/Troy |
37 |
4 |
WTEN |
10 |
Albany/Schenectady/Troy |
37 |
4 |
WRGB |
6 |
Albany/Schenectady/Troy |
37 |
1 |
WAPI |
13 |
Birmingham |
38 |
4 |
WKZO |
3 |
Grand
Rapids/Kalamazoo |
41 |
0 |
WDHO |
24 |
Toledo |
45 |
1 |
KCPX |
4 |
Salt Lake
City |
50 |
3 |
KUTV |
2 |
Salt Lake
City |
50 |
1 |
KSL |
5 |
Salt Lake
City |
50 |
1 |
B. High Pay Positions
Of the nine job positions in the
annual employment report, five have substantially higher pay scales than the
rest. They are: officials and managers, professionals, technicians, sales
workers, and craftsmen. In 1972, the 147 stations reported 13,448
full-time workers in the upper five job categories. This represents about
75.8% of all the full-time employees at the 147 stations.
Minority employees comprised 9.2%
(1,241 jobs) of the stations' full-time positions in the upper five job
categories in 1972 (compared with 11.5% of the total station work force), and
women held 866 jobs, comprising 6.4% (compared with 22.1% of the total station
work force). In short, comparing the differential between high pay and
total jobs, women are more discriminated against by broadcasters within their
organizations than minorities.
TABLE 13. -- Total Minorities
and Women in High Pay Positions -- 1972
|
1972 number |
Percentage |
Total
full-time |
13,448 |
100% |
Minorities
full-time |
1,241 |
9.2% |
Women
full-time |
866 |
6.4% |
Of the 147 stations, the following
16 (10.9%) reported employing one or no minorities in the upper five job
categories in 1972:
TABLE 14a.
-- Stations Employing 0 or 1 Minorities in High Pay Positions -- 1972
|
|
|
|
Total |
Minority |
Call ltrs. |
Location |
Ch. # |
Mkt. # |
high-pay |
high-pay |
|
|
|
|
employees |
employees |
WKZO |
Grand
Rapids/Kalamazoo |
3 |
41 |
51 |
0 |
KMSP |
Minneapolis/St.
Paul |
9 |
13 |
48 |
0 |
KSL |
Salt Lake
City |
5 |
50 |
101 |
1 |
KUTV |
Salt Lake
City |
2 |
50 |
62 |
0 |
WRGB |
Albany/Schenectady/Troy |
6 |
37 |
64 |
0 |
WDHO |
Toledo |
24 |
45 |
33 |
1 |
WISN |
Milwaukee |
12 |
21 |
78 |
1 |
WLCY |
Tampa/St.
Petersburg |
10 |
24 |
52 |
1 |
WVEC |
Norfolk/Newport
News |
13 |
44 |
47 |
1 |
WAPI |
Birmingham |
13 |
38 |
52 |
1 |
WLKY |
Louisville |
32 |
36 |
37 |
1 |
WCHS |
Charleston/Huntington |
8 |
33 |
44 |
1 |
WHTN |
Charleston/Huntington |
13 |
33 |
36 |
0 |
WSPA |
Greenville/Sptnburg/Asheville |
7 |
40 |
45 |
0 |
WCCB |
Charlotte |
18 |
35 |
20 |
1 |
WLWI |
Indianapolis |
13 |
14 |
66 |
1 |
Of the 147 stations, the following
17 (11.6%) reported employing one or no women in the upper five job categories
in 1972:
TABLE 14-b.
-- Stations Employing 0 or 1 Women in High Pay Positions -- 1972
|
|
|
|
Total |
Minority |
Call ltrs. |
Location |
Ch. # |
Mkt. # |
high-pay |
high-pay |
high-pay |
|
||||
|
|
|
|
employees |
employees |
KSL |
Salt Lake
City |
5 |
50 |
101 |
0 |
WOTV |
Grand Rapids/Kalamazoo |
8 |
41 |
83 |
1 |
KTVI |
St. Louis |
2 |
12 |
83 |
1 |
WJAR |
Providence |
10 |
34 |
78 |
1 |
WSPD |
Toledo |
13 |
45 |
67 |
1 |
WTNH |
Hartford/New
Haven |
8 |
22 |
65 |
1 |
KCMO |
Kansas
City |
5 |
23 |
59 |
1 |
WSAZ |
Charleston/Huntington |
3 |
33 |
59 |
1 |
WLCY |
Tampa/St.
Petersburg |
10 |
24 |
52 |
1 |
WKZO |
Grand Rapids/Kalamazoo |
3 |
41 |
51 |
1 |
WDAF |
Kansas
City |
4 |
23 |
51 |
1 |
WSYR |
Syracuse |
3 |
43 |
75 |
1 |
WZZM |
Grand
Rapids/Kalamazoo |
13 |
41 |
48 |
1 |
KUTV |
Salt Lake
City |
2 |
50 |
62 |
1 |
WREC |
Memphis |
3 |
29 |
52 |
1 |
WAPI |
Birmingham |
13 |
38 |
40 |
1 |
WBMG |
Birmingham |
42 |
38 |
24 |
1 |
It should be especially noted that
there are double offenders among the ranks of these, the most egregious of
high-pay discriminators. Stations KSL, Salt Lake City, KUTV, Salt Lake
City, WLCY, Tampa-St. Petersburg, WKZO, Grand Rapids-Kalamazoo and WAPI,
Birmingham report a combined total of some 306 high-pay positions, but employ a
total of just three minorities and four women in those positions.
C. Increase or decrease of
minority and female employment from 1971 to 1972
100 stations (68%) reported an
increase in the number of full-time minority group employees in 1972 over 1971;
47 (32%) reported a decrease or remained the same. 67 stations (46%)
reported an increase in the number of full-time women employees in 1972 over
1971; 80 (54%) reported a decrease or remained the same. Once again, by
this measure, we see that more efforts are being made to improve the employment
picture for minorities than for women.
The following 64 stations reported
decreases in employment of minorities, or women, or both:
TABLE 15.
-- Stations Showing Decrease in Employment of Minorities or Women -- 1972 n21
n21 It should be noted, however,
that certain of these stations are relatively speaking among the very best in
our employment rankings. WCAU, for example, ranks Number 1 in employment
of women in high pay positions, even though it experienced a decline.
Call |
Location |
Ch. # |
Mkt. # |
M=minorities |
ltrs. |
|
|
|
W=women |
WCBS |
New York
City |
2 |
1 |
W |
KNXT |
Los
Angeles |
2 |
2 |
W |
WPVI |
Philadelphia |
6 |
4 |
W |
WCAU |
Philadelphia |
10 |
4 |
W |
WJBK |
Detroit |
2 |
5 |
M, W |
WWJ |
Detroit |
4 |
5 |
W |
WNAC |
Boston |
7 |
6 |
M, W |
WJW |
Cleveland |
8 |
7 |
W |
WRC |
Washington,
D.C. |
4 |
10 |
W |
WMAL |
Washington,
D.C. |
7 |
10 |
W |
WBAP |
Dallas/Ft.
Worth |
5 |
11 |
W |
KMOX |
St. Louis |
4 |
12 |
W |
KTVI |
St. Louis |
2 |
12 |
W |
WCCO |
Minneapolis/St.
Paul |
4 |
13 |
M |
KSTP |
Minneapolis/St.
Paul |
5 |
13 |
M. W |
KMSP |
Minneapolis/St.
Paul |
9 |
13 |
M |
WRTV |
Indianapolis |
6 |
14 |
M, W |
KTRK |
Houston |
13 |
15 |
W |
KOMO |
Seattle/Tacoma |
4 |
16 |
W |
KIRO |
Seattle/Tacoma |
7 |
16 |
W |
WAGA |
Atlanta |
5 |
17 |
M, W |
WKRC |
Cincinnati |
12 |
20 |
M, W |
WCPO |
Cincinnati |
9 |
20 |
W |
WTMJ |
Milwaukee |
4 |
21 |
M, W |
WITI |
Milwaukee |
6 |
21 |
W |
WTNH |
Hartford/New
Haven |
8 |
22 |
M, W |
WHNB |
Hartford/New
Haven |
30 |
22 |
W |
WDAF |
Kansas
City |
4 |
23 |
W |
KMBC |
Kansas
City |
9 |
23 |
M |
KCMO |
Kansas
City |
5 |
23 |
W |
WLCY |
Tampa/St.
Petersburg |
10 |
24 |
W |
WFLA |
Tampa/St.
Petersburg |
8 |
24 |
W |
WGR |
Buffalo |
2 |
25 |
W |
KOIN |
Portland |
6 |
26 |
W |
WBNS |
Columbus |
10 |
28 |
M, W |
WTVN |
Columbus |
6 |
28 |
W |
WLWC |
Columbus |
4 |
28 |
W |
WSM |
Nashville |
4 |
30 |
M |
WWL |
New
Orleans |
4 |
31 |
W |
KOA |
Denver |
4 |
32 |
M |
KMBH |
Denver |
7 |
32 |
M |
KBTV |
Denver |
9 |
32 |
M, W |
WPRI |
Providence |
12 |
34 |
W |
KSL |
Salt Lake
City |
|
5 |
50 |
M, W |
|
|||
WCCB |
Charlotte |
18 |
35 |
M |
WHAS |
Louisville |
11 |
36 |
M, W |
KLKY |
Louisville |
32 |
36 |
W |
WAVE |
Louisville |
3 |
36 |
W |
WAPI |
Birmingham |
13 |
38 |
M |
WHIO |
Dayton |
7 |
39 |
W |
WLOS |
Greenville/Spartanburg/Asheville |
13 |
40 |
W |
KOCO |
Oklahoma
City |
5 |
41 |
W |
WKY |
Oklahoma
City |
4 |
41 |
W |
WZZM |
Grand Rapids/Kalamazoo |
13 |
41 |
M, W |
WOTV |
Grand
Rapids/Kalamazoo |
8 |
41 |
M, W |
WVEC |
Norfolk/Newport
News |
13 |
44 |
M |
KOOL |
Phoenix |
10 |
45 |
W |
KTVK |
Phoenix |
3 |
45 |
M |
WOAI |
San
Antonio |
4 |
45 |
M |
WTOL |
Toledo |
11 |
45 |
W |
WDHO |
Toledo |
24 |
45 |
M, W |
WSPD |
Toledo |
13 |
45 |
W |
WFMY |
Greensboro/Winston
Salem/High Point |
2 |
48 |
W |
KUTV |
Salt Lake
City |
2 |
50 |
M, W |
Chapter 3
PATTERNS OF OWNERSHIP
The question of who should (or
should not) own the facilities and control the programming of radio and
television stations has been at the very heart of broadcasting since the
decision was first made to regulate the use of the public airwaves by licensing
them for private profit. n1 For, while
the allocation of frequencies to local rather than national broadcast service
committed an almost wastefully-large chunk of the spectrum to broadcasting,
there have always been fewer desirable frequencies available than parties
requesting the opportunity to exploit them. No less true today is Justice
Frankfurter's 1943 dictum that broadcasting must be subject to governmental regulation
because "unlike other modes of expression, radio inherently is not
available to all... Because it cannot be used by all, some who wish to
use it must be denied...." n2
n1 See Johnson and Hoak, "Media
Concentration: Some Observations on the United States' Experience," 56
Iowa L. Rev. 267 (1970).
n2 National Broadcasting Company v.
United States, 319 U.S. 199 at 226 (1943).
The concentration of broadcast
outlets in the hands of a few wealthy individuals or corporations would seem to
be inimical to the manner of regulation contemplated in the Communications Act
of 1934. Not only would those few use up the opportunities of many others
(and particularly minority groups who have been almost completely shut out of
station ownership), they would provide the basis for an extremely unhealthy
situation in which the "voices" utilizing the spectrum would be
expressive of far fewer viewpoints than Congress originally intended.
The Commission has always waxed
schizophrenic in the promulgation and enforcement of rules and policies
designed to alleviate the problems of media control. Diversification of
ownership has always been recognized as a valid means to the goal of diversity
of "voices," of viewpoints available to the public, n3 but there has also existed considerable confusion
regarding the achievement of that goal. The Commission continues to
acknowledge that a proper objective should be "... the maximum diversity
of ownership that technology will allow in each area..;" n4 but its words have become irrevocably clouded by its
actions.
n3 See Multiple Ownership of AM, FM,
Television Broadcast Stations, 18 FCC 288, 291 (1953). Although there is no
provision in the Federal Communications Act of 1934 dealing specifically with
the concentration of ownership, the power to promulgate rules as the multiple
ownership rules has been found to lie within the administrative discretion of
the FCC under the broad purposes of the Act. See United States v. Storer
Broadcasting Co., 351 U.S. 192 (1956).
n4 In the Matter of Amendment of �
� 73.35, 73.240, and 73.636 of the Commission Rules Relating to Multiple
Ownership of Standard, FM and Television Broadcast Stations, 18 P & F Radio
Reg. 2d 1735 (1970). One presumes "technology" would allow each individual
station in any given region to be licensed to a different person or corporate
entity.
In 1971, for example, the Commission
decided that ownership interest by anyone in more than seven AM, seven FM or
seven television stations (of which no more than five may be VHF) would be
contrary to the public interest (the so-called "7-7-7 rule"). n5 late 1972, however, the Commission allowed Cosmos
Broadcasting of Louisiana to purchase television station WDSU-TV in New
Orleans. The purchase gave the assignee's parent, Cosmos Broadcasting
Corporation, the license to its fourth VHF station, three of which are in the
same geographic region of the country, but it also gave the South Carolina
National Bank of Charleston an interest in its ninth VHF station, and a Mr.
John Smith an interest in his eighth. n6
n5 47 C.F.R. � 73.636(a)(2).
n6 WDSU-TV, Inc., 39 FCC 2d 534
(1972).
Another aspect of media ownership
regulation has been the intolerably fragmented promulgation and enforcement (or
non-enforcement) of rules and policies regarding different types of ownership
problems. The 7-7-7 rule, for example, took no cognizance of
cross-ownership among the various broadcast media, thus theoretically
permitting each broadcaster to acquire AM-FM-TV combinations in single markets,
so long as it did not exceed its "limit" of seven of each. In
March of 1970, in an attempt to remedy this omission, the
"one-to-a-market" amendment to the multiple ownership rule was
adopted. n7 It provided, prospectively only,
that the FCC would not approve applications for construction permits or
transfers of licenses if more than one full-time broadcasting outlet would be
owned or controlled by the same owner in the same market.
n7 Amendment of Multiple Ownership
Rules, supra note 4.
The one-to-a-market rule created
such an outcry among broadcasters, however, that by March of 1971 the
Commission had amended it and made it applicable only to combinations of VHF
television stations with aural stations in the same market. n8 AM and FM stations in the same market could be
commonly owned, and combinations of UHF and aural stations were to be handled
on a case-by-case basis. The Commission also noted that the problem of
cross-ownership of newspapers and television or radio facilities was perhaps
more important, but that Commission regulation in this area would be far less
effective because the Commission does not regulate newspapers.
n8 Amendment of Multiple Ownership
Rules. 21 P & F Radio Reg. 2d 1551 (1971).
The Commission has long been charged
with the language of the Supreme Court holding that "Congress intended to
leave competition in the business of broadcasting," n9 and that the Commission "should administer its
regulatory powers with respect to broadcasting in the light of the purposes
which the... [antitrust laws were] designed to achieve." n10 Other recognizably antitrust aspects of the media
ownership problem, such as regional concentration or local monopolization of
all media, including newspapers, could therefore well be reached under this
broad mandate. However, the Commission continues essentially to ignore
than mandate and to grant new or assigned broadcast facilities to established
media interests, as in Los Angeles, where the transfer of an AM-FM combination
to an applicant with an interest in the L.A. Times was approved, n11 or in Georgetown, Texas, where an FM license was
awarded to an applicant who owned the city's only newspaper, its only AM radio
station and its only cable television franchise, n12 or in other cases right down to the present. n13 Only when monopoly abuses can be documented does the
Commission take any positive action, as in Mansfield, Ohio, where it denied the
application of the Mansfield Journal Company for licenses to construct an AM/FM
combination because it found that the Company had used its position as the sole
newspaper in the community to exert pressures on advertisers. n14
n9 F.C.C. v. Sanders Bros.
Radio Station, 309 U.S. 470, 475 (1940).
n10 National Broadcasting Co., supra
note 2, 319 U.S. 199, 223 (1943).
n11 John Poole Broadcasting Co., Inc
and KBIQ, Inc., FCC 69-118 (1969).
n12 Charles R. Fanow, Jr., FCC
71-203 (1971).
n13 See, e.g., my dissent in
McPherson Broadcasting, Inc., FCC 98757 (1973).
n14 Mansfield Journal Co. v. FCC, 18
F2d 28 (D.C. Cir. 1950). More recently, see Greater Boston TV Corp. v. FCC,
WHDH, Inc. v. FCC, et al., 444 F2d 891 (D.C. Cir. 1970), in which the Court
upheld the award of a newspaper company's Boston VHF television to a competing
applicant.
Other equally complex facets of the
ownership question have arisen in the course of Commission deliberations, but
the majority of Commissioners has rarely been inclined to resolve the unique
problems attendant each of them. One example might be found in the
potential adverse affects of allowing one owner to build a regional
concentration. This can often occur with far fewer than the
"allowable" seven AM, seven FM or seven television stations.
Yet it has been difficult (if not impossible) for the Commission to visualize
the harm to the local population. There are always, it seems,
"sufficient outside media influences" in the air -- even if they
originate in a large city some 75 miles away -- to rationalize a majority
conclusion to diminish further the diversity of media voices in a given region.
This was the case, for example, earlier this year when the majority granted a
new FM facility to an applicant in Muskegon Heights, Michigan, who already
owned four AM and two FM stations within the same general Grand
Rapids-Kalamazoo metropolitan area. n15
n15 Muskegon Heights Broadcasting
Co., Inc., 39 F.C.C. 2d 475 (1973).
Another distressing line of
ownership precedent concerns the tendency of the Commission majority to grant
to an owner new stations or major improvements in facilities, either or which
essentially "decides" that the owner is qualified to be a broadcast
licensee, at a time when those very same qualifications are being called into
question in the course of other proceedings before the Commission. Late
in 1972, for example, the Commission granted an application for the assignment
of WAXY-FM, Fort Lauderdale, Florida to RKO General, Inc., even though RKO's
most basic qualifications were being challenged in hearings concerned with the
renewal of its VHF television licenses in Los Angeles and Boston. n16
n16 RKO General, FCC 72-1201 (1972).
In undertaking to study nearly 150
television stations in our 50 largest media markets, we had hoped to be able to
compare the performance of the "media barons" -- the corporate owners
possessed of conglomerate interests both within and without the various media
-- with that of the independent, local owners who would have no such outside
interests. That comparison has proved to be impossible, because it is
apparent from a brief glance at our ownership tables that virtually none but a
small handful of those network affiliates would qualify as even remotely
resembling "local" owners. On the information available, just
three of the 147 stations in our ownership "sample" were owned by
independent owners -- i.e., owners with no reported outside interests
(including, but by no means limited to broadcasting or other media). n17 And while those three were ranked numbers 54, 56 and
97 in our composite programming rankings (certainly an average enough showing)
they hardly constitute a sufficiently large group for adequate comparison with
the multiple or multimedia owners.
n17 Of course, it is impossible to
tell which of even these independents have unreported outside corporate
interests, or which of their stockholders or officers might have similar
unreported interests. We have been necessarily limited in our study to
data available at the F.C.C. and as noted in the text at footnote 22, that data
is very often incomplete.
Multiple owners, on the other hand,
seemed to have something of a stranglehold on the television audiences of the
top 50 markets. Just 17 large corporations account for the ownership of
68 of the stations in our study, each of them owning three or more affiliates,
and the 17 also account for some 137 other reported broadcasting
interests. Thirteen other owners each held two of the affiliates in our
top 50 study, and that group accounted for some 70 additional broadcast
holdings among them. In other words, just 30 corporate owners hold the
licenses of 94 of the top 50 market network affiliates and also appear to own,
among themselves, nearly 4% of all the broadcasting stations in the country n18 -- with, of course, access to decidedly more than 4%
of the nation's audience.
n18 What's more, even those figures
do not come close to telling the full story, since among that 4% are probably
well over half of the most highly profitable radio and television properties in
the country.
Multimedia owners, with major
interests in media other than broadcasting, appear also in epidemic proportion
among the licensees of the network affiliates in our top 50 markets. No
fewer than 80 American newspapers n19
are co-owned with network affiliates in our study, including at least 38 of our
largest urban dailies. A partial listing should give you some feel for
the extent of the incestuous cross-ownership between the nation's most
profitable television stations and its most powerful newspapers:
n19 The precise number is difficult
to determine, since some licensees list merely the corporate owner for a group
of smaller newspapers in their form 323.
Albuquerque
Tribune |
Fort
Worth Star-Telegram |
Baltimore
News-American |
Houston
Post |
Baltimore
Sun |
Los
Angeles Herald-Examiner |
Boston
Record-American |
Los
Angeles Times |
Chattanooga
Times |
Milwaukee
Journal*l Cincinnati Post and Times-Star |
Minneapolis
Star and Tribune |
|
Cleveland
Press |
New York
Times |
Columbus
Dispatch |
Newsday |
Daily
Oklahoman |
Oklahoma
City Times |
Dallas
Times-Herald |
Pittsburgh
Press |
Dallas
Morning News |
San
Francisco Chronicle |
Dayton
News |
San
Francisco Examiner |
Denver
Post |
St. Louis
Post-Dispatch |
Detroit
News |
Washington
Evening Star |
Fort
Worth Press |
Washington
Post |
In
addition, it is worth noting some of the numerous other publishing interests
represented among the network affiliates in this report:
Fairchild
Publications |
Random House |
Pontiac
Press |
World Almanac |
Holt,
Rinehart and Winston |
Time |
Phoenix
Magazine |
Fortune |
Cosmopolitan |
Sports Illustrated |
Vogue |
Time-Life Books |
Good
Housekeeping |
Mandemoiselle |
Better
Homes and Gardens |
Glamour |
House and
Garden |
Harpers Bazaar |
Sports
Afield |
Newsweek |
Avon
Books |
McGraw Hill |
Popular
Mechanics |
Corinthian |
United
Technical Publications |
Science Digest |
Successful
Farming |
Money |
To these
publishing interests must be added the myriad cable television systems and
franchises still held by these licensees. n20
n20 These are too numerous, and
often too ill-defined, to set out here. There are hundreds of cable
systems and franchises cross-owned with the broadcasting properties in this
Report; however, Commission Rules specifically prohibit cross-ownership of
cable and broadcast facilities in the same market, and require divestiture of
all facilities so held of one type or the other by August 10, 1973. 47
C.F.R. � 76.501.
How, then, are we to analyze the
information we have gathered from Commission records? In the first place,
we would do well to note that the information accumulated by the Commission,
largely from the form 323 ownership reports, n21 is by no means complete (or even absolutely accurate). For
example, nowhere in the FCC files can we locate any information about the type
or extent of defense subsidiaries known to be owned by licensees like Avco or
Westinghouse or General Electric. Often, multi-billion dollar
conglomerate holdings are merely summarized, for purposes of the form 323, with
innocuous phrases like "additional manufacturing interests" or
"various product subsidiaries." Moreover, the major stockholders
and/or officers of those corporations -- the persons who can actually be found
to be exercising the most significant control over the policies of the stations
-- are rarely identified satisfactorily by the anonymous corporate licensees,
and the outside interests of those individuals are rarely enumerated for the
FCC's information. A thorough report on patterns of ownership, which
would study conglomerates and subsidiaries, ties through directorships or
individual shareholders or financial institutions, and so forth, would quite
simply require as many man-hours of well-structured research as were spent on
this entire report, even if we were to limit ourselves to the top 50
markets. It once took the FCC 18 months to prepare a simple report of its
ownership information for a Senate Committee -- and even then the Committee was
able to point out errors.
n21 Required by 47 C.F.R. �
1.615.
We should use this section, then,
primarily to underscore the current state of media ownership in America today,
and secondarily to make note of the relative performance in areas of
programming and employment of our "media baron" licensees. It
can be seen, for example, that some of the conglomerate owners have done
markedly better than others. There can be no question but that the
Westinghouse Corporation, whose five stations rank a truly remarkable 1, 2, 4,
5 and 31 in overall programming, cares more about its audience (among the
conglomerate owners) than, say, Taft Broadcasting, whose five stations rank 49,
120, 123, 134 and 136, or ABC, whose five were ranked 13, 76, 102, 115 and 117.
Other results were not nearly so
clear-cut, however, with curious spreads for owners like Hearst (8, 48, 132) or
Cox Broadcasting Corp. (15, 31, 57, 126) or Combined Communications (23, 91,
142) scattering their stations all over the programming charts. Given
greater manpower and more time, the programming ownership data would perhaps
have been analyzed further; until that opportunity occurs, we have attempted to
gather as much information as possible in the ownership tables that follow, and
leave it to others to assimilate that information.
The Tables below are designed to
provide a maximum amount of information about each of the owners represented in
the study. Table 16 simply lists the stations alphabetically by their
call letters and provides a cross reference to the name of the owner as it will
be listed in Table 17. Table 17 contains 17 separate columns, with
entries for the owner (listed alphabetically), the stations falling within our
top 50 market study, the market number, location, channel number, and network
affiliation of each station, its composite programming rank, its rank in each
of the major programming areas, and its rank in employment of minorities and
women. The remaining columns list the owners' additional interests, to
the extent available at the Commission, in other broadcasting stations,
newspapers or publishing media, and other unrelated corporate interests.
An asterisk (*) next to a listing in one of these three columns indicates a controlling
(though not necessarily 100%) interest in the company, if under some other
corporate or individual's name. A double asterisk (**) indicates less
than a controlling interest in the company.
TABLE 16. -- Cross Reference of
Owners to Call Letters
[Alphabetically by call letter]
Call ltrs |
Location |
Owner |
|
||||||||||||||
KABC |
Los
Angeles |
American
Broadcasting Companies, Inc. |
|
||||||||||||||
KATU |
Portland |
Fisher
Companies, Inc. |
|
||||||||||||||
KBTV |
Denver |
Combined
Communications Corp. |
|
||||||||||||||
KCMO |
Kansas
City |
Meredith
Corporation. |
|
||||||||||||||
KCPX |
Salt Lake
City |
Columbia
Pictures Industries, Inc. |
|
||||||||||||||
KCRA |
Sacramento/Stockton |
Kelly
Broadcasting Co. (Partnership) |
|
||||||||||||||
KDFW |
Dallas/Fort
Worth |
Times
Mirror Co. |
|
||||||||||||||
KDKA |
Pittsburgh |
Westinghouse
Electric Corp. |
|
||||||||||||||
KENS |
San
Antonio |
Harte-Hanks
Newspapers, Inc. |
|
||||||||||||||
KFMB |
San Diego |
Midwest
Television Inc. |
|
||||||||||||||
KGO |
San
Francisco |
American
Broadcasting Companies, Inc. |
|
||||||||||||||
KGTV |
San Diego |
McGraw-Hill
Inc. |
|
||||||||||||||
KGW |
Portland |
King
Broadcasting Co. |
|
||||||||||||||
KHOU |
Houston |
Dun &
Bradstreet, Inc. |
|
||||||||||||||
KING |
Seattle/Tacoma |
King
Broadcasting Co. |
|
||||||||||||||
KIRO |
Seattle/Tacoma |
Bonneville
International Inc. |
|
||||||||||||||
KMBC |
Kansas
City |
Metromedia,
Inc. |
|
||||||||||||||
KMGH |
Denver |
McGraw-Hill
Inc. |
|
||||||||||||||
KMOX |
St. Louis |
Columbia
Broadcasting System Inc. |
|
||||||||||||||
KMSP |
Minneapolis/St.
Paul |
Twentieth
Century-Fox Film Corp. |
|
||||||||||||||
KNBC |
Los
Angeles |
RCA Corporation |
|
||||||||||||||
KNXT |
Los
Angeles |
Columbia
Broadcasting System Inc. |
|
||||||||||||||
KOA |
Denver |
General
Electric Company |
|
||||||||||||||
KOCO |
Oklahoma
City |
Combined
Communications Corp. |
|
||||||||||||||
KOIN |
Portland |
Newhouse
Broadcasting Co. (50%) (Orig Own 50%) |
|
||||||||||||||
KOMO |
Seattle/Tacoma |
Fisher
Companies Inc. |
|
||||||||||||||
KOOL |
Phoenix |
G. Autry
(55%), T. Chauncey (20%) |
|
||||||||||||||
|
|
A. Kerney
(19%), F. Beer (k%); listed under KOOL Radio- |
|
||||||||||||||
|
|
Television,
Inc., licensee |
|
||||||||||||||
KOVR |
Sacramento/Stockton |
Metropolitan
Broadcasting Corp. |
|
||||||||||||||
KPIX |
San
Francisco |
Westinghouse
Electric Corp. |
|
||||||||||||||
Kprc/ |
Houston |
Houston
Post |
|
||||||||||||||
KRON |
San
Francisco |
Chronicle
Publishing Co. |
|
||||||||||||||
KSAT |
San
Antonio |
The
Outlet Company |
|
||||||||||||||
KSD |
St. Louis |
Pulitzer
Publishing Co. |
|
||||||||||||||
KSL |
Salt Lake
City |
Bonneville
International Corp. |
|
||||||||||||||
KSTP |
Minneapolis/St.
Paul |
Hubbard Broadcasting
Inc. |
|
||||||||||||||
KTAR |
Phoenix |
KTAR
Broadcasting Co. |
|
||||||||||||||
KTRK |
Houston |
Capital
Cities Broadcasting Corp. |
|
||||||||||||||
KTVI |
St. Louis |
Newhouse
Broadcasting Corp. |
|
||||||||||||||
KTVK |
Phoenix |
E.
McFarland (41%) (various small %'s); listed |
|
||||||||||||||
|
|
under |
|
||||||||||||||
|
|
Arizona
Television, Inc. licensee |
|
||||||||||||||
KUTV |
Salt Lake
City |
Standard
Corp. (80%) CIC (20%) |
|
||||||||||||||
KWTV |
Oklahoma
City |
Griffin
Television Inc. |
|
||||||||||||||
KXTV |
Sacramento/Stockton |
Dun &
Bradstreet, Inc. |
|
||||||||||||||
KYW |
Philadelphia |
Westinghouse
Electric Corp. |
|
||||||||||||||
WABC |
New York
City |
American
Broadcasting Companies, Inc. |
|
||||||||||||||
WAGA |
Atlanta |
Storer
Broadcasting Co. |
|
||||||||||||||
WAPI |
Birmingham |
Newhouse
Broadcasting Corp. |
|
||||||||||||||
WAST |
Albany/Schenectady/Troy |
Sonderling
Broadcasting Corp. |
|
||||||||||||||
WAVE |
Louisville |
Orion
Broadcasting, Inc. |
|
||||||||||||||
WAVY |
Norfolk/Newport
News |
Lin
Broadcasting Corp. |
|
||||||||||||||
WBAL |
Baltimore |
Hearst
Corp. |
|
||||||||||||||
WBAP |
Dallas/Fort
Worth |
Carter
Publications, Inc. |
|
||||||||||||||
WBBM |
Chicago |
Columbia
Broadcasting System Inc. |
|
||||||||||||||
WBEN |
Buffalo |
Buffalo
Evening News |
|
||||||||||||||
WBMG |
Birmingham |
Southern
Broadcasting (33%) (various small %'s) |
|
||||||||||||||
WBNS |
Columbus |
Dispatch
Printing Cor. |
|
||||||||||||||
WBRC |
Birmingham |
Taft
Broadcasting Co. |
|
||||||||||||||
WBTV |
Charlotte |
Jefferson
Pilot Corp. |
|
||||||||||||||
WBZ |
Boston |
Westinghouse
Electric Corp. |
|
||||||||||||||
WCAU |
Philadelphia |
Columbia
Broadcasting System, Inc. |
|
||||||||||||||
WCBS |
New York
City |
Columbia
Broadcasting System, Inc. |
|
||||||||||||||
WCCB |
Charlotte |
Mecklenburg
Television Broadcasters Inc. |
|
||||||||||||||
WCCO |
Minneapolis/St.
Paul |
Mid-Continent
TV (53%), Mpls |
|
||||||||||||||
|
|
Star
(47%) |
|
||||||||||||||
WCHS |
Charleston/Huntington |
Rollins,
Inc. |
|
||||||||||||||
WCKT |
Miami |
Sunbeam
Television Corp. |
|
||||||||||||||
WCPO |
Cincinnati |
Scripps-Howard
Broadcasting Co. |
|
||||||||||||||
WDAF |
Kansas
City |
Taft
Broadcasting Co. |
|
||||||||||||||
WDHO |
Toledo |
Overmeyer
Co. Inc. |
|
||||||||||||||
WDSU |
New
Orleans |
Cosmos
Broadcasting Corp. |
|
||||||||||||||
WEWS |
Cleveland |
Scripps-Howard
Broadcasting Co. |
|
||||||||||||||
WFAA |
Dallas/Fort
Worth |
Dallas
Evening News |
|
||||||||||||||
WFBC |
Greenville/Spartanburg/Asheville |
Multimedia,
Inc. |
|
||||||||||||||
WFLA |
Tampa/St.
Petersburg |
Media
General Inc. |
|
||||||||||||||
WFMY |
Greensboro/Winston
Salem/High |
Landmark
Communications |
|
||||||||||||||
|
|
Inc. |
|
||||||||||||||
|
Point. |
|
|||||||||||||||
WGHP |
Greensboro/Winston
Salem/High |
Southern
Broadcasting |
|
||||||||||||||
|
|
Co., Inc. |
|
||||||||||||||
|
Point. |
|
|||||||||||||||
WGR |
Buffalo |
Taft
Broadcasting Co. |
|
||||||||||||||
WHAS |
Louisville |
WHAS,
Inc. |
|
||||||||||||||
WHBQ |
Memphis |
RKO
General Inc. |
|
||||||||||||||
WHEN |
Syracuse |
Meredith
Corp. |
|
||||||||||||||
WHIO |
Dayton |
Cox
Broadcasting Corp. |
|
||||||||||||||
WHNB |
Hartford/New
Haven |
Plains
Television Corp. |
|
||||||||||||||
WHTN |
Charleston/Huntington |
Reeves
Broadcasting Corp. |
|
||||||||||||||
WIIC |
Pittsburgh |
Cox
Broadcasting Corp. |
|
||||||||||||||
WISH |
Indianapolis |
Corinthian
Broadcasting Corp. |
|
||||||||||||||
WISN |
Milwaukee |
Hearst
Corp. |
|
||||||||||||||
WITI |
Milwaukee |
Storer
Broadcasting Co. |
|
||||||||||||||
WJAR |
Providence |
The
Outlet Company |
|
||||||||||||||
WJBK |
Detroit |
Storer |
|
||||||||||||||
Broadcasting
Co. |
|
||||||||||||||||
WJW |
Cleveland |
Storer
Broadcasting Co. |
|
||||||||||||||
WJZ |
Baltimore |
Westinghouse
Electric Corp. |
|
||||||||||||||
WKBW |
Buffalo |
Capital
Cities Broadcasting Corp. |
|
||||||||||||||
WKEF |
Dayton |
Springfield
Television Broadcasting Corp. |
|
||||||||||||||
WKY |
Okalahoma
City |
WKY
Television System Inc. |
|
||||||||||||||
WKRC |
Cincinnati |
Taft
Broadcasting Co. |
|
||||||||||||||
WKYC |
Cleveland |
RCA
Corporation |
|
||||||||||||||
WKZO |
Grand
Rapids/Kalamazoo |
Fetzer
Communications, Inc. |
|
||||||||||||||
WLAC |
Nashville |
Life
& Casualty Ins. Co. (50%); T. Baker, |
|
||||||||||||||
|
|
Jr.
(25%), A. |
|
||||||||||||||
|
|
Beaman
(25%) |
|
||||||||||||||
WLCY |
Tampa/St.
Petersburg |
Rahall
Communications Corp. |
|
||||||||||||||
WLKY |
Louisville |
Sonderling
Broadcasting Co. |
|
||||||||||||||
WLOS |
Greenville/Spartanburg/Asheville |
Wometco
Enterprises, |
|
||||||||||||||
|
|
Inc. |
|
||||||||||||||
WLS |
Chicago |
American
Broadcasting Companies |
|
||||||||||||||
WLWC |
Columbus |
Avco
Corp. |
|
||||||||||||||
WLWD |
Dayton |
Avco Corp. |
|
||||||||||||||
WLWI |
Indianapolis |
Avco
Corp. |
|
||||||||||||||
WLWT |
Cincinnati |
Avco
Corp. |
|
||||||||||||||
WMAL |
Washington,
D.C. |
Evening
Star Newspaper Co. |
|
||||||||||||||
WMAQ |
Chicago |
RCA
Corporation |
|
||||||||||||||
WMAR |
Baltimore |
A. S.
Abell Co. |
|
||||||||||||||
WMC |
Memphis |
Scripps-Howard
Broadcasting Co. |
|
||||||||||||||
WNAC |
Boston |
RKO General
Inc. |
|
||||||||||||||
WNBC |
New York
City |
RCA
Corporation |
|
||||||||||||||
WNYS |
Syracuse |
The
Outlet Corp. |
|
||||||||||||||
WOAI |
San
Antonio |
Avco
Corp. |
|
||||||||||||||
WOTV |
Grand
Rapids/Kalamazoo |
Time,
Inc. |
|
||||||||||||||
WPLG |
Miami |
Post
Newsweek Stations, Inc. |
|
||||||||||||||
WPRI |
Providence |
Poole
Broadcasting Co. |
|
||||||||||||||
WPVI |
Philadelphia |
Capital
Cities Broadcasting Corp. |
|
||||||||||||||
WQXI |
Atlanta |
Pacific
& Southern Broadcasting Co., Inc. |
|
||||||||||||||
WRC |
Washington,
D.C. |
RCA
Corporation |
|
||||||||||||||
WREC |
Memphis |
New York
Times Co. |
|
||||||||||||||
WRGB |
Albany/Schenectady/Troy |
General
Electric Co. |
|
||||||||||||||
WRTV |
Indianapolis |
McGraw-Hill,
Inc. |
|
||||||||||||||
WSAZ |
Charleston/Huntington |
Lee
Enterprises, Inc. |
|
||||||||||||||
WSB |
Atlanta |
Cox
Broadcasting Corp. |
|
||||||||||||||
WSIX |
Nashville |
General
Electric Company |
|
||||||||||||||
WSM |
Nashville |
NLT Corp. |
|
||||||||||||||
WSOC |
Charlotte |
Cox
Broadcasting Corp. |
|
||||||||||||||
WSPA |
Greenville/Spartanburg/Asheville |
Spartan Radiocasting
Co. |
|
||||||||||||||
WSPD |
Toledo |
Storer
Broadcasting Co. |
|
||||||||||||||
WSYR |
Syracuse |
Newhouse
Broadcasting Corp. |
|
||||||||||||||
WTAE |
Pittsburgh |
Hearst
Corp. |
|
||||||||||||||
WTAR |
Norfolk/Newport
News |
Landmark
Communications Inc. |
|
||||||||||||||
WTEN |
Albany/Schenectady/Troy |
Poole
Broadcasting Co. |
|
||||||||||||||
WTEV |
Providence |
WGAL-TV |
|
||||||||||||||
WTIC |
Hartford/New
Haven |
Travelers
Corp. |
|
||||||||||||||
WTMJ |
Milwaukee |
The
Journal Co. |
|
||||||||||||||
WTNH |
Hartford/New
Haven |
Capital
Cities Broadcasting Corp. |
|
||||||||||||||
WTOL |
Toledo |
Cosmos
Broadcasting Corp. |
|
||||||||||||||
WTOP |
Washington,
D.C. |
Post-Newsweek
Stations, Inc. |
|
||||||||||||||
WTVJ |
Miami |
Wometco
Enterprises, Inc. |
|
||||||||||||||
WTVN |
Columbus |
Taft
Broadcasting Co. |
|
||||||||||||||
WTVT |
Tampa/St.
Petersburg |
WKY
Television System Inc. |
|
||||||||||||||
WVEC |
Norfolk/Newport
News |
Peninsula
Broadcasting Corp. |
|
||||||||||||||
WVUE |
New
Orleans |
Columbia
Pictures Industries Inc. |
|
||||||||||||||
WWJ |
Detroit |
The
Evening News Association |
|
||||||||||||||
WWL |
New
Orleans |
Loyola
University |
|
||||||||||||||
WXII |
Greensboro/Winston
Salem/High |
Multimedia,
Inc. |
|
||||||||||||||
|
Point. |
|
|||||||||||||||
WXYZ |
Detroit |
American
Broadcasting Companies, Inc. |
|
||||||||||||||
WZZM |
Kalamazoo/Grand
Rapids |
Synercom |
|
||||||||||||||
|
|
Chan- |
Affili- |
|
Mkt. |
|
|||||||||||
Owner |
(Stations) |
nel |
ation |
Market |
No. |
Rank |
|
||||||||||
A. S.
Abell Co |
WMAR-TV |
2 |
CBS |
Baltimore |
19 |
34 |
|
||||||||||
American |
KABC-TV |
7 |
ABC |
Los
Angeles |
2 |
102 |
|
||||||||||
Broadcasting |
KGO-TV |
7 |
ABC |
San
Francis- |
8 |
76 |
|
||||||||||
Co., Inc. |
|
|
|
co. |
|
||||||||||||
|
WABC-TV |
7 |
ABC |
New York |
1 |
13 |
|
||||||||||
|
WLS-TV |
7 |
ABC |
Chicago |
3 |
115 |
|
||||||||||
|
WXYZ-TV |
7 |
ABC |
Detroit |
5 |
117 |
|
||||||||||
Arizona
Tele- |
KTVK-TV |
3 |
ABC |
Phoenix |
45 |
97 |
|
||||||||||
vision
Co. |
|
||||||||||||||||
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
E. McFar- |
|
||||||||||||||||
land). |
|
||||||||||||||||
Avco Corp |
WLWC-TV |
4 |
NBC |
Columbus, |
28 |
131 |
|
||||||||||
|
|
|
|
O. |
|
||||||||||||
|
WLWD-TV |
2 |
NBC |
Dayton |
39 |
83 |
|
||||||||||
|
WLWI-TV |
13 |
ABC |
Indianapolis |
14 |
65 |
|
||||||||||
|
WLWT-TV |
5 |
NBC |
Cincinnati |
20 |
25 |
|
||||||||||
|
WOAI-TV |
4 |
NBC |
San
Antonio |
45 |
58 |
|
||||||||||
Bonneville
Int. |
KIRO-TV |
7 |
CBS |
Seattle/ |
16 |
114 |
|
||||||||||
Corp. |
|
|
|
Tacoma |
|
||||||||||||
|
KSL-TV |
5 |
CBS |
Salt Lake |
50 |
33 |
|
||||||||||
|
|
|
|
City |
|
||||||||||||
Buffalo |
WBEN-TV |
4 |
CBS |
Buffalo |
25 |
38 |
|
||||||||||
Evening |
|
||||||||||||||||
News Inc. |
|
||||||||||||||||
Capital
Cities |
KTRK-TV |
13 |
ABC |
Houston |
15 |
64 |
|
||||||||||
Broadcasting |
WKBW-TV |
7 |
ABC |
Buffalo |
25 |
73 |
|
||||||||||
Corp. |
WPVI-TV |
6 |
ABC |
Philadel- |
4 |
50 |
|
||||||||||
|
|
|
|
phia |
|
||||||||||||
|
WTNH-TV |
8 |
ABC |
Hartford/ |
22 |
95 |
|
||||||||||
|
|
|
|
New |
|
||||||||||||
|
|
|
|
Haven |
|
||||||||||||
Carter
Publica- |
WBAP-TV |
5 |
NBC |
Dallas/Ft. |
11 |
93 |
|
||||||||||
tions,
Inc. |
|
|
|
Worth |
|
||||||||||||
Houston
Post/ |
KPRC-TV |
2 |
NBC |
Houston |
15 |
41 |
|
||||||||||
Channel 2 |
|
||||||||||||||||
TV Co. |
|
||||||||||||||||
Chronicle
Pub. |
KRON-TV |
4 |
NBC |
San |
8 |
|
|||||||||||
Co. |
|
|
|
Francisco |
|
||||||||||||
Columbia |
KMOX-TV |
4 |
CBS |
St. Louis |
12 |
27 |
|
||||||||||
Broadcasting |
KNXT-TV |
2 |
CBS |
Los
Angeles |
2 |
40 |
|
||||||||||
System,
Inc. |
WBBM |
2 |
CBS |
Chicago |
3 |
74 |
|
||||||||||
|
WCAU-TV |
10 |
CBS |
Phila- |
4 |
46 |
|
||||||||||
|
|
|
delphia |
|
|||||||||||||
|
WCBS-TV |
2 |
CBS |
New York |
1 |
26 |
|
||||||||||
Columbia |
KCPX-TV |
4 |
ABC |
Salt Lake |
50 |
109 |
|
||||||||||
Pictures |
|
|
|
City. |
|
||||||||||||
Industries |
WVUC-TV |
8 |
ABC |
New |
31 |
79 |
|
||||||||||
Inc.
(Screen |
|
|
|
Orleans. |
|
||||||||||||
Gems
Broad- |
|
||||||||||||||||
casting) |
|
||||||||||||||||
Combined |
KBTV-TV |
9 |
ABC |
Denver |
32 |
142 |
|
||||||||||
Communica- |
|
||||||||||||||||
tions
Inc. |
KOCO-TV |
5 |
ABC |
Oklahoma |
41 |
91 |
|
||||||||||
|
|
|
|
City. |
|
||||||||||||
|
KTAR-TV |
12 |
NBC |
Phoenix |
45 |
23 |
|
||||||||||
Cosmos
Broad- |
WDSU-TV |
6 |
NBC |
New |
31 |
36 |
|
||||||||||
casting
Corp. |
|
|
|
Orleans. |
|
||||||||||||
|
WTOL-TV |
11 |
CBS |
Toledo |
45 |
98 |
|
||||||||||
Cox
Broad- |
WHIO-TV |
7 |
CBS |
Dayton |
39 |
126 |
|
||||||||||
casting
Corp. |
WIIC-TV |
11 |
NBC |
Pittsburgh |
9 |
15 |
|
||||||||||
|
WSB-TV |
2 |
NBC |
Atlanta |
17 |
31 |
|
||||||||||
|
WSOC-TV |
9 |
NBC |
Charlotte |
35 |
57 |
|
||||||||||
Dallas
Evening |
WFAA-TV |
8 |
ABC |
Dallas/Ft. |
11 |
85 |
|
||||||||||
News |
|
|
|
Worth |
|
||||||||||||
Dispatch
Print- |
WBNS |
10 |
CBS |
Columbus |
28 |
22 |
|
||||||||||
ing Co. |
|
||||||||||||||||
Dun &
Brad- |
KHOU-TV |
11 |
CBS |
Houston |
15 |
70 |
|
||||||||||
street. |
KXTV-TV |
10 |
CBS |
Sacra- |
27 |
105 |
|
||||||||||
|
|
|
|
mento/ |
|
||||||||||||
|
|
|
|
Stockton |
|
||||||||||||
|
WISH-TV |
13 |
ABC |
Indianap- |
14 |
104 |
|
||||||||||
|
|
|
|
olis. |
|
||||||||||||
Evening
News |
WWJ-TV |
4 |
NBC |
Detroit |
5 |
69 |
|
||||||||||
Assn. |
|
||||||||||||||||
Evening
Star |
WMAL-TV |
7 |
ABC |
Wash.,
D.C. |
10 |
7 |
|
||||||||||
Broadcasting |
|
||||||||||||||||
Co. |
|
||||||||||||||||
Petzer
Com- |
WKZO-TV |
3 |
CBS |
Grand |
41 |
138 |
|
||||||||||
munications |
|
|
|
Rapids/ |
|
||||||||||||
Inc. |
|
|
|
Kala- |
|
||||||||||||
|
|
|
|
mazoo |
|
|
|
||||||||||
|
|
|
|
|
|
Wom- |
|
||||||||||
Owner |
Local |
News |
Comm. |
Fin. |
Min. |
en |
PSA |
||||||||||
A. S.
Abell Co |
11 |
25 |
78 |
104 |
110 |
105 |
41 |
||||||||||
American |
123 |
115 |
96 |
17 |
34 |
6 |
43 |
||||||||||
Broadcasting |
94 |
70 |
99 |
30 |
42 |
34 |
106 |
||||||||||
Co., Inc. |
|
||||||||||||||||
|
63 |
77 |
56 |
1 |
98 |
65 |
62 |
||||||||||
|
53 |
61 |
143 |
68 |
63 |
25 |
87 |
||||||||||
|
89 |
116 |
135 |
26 |
97 |
18 |
141 |
||||||||||
Arizona
Tele- |
88 |
122 |
49 |
75 |
91 |
16 |
111 |
||||||||||
vision
Co. |
|
||||||||||||||||
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
E. McFar- |
|
||||||||||||||||
land). |
|
||||||||||||||||
Avco Corp |
99 |
67 |
121 |
118 |
15 |
27 |
91 |
||||||||||
30 |
42 |
137 |
83 |
36 |
81 |
79 |
|
||||||||||
|
64 |
26 |
130 |
37 |
47 |
8 |
50 |
||||||||||
|
1 |
118 |
129 |
44 |
36 |
87 |
36 |
||||||||||
|
58 |
88 |
31 |
93 |
123 |
92 |
38 |
||||||||||
Bonneville
Int. |
66 |
83 |
109 |
125 |
39 |
122 |
140 |
||||||||||
Corp. |
|
||||||||||||||||
|
57 |
90 |
88 |
6 |
145 |
147 |
118 |
||||||||||
Buffalo |
55 |
21 |
60 |
80 |
130 |
136 |
35 |
||||||||||
Evening |
|
||||||||||||||||
News Inc. |
|
||||||||||||||||
Capital
Cities |
18 |
95 |
69 |
100 |
102 |
106 |
101 |
||||||||||
Broadcasting |
78 |
106 |
21 |
109 |
25 |
123 |
31 |
||||||||||
Corp. |
14 |
62 |
113 |
45 |
56 |
51 |
10 |
||||||||||
|
81 |
81 |
57 |
124 |
65 |
141 |
28 |
||||||||||
Carter
Publica- |
132 |
50 |
36 |
115 |
96 |
100 |
30 |
||||||||||
tions,
Inc. |
|
||||||||||||||||
Houston
Post/ |
29 |
22 |
79 |
94 |
132 |
107 |
12 |
||||||||||
Channel 2 |
|
||||||||||||||||
TV Co. |
|
||||||||||||||||
Chronicle
Pub. |
|
|
|
|
114 |
63 |
|
||||||||||
Co. |
|
||||||||||||||||
Columbia |
59 |
11 |
105 |
36 |
31 |
32 |
49 |
||||||||||
Broadcasting |
21 |
8 |
128 |
88 |
112 |
72 |
85 |
||||||||||
System,
Inc. |
33 |
18 |
141 |
65 |
81 |
33 |
52 |
||||||||||
|
42 |
9 |
127 |
73 |
59 |
1 |
38 |
||||||||||
|
75 |
4 |
111 |
27 |
75 |
13 |
22 |
||||||||||
Columbia |
142 |
136 |
16 |
40 |
85 |
116 |
29 |
||||||||||
Pictures |
|
||||||||||||||||
Industries |
107 |
112 |
44 |
34 |
117 |
15 |
72 |
||||||||||
Inc.
(Screen |
|
||||||||||||||||
Gems
Broad- |
|
||||||||||||||||
casting) |
|
||||||||||||||||
Combined |
91 |
128 |
142 |
42 |
113 |
95 |
123 |
||||||||||
Communica- |
|
||||||||||||||||
tions
Inc. |
62 |
124 |
81 |
53 |
17 |
117 |
33 |
||||||||||
|
8 |
64 |
66 |
48 |
45 |
62 |
88 |
||||||||||
Cosmos
Broad- |
20 |
55 |
82 |
55 |
115 |
77 |
136 |
||||||||||
casting
Corp. |
|
||||||||||||||||
|
87 |
71 |
65 |
122 |
38 |
20 |
103 |
||||||||||
Cox
Broad- |
45 |
123 |
133 |
87 |
23 |
114 |
143 |
||||||||||
casting
Corp. |
17 |
53 |
101 |
8 |
24 |
22 |
56 |
||||||||||
|
5 |
56 |
54 |
116 |
101 |
74 |
78 |
||||||||||
|
122 |
75 |
18 |
47 |
90 |
110 |
109 |
||||||||||
Dallas
Evening |
47 |
114 |
75 |
85 |
95 |
37 |
67 |
||||||||||
News |
|
||||||||||||||||
Dispatch
Print- |
22 |
19 |
85 |
61 |
33 |
45 |
14 |
||||||||||
ing Co. |
|
||||||||||||||||
Dun &
Brad- |
25 |
30 |
110 |
127 |
105 |
82 |
60 |
||||||||||
street. |
101 |
36 |
122 |
66 |
125 |
50 |
74 |
||||||||||
|
73 |
65 |
80 |
135 |
57 |
28 |
67 |
||||||||||
Evening
News |
9 |
31 |
131 |
112 |
94 |
109 |
83 |
||||||||||
Assn. |
|
||||||||||||||||
Evening
Star |
4 |
6 |
30 |
57 |
87 |
2 |
17 |
||||||||||
Broadcasting |
|
||||||||||||||||
Co. |
|
||||||||||||||||
Petzer
Com- |
108 |
100 |
91 |
142 |
147 |
134 |
129 |
||||||||||
munications |
|
||||||||||||||||
Inc. |
|
|
|
|
|
|
|
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Interest or ownership |
|
|||||||||||||||
Owner |
|
|
Other |
|
|||||||||||||
|
Other broadcasting |
Publishing |
|
|
|||||||||||||
A. S
Abell Co |
WMAR-FM
(Bal- |
Baltimore Sun |
|
||||||||||||||
|
timore). |
|
|||||||||||||||
|
WBOC-AM
(Salis- |
|
|||||||||||||||
|
bury,
Md.). |
|
|||||||||||||||
|
WBOC-FM
(Salisbury, Md.). |
|
|||||||||||||||
|
WBOC-TV
(Salisbury, Md.). |
|
|||||||||||||||
American |
WABC-AM
(N.Y.) |
|
ABC
Films, |
|
|||||||||||||
Broadcasting |
WPLJ-FM
(N.Y.) |
|
Inc. |
|
|||||||||||||
Co., Inc. |
|
||||||||||||||||
|
WLS-AM
(Chicago) |
|
ABC Int. |
|
|||||||||||||
|
WDAI-FM
(Chi- |
|
Television. |
|
|||||||||||||
|
cago). |
|
ABC
Records, |
|
|||||||||||||
|
KGO-AM
(S.F.) |
|
Inc. |
|
|||||||||||||
KSFX-FM
(S.F.) |
|
ABC Record |
|
||||||||||||||
|
KABC-AM
(L.A.) |
|
and Tape |
|
|||||||||||||
|
KLOS-FM
(L.A.) |
|
Sales |
|
|||||||||||||
|
WXYZ-AM
(De- |
|
ABC
Pictures |
|
|||||||||||||
|
troit). |
|
Corp. |
|
|||||||||||||
|
WRIF-FM
(De |
|
ABC
Theatre |
|
|||||||||||||
|
troit). |
|
Holdings, |
|
|||||||||||||
|
KQV-AM
(Pitts- |
|
Inc. |
|
|||||||||||||
|
burgh). |
|
|||||||||||||||
|
KXYZ-AM
(Hous- |
|
|||||||||||||||
|
ton). |
|
|||||||||||||||
|
KAUM-FM
(Hous- |
|
|||||||||||||||
|
ton). |
|
|||||||||||||||
Arizona
Tele- |
|
||||||||||||||||
vision
Co. |
|
||||||||||||||||
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
E. McFar- |
|
||||||||||||||||
land). |
|
||||||||||||||||
Avco Corp |
WWDC-AM
(Wash., |
Avco Embassy |
|
||||||||||||||
|
D.C.). |
Pictures. |
|
||||||||||||||
|
WWDC-FM
(Wash., D.C.). |
Pictures. |
|
||||||||||||||
KYA-AM-FM |
Avco
Radio |
|
|||||||||||||||
|
(San
Francisco) |
Television |
|
||||||||||||||
|
KOIT-FM
(San Francisco) |
Sales, Inc. |
|
||||||||||||||
|
WOAI-AM
(San |
Avco Pro- |
|
||||||||||||||
Antonio) |
gram
Sales, |
|
|||||||||||||||
|
WRTH-AM
(St. |
Avco Film |
|
||||||||||||||
|
Louis) |
& various |
|
||||||||||||||
|
|
manufactur- |
|
||||||||||||||
|
|
ing interests |
|
||||||||||||||
Bonneville
Int. |
KSL-AM
(Salt |
Salt Lake |
The
Church |
|
|||||||||||||
Corp. |
Lake) |
City Desert of Jesus |
|
||||||||||||||
|
KSL-FM
(Salt |
News Christ of |
|
||||||||||||||
|
KIRO-AM |
the latter |
|
||||||||||||||
|
(Seattle)
(Salt |
Brigham |
|
||||||||||||||
|
WNEW-AM
(N.Y.) |
Young |
|
||||||||||||||
|
WFRM-FM
(n.y/.) |
University |
|
||||||||||||||
|
KMBZ-AM
(K.C.) |
CATV |
|
||||||||||||||
|
KMBR-FM
(K.C.) |
(Seattle, |
|
||||||||||||||
|
KBIG-AM
(L.A.) |
Wash. **; |
|
||||||||||||||
|
KXTZ-FM |
Logan, |
|
||||||||||||||
|
KBYU-FM |
Utah; |
|
||||||||||||||
|
(Provo,
U.) |
Ogden, U.; |
|
||||||||||||||
|
KBYU-TV |
Salt Lake |
|
||||||||||||||
|
WCLR-FM |
City, U. *) |
|
||||||||||||||
|
(Skokie,
Ill.) |
|
|||||||||||||||
Buffalo |
WBEN-AM |
Buffalo |
|
||||||||||||||
Evening |
(Buffalo) |
Evening |
|
||||||||||||||
News Inc. |
WBEN-FM
(L.A.) |
News |
|
||||||||||||||
Capital
Cities |
WKBW-AM |
Fairchild |
|
||||||||||||||
Broadcasting |
(Buffalo) |
Publica- |
|
||||||||||||||
Corp. |
KFRE-TV |
tions |
|
||||||||||||||
|
(Fresno,
Cal.) |
Pontiac Press |
|
||||||||||||||
|
WTVD-TV |
Co. |
|
||||||||||||||
|
(Durham,
N.C.) |
|
|||||||||||||||
|
WPAT-AM |
|
|||||||||||||||
|
(Paterson,
N.J.) |
|
|||||||||||||||
|
WPAT-FM |
|
|||||||||||||||
|
KPOL-AM
(L.A.) |
|
|||||||||||||||
|
KPOL-FM
(L.A.) |
|
|||||||||||||||
|
WPRO-AM |
|
|||||||||||||||
|
(Providence) |
|
|||||||||||||||
|
WPRO-FM
(L.A.) |
|
|||||||||||||||
Carter
Publica- |
WBAP-AM
(Ft. |
Ft. Worth |
|
||||||||||||||
tions,
Inc. |
Worth) |
Star-Tele- |
|
||||||||||||||
|
WBAP-FM
(L.A.) |
gram |
|
||||||||||||||
Houston
Post |
KPRC-AM |
Houston Post |
|
||||||||||||||
Channel 2 |
(Houston) |
|
|||||||||||||||
TV Co. |
|
||||||||||||||||
Chronicle
Pub. |
KRON-FM
(San |
San Western |
|
||||||||||||||
Co. |
Francisco) |
Francisco |
Communi- |
|
|||||||||||||
|
|
Chronicle cations |
|
||||||||||||||
|
|
CATV |
|
||||||||||||||
|
|
(Carmel- |
|
||||||||||||||
|
|
by-the Sea, |
|
||||||||||||||
|
|
Ca. Chico, |
|
||||||||||||||
|
|
Ca.; |
|
||||||||||||||
|
|
Croning, |
|
||||||||||||||
|
|
Ca.; |
|
||||||||||||||
|
|
Orlando, |
|
||||||||||||||
|
|
Ca.; San |
|
||||||||||||||
|
|
Mateo Cy., |
|
||||||||||||||
|
|
Ca.; Wil- |
|
||||||||||||||
|
|
lows, Ca.; |
|
||||||||||||||
|
|
Concord, |
|
||||||||||||||
|
|
Ca.;) |
|
||||||||||||||
|
|
Western |
|
||||||||||||||
|
|
TV Cable |
|
||||||||||||||
|
|
CATV (S. |
|
||||||||||||||
|
|
San Fran., |
|
||||||||||||||
|
|
Ca.). |
|
||||||||||||||
Columbia |
WCBS-AM
(New |
Holt, |
CBS
Int'l. |
|
|||||||||||||
Broadcasting |
York). |
Rinehart, |
CBS
Musical |
|
|||||||||||||
System,
Inc. |
WCBS-FM
(New |
and |
Interests |
|
|||||||||||||
|
WCAU-AM |
Winston |
Cinema |
|
|||||||||||||
|
(Phila.) |
|
Center |
|
|||||||||||||
|
WCAU-FM
(Phila.) |
|
Films |
|
|||||||||||||
|
WBBM-AM |
|
CBS |
|
|||||||||||||
|
(Chicago) |
|
Labora- |
|
|||||||||||||
|
WBBM-FM
(Chicago) |
|
tories |
|
|||||||||||||
|
KMOX-AM
(St. |
|
Creative |
|
|||||||||||||
|
Louis) |
|
Playthgs |
|
|||||||||||||
KMOX-FM
(St. Louis) |
|
W.B. |
|
||||||||||||||
|
KCBS-AM
(San |
|
Saunders |
|
|||||||||||||
|
Fran.) |
|
Co. |
|
|||||||||||||
|
KCBS-FM
(San |
|
CBS
Schools, |
|
|||||||||||||
|
WEEI-AM |
|
Inc. |
|
|||||||||||||
|
(Boston) |
|
Viacom
Int'l |
|
|||||||||||||
|
WEEI-FM
(Boston) |
|
CATV |
|
|||||||||||||
|
WEEI-FM
(San |
|
CATV |
|
|||||||||||||
|
KNX-AM
(Los |
|
(Fairfax, |
|
|||||||||||||
|
Angeles) |
|
Ca.; |
|
|||||||||||||
|
KNX-FM |
|
Heraldsburg |
|
|||||||||||||
|
(Hollywood) |
|
Ca.; San |
|
|||||||||||||
|
|
Geronimo |
|
||||||||||||||
|
|
Valley, Ca.; |
|
||||||||||||||
|
|
Sausalito, |
|
||||||||||||||
|
|
Ca.; |
|
||||||||||||||
|
|
Sonora, |
|
||||||||||||||
|
|
Ca.; Belle- |
|
||||||||||||||
|
|
vue, Wa.: |
|
||||||||||||||
|
|
Port |
|
||||||||||||||
|
|
Angeles, |
|
||||||||||||||
|
|
Wa.; Seat- |
|
||||||||||||||
|
|
tle, Wa.); |
|
||||||||||||||
|
|
Telerama |
|
||||||||||||||
|
|
Inc. CATV |
|
||||||||||||||
|
|
(17 sys- |
|
||||||||||||||
|
|
tems); |
|
||||||||||||||
|
|
Tele-vue |
|
||||||||||||||
|
|
Systems |
|
||||||||||||||
|
|
Inc. CATV |
|
||||||||||||||
|
|
(22 sys- |
|
||||||||||||||
|
|
tems); |
|
||||||||||||||
|
|
Nor-Cal |
|
||||||||||||||
|
|
Cable- |
|
||||||||||||||
|
|
|
vision |
|
|||||||||||||
|
|
Inc. ** |
|
||||||||||||||
|
|
CATV (2 |
|
||||||||||||||
|
|
systems) |
|
||||||||||||||
Columbia |
KCPX-AM
(Salt |
|
Screen
Gems |
|
|||||||||||||
Pictures |
Lake
City). |
|
Productions |
|
|||||||||||||
Industries |
KCPX-FM
(Salt |
|
Screen
Gems- |
|
|||||||||||||
Inc.
(Screen |
(Newark) |
|
Music
Inc. |
|
|||||||||||||
Gems
Broad- |
WAPA-TV
(San |
|
Roosevelt |
|
|||||||||||||
casting) |
Juan) |
|
Music |
|
|||||||||||||
|
**
WOLE-TV |
|
Bell
Records |
|
|||||||||||||
|
(Aguadilla- |
|
Learning |
|
|||||||||||||
|
Mayaguez,
P.R.) |
|
Corp. of |
|
|||||||||||||
|
|
America |
|
||||||||||||||
|
|
Columbia |
|
||||||||||||||
|
|
Pictures |
|
||||||||||||||
Combined |
KTAR-AM |
Phoenix mag. |
Eller
Outdoor |
|
|||||||||||||
Communica- |
(Phoenix). |
Outdoor |
Advertising |
|
|||||||||||||
tions
Inc. |
KTAR-FM
(Phoenix). |
Arizona |
|
||||||||||||||
|
KBLU-AM
(Yuma) |
|
|||||||||||||||
|
KBLU-TV
(Yuma) |
|
|||||||||||||||
Cosmos
Broad- |
(Montgomery). |
|
|||||||||||||||
|
WIS-AM
(Colum- |
|
|||||||||||||||
|
bia,
S.C.) |
|
|||||||||||||||
|
WIS-TV
(Columbia, S.C.) |
|
|||||||||||||||
Cox
Broad- |
WSB-AM
(Atlanta) |
United |
Bing
Crosby |
|
|||||||||||||
casting
Corp. |
WSB-FM
(Atlanta) |
Technical |
Productions |
|
|||||||||||||
|
(Dayton). |
tions |
Commu- |
|
|||||||||||||
|
WHIO-FM
(Atlanta) |
* Dayton |
nications |
|
|||||||||||||
|
WIOD-AM |
News |
CATV (29 |
|
|||||||||||||
|
(Miami). |
|
systems |
|
|||||||||||||
|
WAIA-FM
(Atlanta) |
|
owned and |
|
|||||||||||||
|
KTVU-TV |
|
3 others |
|
|||||||||||||
|
(Oakland). |
|
partly- |
|
|||||||||||||
|
WSOC-AM |
|
owned) |
|
|||||||||||||
|
(Charlotte). |
|
CATV **
(2 |
|
|||||||||||||
|
WSOC-FM
(Atlanta) |
|
Cleveland |
|
|||||||||||||
|
|
|
Cleveland |
|
|||||||||||||
|
|
|
area |
|
|||||||||||||
|
|
|
systems) |
|
|||||||||||||
|
|
|
Video
Service |
|
|||||||||||||
|
|
Company |
|
||||||||||||||
Dallas
Evening |
WFAA-AM |
News-Texan |
|
||||||||||||||
News |
(Dallas). |
Dallas |
|
||||||||||||||
|
WFAA-FM
(Atlanta) |
Morning News |
|
||||||||||||||
|
WDFM-TV |
6 suburban |
|
||||||||||||||
|
(Beaumont,
Tx.) |
dailies |
|
||||||||||||||
Dispatch
Print- |
WBNS-AM |
* Columbus |
|
||||||||||||||
ing Co. |
(Columbus). |
Dispatch. |
|
||||||||||||||
|
WBNS-FM
(Columbus). |
* Dispatch |
|
||||||||||||||
|
|
Printing |
|
||||||||||||||
|
|
Co. |
|
||||||||||||||
Dun &
Brad- |
KOTV-TV
(Tulsa) |
Corinthian |
Corinthian |
|
|||||||||||||
street. |
WANE-TV
(Ft. |
Editors, |
Broadcast- |
|
|||||||||||||
|
Worth). |
Inc. |
ing Corp. |
|
|||||||||||||
|
|
|
owned by |
|
|||||||||||||
|
|
|
Dun & |
|
|||||||||||||
|
|
|
Bradstreet. |
|
|||||||||||||
Evening
News |
WWJ-AM
(Detroit) |
Detroit News |
|
||||||||||||||
Assn. |
WWJ-FM
(Detrolt) |
|
|||||||||||||||
|
KOLD-TV |
|
|||||||||||||||
|
(Tucson) |
|
|||||||||||||||
|
WALA-TV |
|
|||||||||||||||
|
(Mobile) |
|
|||||||||||||||
Evening
Star |
WMAL-AM |
Evening Star |
|
||||||||||||||
Broadcasting |
(Wash.,
D.C) |
Wash., |
|
||||||||||||||
Co. |
WMAL-FM
(Wash., D.C.) |
D.C. |
|
||||||||||||||
|
WLVA-TV |
|
|||||||||||||||
|
(Lynchburg,
Va.) |
|
|||||||||||||||
|
WLVA-AM
(Lynchburg, Va.) |
|
|||||||||||||||
WCIV-TV |
|
||||||||||||||||
|
(Charleston,
S.C.) |
|
|||||||||||||||
|
WCIV-AM
(Charleston, S.C.) |
|
|||||||||||||||
Petzer
Com- |
KOLN-TV |
|
Wolverine |
|
|||||||||||||
munications |
(Lincoln) |
|
Cabvlevision |
|
|||||||||||||
Inc. |
KGIN-TV
(Grand |
|
CATV |
|
|||||||||||||
|
Island,
Me.) |
|
(Albion, |
|
|||||||||||||
|
*
KMEG-TV |
|
Mi.,
Battle |
|
|||||||||||||
|
(Sioux
City) |
|
Creek,
Mi.) |
|
|||||||||||||
|
*
WKZO-AM |
|
|||||||||||||||
|
(Kalamazoo) |
|
|||||||||||||||
|
*
WKZO-AM |
|
|||||||||||||||
|
(Kalamazoo) |
|
|||||||||||||||
|
*
WJEF-AM |
|
|||||||||||||||
|
(Grand
Rapids) |
|
|||||||||||||||
|
*
WJEF-FM (Grand Rapids) |
|
|||||||||||||||
|
*
WWTV-TV |
|
|||||||||||||||
|
(Cadillac) |
|
|||||||||||||||
|
*
WWTV-AM (Cadillac) |
|
|||||||||||||||
|
*
WWTV-FM (Cadillac) |
|
|||||||||||||||
|
|
Chan- |
Affili- |
Market |
Mkt. |
|
|||||||||||
Owner |
(Stations) |
nel |
ation |
Market |
No. |
Rank |
|
||||||||||
Fisher
Com- |
KOMO-TV |
4 |
Seattle/ |
16 |
24 |
|
|||||||||||
panies,
Inc. |
|
|
|
Tacoma |
|
||||||||||||
|
KATU-TV |
2 |
ABC |
Portland |
26 |
18 |
|
||||||||||
General |
KOA-TV |
4 |
NBC |
Denver |
32 |
113 |
|
||||||||||
Electric
Co. |
WSIX-TV |
8 |
ABC |
Nashville |
30 |
61 |
|
||||||||||
|
WRGB-TV |
6 |
NBC |
Albany |
37 |
118 |
|
||||||||||
|
|
|
|
Schen- |
|
||||||||||||
|
|
|
|
ectady/ |
|
||||||||||||
|
|
|
|
Troy |
|
||||||||||||
John T.
Griffin |
KWTV-TV |
9 |
CBS |
Oklahoma |
41 |
54 |
|
||||||||||
Harte-Hanks |
KENS-TV |
5 |
CBS |
San |
45 |
130 |
|
||||||||||
Newspapers |
|
|
|
Antonio |
|
||||||||||||
Hearst
Corp |
WBAL-TV |
11 |
NBC |
Baltimore |
19 |
48 |
|
||||||||||
|
WISN-TV |
12 |
CBS |
Milwaukee |
21 |
132 |
|
||||||||||
WTAE-TV |
4 |
ABC |
Pittsburgh |
9 |
8 |
|
|||||||||||
Hubbard |
KSTP-TV |
5 |
NBC |
Minneapo- |
13 |
59 |
|
||||||||||
Broadcasting |
|
|
|
lis/St. |
|
||||||||||||
Co. Inc. |
|
|
|
Paul |
|
||||||||||||
Jefferson
Pilot |
WBTV-TV |
3 |
CBS |
Charlotte |
35 |
82 |
|
||||||||||
Corp. |
|
||||||||||||||||
Journal
Co |
WTMJ-TV |
4 |
NBC |
Milwaukee |
21 |
74 |
|
||||||||||
Kelly
Broad- |
KCRA-TV |
8 |
NBC |
Sacramen- |
27 |
20 |
|
||||||||||
casting
Co. |
|
|
|
to/Stock- |
|
||||||||||||
|
|
|
|
ton |
|
||||||||||||
King
Broad- |
KGW-TV |
8 |
NBC |
Portland |
26 |
10 |
|
||||||||||
casting
Co. |
KING-TV |
5 |
NBC |
Seattle/ |
16 |
3 |
|
||||||||||
|
|
|
|
Tacoma |
|
||||||||||||
KOOL
Radio- |
KOOL-TV |
10 |
CBS |
Phoenix |
45 |
140 |
|
||||||||||
Television, |
|
||||||||||||||||
Inc.
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
Gene
Autry). |
|
||||||||||||||||
Landmark |
WFMY-TV |
2 |
CBS |
Greensboro/ |
48 |
9 |
|
||||||||||
Communica- |
|
|
|
High |
|
||||||||||||
tions
Inc. |
|
|
|
Point/ |
|
||||||||||||
|
|
|
|
Winston- |
|
||||||||||||
|
|
|
|
Salem. |
|
||||||||||||
|
WTAR-TV |
3 |
CBS |
Norfolk/ |
44 |
|
|||||||||||
|
|
|
|
Newport |
|
||||||||||||
|
|
|
|
News/ |
|
||||||||||||
|
|
|
|
Hampton. |
|
||||||||||||
Lee
Enterprises |
WSAZ-TV |
3 |
NBC |
Charleston/ |
33 |
124 |
|
||||||||||
Inc. |
|
|
|
Hunting- |
|
||||||||||||
|
|
|
|
ton |
|
||||||||||||
Life
& Casualty |
WLAC-TV |
5 |
CBS |
Nashville |
30 |
86 |
|
||||||||||
Insurance
Co. |
|
||||||||||||||||
(half-owner) |
|
||||||||||||||||
Lin
Broadcast- |
WAVY-TV |
10 |
NBC |
Norfolk/ |
44 |
81 |
|
||||||||||
ing Corp. |
|
|
|
Newport |
|
||||||||||||
|
|
|
|
News/ |
|
||||||||||||
|
|
|
|
Hampton |
|
||||||||||||
Loyola |
WWL-TV |
4 |
CBS |
New
Orleans |
31 |
11 |
|
||||||||||
University |
|
||||||||||||||||
McGraw-Hill |
KGTV-TV |
10 |
NBC |
San Diego |
49 |
112 |
|
||||||||||
Inc. |
KMGH-TV |
7 |
CBS |
Denver |
32 |
99 |
|
||||||||||
|
WRTV-TV |
6 |
NBC |
Indianapolis |
14 |
37 |
|
||||||||||
Mecklenburg |
* WCCB-TV |
18 |
ABC |
Charlotte |
35 |
144 |
|
||||||||||
Television |
|
||||||||||||||||
Broadcasters |
|
||||||||||||||||
Inc. |
|
||||||||||||||||
Media
General, |
WFLA-TV |
8 |
NBC |
Tampa/St. |
24 |
127 |
|
||||||||||
Inc. |
|
|
|
Petersburg |
|
||||||||||||
Meredith
Corp |
KCMO-TV |
5 |
CBS |
Kansas
City |
23 |
87 |
|
||||||||||
|
WHEN-TV |
5 |
CBS |
Syracuse |
43 |
108 |
|
||||||||||
Metromedia |
KMBC-TV |
9 |
ABC |
Kansas
City |
23 |
135 |
|
||||||||||
Owner |
Local |
news Comm. |
Fin. |
Min. |
Women |
PSA |
|
||||||||||
Fisher
Com- |
32 |
66 |
61 |
28 |
61 |
10 |
25 |
||||||||||
Panies,
Inc. |
|
||||||||||||||||
|
50 |
96 |
25 |
13 |
21 |
68 |
54 |
||||||||||
General |
56 |
79 |
108 |
132 |
138 |
71 |
61 |
||||||||||
Electric
Co. |
82 |
125 |
32 |
22 |
70 |
9 |
138 |
||||||||||
|
100 |
121 |
39 |
129 |
135 |
97 |
26 |
||||||||||
John T.
Griffin |
77 |
82 |
77 |
25 |
12 |
61 |
8 |
||||||||||
Harte-Hanks |
106 |
93 |
83 |
134 |
104 |
84 |
64 |
||||||||||
Newspapers |
|
||||||||||||||||
Hearst
Corp |
19 |
33 |
95 |
101 |
61 |
56 |
21 |
||||||||||
|
97 |
98 |
123 |
82 |
118 |
90 |
58 |
||||||||||
|
52 |
60 |
10 |
15 |
32 |
93 |
16 |
||||||||||
Hubbard |
43 |
91 |
62 |
71 |
91 |
73 |
126 |
||||||||||
Broadcasting |
|
||||||||||||||||
Co. Inc. |
|
||||||||||||||||
Jefferson
Pilot |
46 |
52 |
93 |
120 |
134 |
52 |
63 |
||||||||||
Corp. |
|
||||||||||||||||
Journal
Co |
13 |
92 |
107 |
89 |
44 |
76 |
135 |
||||||||||
Kelly
Broad- |
27 |
14 |
73 |
69 |
86 |
124 |
77 |
||||||||||
casting
Co. |
|
||||||||||||||||
King
Broad- |
67 |
35 |
53 |
2 |
7 |
88 |
32 |
||||||||||
casting
Co. |
76 |
48 |
6 |
3 |
6 |
35 |
133 |
||||||||||
KOOL
Radio- |
98 |
76 |
140 |
119 |
67 |
115 |
11 |
||||||||||
Television, |
|
||||||||||||||||
Inc.
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
Gene
Autry). |
|
||||||||||||||||
Landmark |
96 |
38 |
2 |
76 |
83 |
75 |
91 |
||||||||||
Communica- |
|
||||||||||||||||
tions
Inc. |
|
||||||||||||||||
|
|
|
|
|
105 |
39 |
|
||||||||||
Lee
Enterprises |
119 |
58 |
71 |
139 |
5 |
139 |
91 |
||||||||||
Inc. |
|
||||||||||||||||
Life
& Casualty |
39 |
101 |
114 |
49 |
98 |
85 |
138 |
||||||||||
Insurance
Co. |
|
||||||||||||||||
(half-owner) |
|
||||||||||||||||
Lin
Broadcast- |
121 |
54 |
37 |
84 |
88 |
58 |
20 |
||||||||||
ing Corp. |
|
||||||||||||||||
Loyola |
7 |
24 |
72 |
31 |
139 |
99 |
95 |
||||||||||
University |
|
||||||||||||||||
McGraw-Hill |
111 |
102 |
89 |
62 |
79 |
104 |
121 |
||||||||||
Inc. |
44 |
73 |
118 |
98 |
75 |
98 |
51 |
||||||||||
|
65 |
39 |
40 |
64 |
49 |
44 |
88 |
||||||||||
Mecklenburg |
133 |
129 |
84 |
137 |
133 |
21 |
112 |
||||||||||
Television |
|
||||||||||||||||
Broadcasters |
|
||||||||||||||||
Inc. |
|
||||||||||||||||
Media General, |
120 |
51 |
134 |
78 |
41 |
113 |
54 |
||||||||||
Inc. |
|
||||||||||||||||
Meredith
Corp |
54 |
69 |
102 |
97 |
61 |
140 |
109 |
||||||||||
|
127 |
89 |
90 |
54 |
9 |
64 |
115 |
||||||||||
Metromedia |
102 |
133 |
94 |
90 |
53 |
5 |
47 |
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Interest or Ownership |
|
|||||||||||||||
Owner |
Other broadcast |
Publishing |
Other |
|
|||||||||||||
Fisher
Com- |
KOMO-AM |
|
|||||||||||||||
panies,
Inc. |
(Seattle) |
|
|||||||||||||||
General |
KOA-AM
(Denver) |
|
Manufacturing |
|
|||||||||||||
Electric
Co. |
KOA-FM
(Denver) |
|
merchandis- |
|
|||||||||||||
|
WSIX-AM
(Nash- |
|
ing
financial |
|
|||||||||||||
|
ville) |
|
General
Elec- |
|
|||||||||||||
|
WSIX-FM
(Nash- |
|
tric |
|
|||||||||||||
|
ville) |
|
|||||||||||||||
|
WGY-AM
(Sche- |
|
Cablevision |
|
|||||||||||||
|
nectady) |
|
Corp. |
|
|||||||||||||
|
WGY-FM
(Sche- |
|
CATV |
|
|||||||||||||
|
nectady) |
|
|||||||||||||||
|
|
|
(Merced- |
|
|||||||||||||
|
|
|
Atwater, |
|
|||||||||||||
|
|
|
Ca.;
Tracey, |
|
|||||||||||||
|
|
|
Ca.;
Vaca- |
|
|||||||||||||
|
|
|
ville,
Ca.; |
|
|||||||||||||
|
|
|
Walnut |
|
|||||||||||||
|
|
|
Creek,
Ca.; |
|
|||||||||||||
|
|
|
Decatur,
Il.; |
|
|||||||||||||
|
|
|
Anderson, |
|
|||||||||||||
|
|
|
In.;
Biloxi, |
|
|||||||||||||
|
|
|
Ms.;
Hatties- |
|
|||||||||||||
|
|
|
burg,
Ms.; |
|
|||||||||||||
|
|
|
Watertown, |
|
|||||||||||||
|
|
|
N.Y.; and |
|
|||||||||||||
|
|
|
12 fran- |
|
|||||||||||||
|
|
|
chises) |
|
|||||||||||||
John T.
Griffin |
|
||||||||||||||||
Harte-Hanks |
|
Express Pub. |
|
||||||||||||||
Newspapers |
|
Co. (San |
|
||||||||||||||
|
|
Angelo |
|
||||||||||||||
|
|
Standard- |
|
||||||||||||||
|
|
Times; |
|
||||||||||||||
|
|
Abilene |
|
||||||||||||||
|
|
Reporter |
|
||||||||||||||
|
|
News; Big |
|
||||||||||||||
|
|
Spring |
|
||||||||||||||
|
|
Herald; |
|
||||||||||||||
|
|
Corpus |
|
||||||||||||||
|
|
Christi |
|
||||||||||||||
|
|
Caller |
|
||||||||||||||
|
|
Times; |
|
||||||||||||||
|
|
Denison |
|
||||||||||||||
|
|
Herald; |
|
||||||||||||||
|
|
marshall |
|
||||||||||||||
|
|
News |
|
||||||||||||||
|
|
Messenger; |
|
||||||||||||||
|
|
Greenville |
|
||||||||||||||
|
|
Herald- |
|
||||||||||||||
|
|
Banner |
|
||||||||||||||
Hearst
Corp |
WBAL-AM (Balti- |
Baltimore |
|
||||||||||||||
|
more |
News- |
|
||||||||||||||
|
WBAL-FM
(Balti- |
American |
|
||||||||||||||
|
more) |
|
|||||||||||||||
|
WISN-AM
(Mil- |
Los Angeles |
|
||||||||||||||
|
waukee) |
Herald- |
|
||||||||||||||
|
WISN-FM
(Mil- |
Examiner |
|
||||||||||||||
|
waukee) |
|
|||||||||||||||
|
WATE-AM
(Pitts- |
San Francisco |
|
||||||||||||||
|
burgh) |
Examiner |
|
||||||||||||||
|
WTAE-FM
(Pitts- |
Boston |
|
||||||||||||||
|
burgh) |
|
|||||||||||||||
|
WAPA-AM
(San |
Record- |
|
||||||||||||||
|
Juan) |
American |
|
||||||||||||||
|
|
San Antonio |
|
||||||||||||||
|
|
Light |
|
||||||||||||||
|
|
Seattle Post- |
|
||||||||||||||
|
|
Intelligencer |
|
||||||||||||||
|
|
Good House- |
|
||||||||||||||
|
|
keeping |
|
||||||||||||||
|
|
Cosmopolitan |
|
||||||||||||||
|
|
Harpers |
|
||||||||||||||
|
|
Bazaar |
|
||||||||||||||
|
|
Sports Afield |
|
||||||||||||||
|
|
Popular |
|
||||||||||||||
|
|
Mechanics |
|
||||||||||||||
|
|
Science Digest |
|
||||||||||||||
|
|
Avon books |
|
||||||||||||||
Hubbard |
KOB-TV
(Albu- |
|
|||||||||||||||
Broadcasting |
querque) |
|
|||||||||||||||
Co. Inc. |
KOB-AM
(Albu- |
|
|||||||||||||||
|
querque) |
|
|||||||||||||||
|
WTOG-TV
(St. |
|
|||||||||||||||
|
Petersburg) |
|
|||||||||||||||
|
KSTP-AM-FM |
|
|||||||||||||||
|
(Minn.
St. Paul) |
|
|||||||||||||||
|
WGTO-AM
(Cy- |
|
|||||||||||||||
|
press
Gardens, |
|
|||||||||||||||
|
Fl.) |
|
|||||||||||||||
Jerfferson
Pilot |
WBT-AM
(Char- |
|
Jefferson |
|
|||||||||||||
Corp. |
lotte) |
|
Productions |
|
|||||||||||||
|
WBT-FM
(Char- |
|
|||||||||||||||
|
lotte) |
|
|||||||||||||||
|
WWBT-TV
(Rich- |
|
|||||||||||||||
|
mond) |
|
|||||||||||||||
|
WBIG-AM |
|
|||||||||||||||
|
(greensboro) |
|
|||||||||||||||
Journal
Co |
WTMJ-AM
(Mil- |
* Milwaukee |
Midwestern |
|
|||||||||||||
|
waukee). |
Journal |
relay
Com- |
|
|||||||||||||
|
WTMJ-FM
(Mil- |
|
pany
(closed |
|
|||||||||||||
|
waukee). |
|
circuit) |
|
|||||||||||||
|
|
|
CATV |
|
|||||||||||||
|
|
|
(Stevens |
|
|||||||||||||
|
|
|
Point,
Wi.; |
|
|||||||||||||
|
|
|
Wausau, |
|
|||||||||||||
|
|
|
Wi.;
Whit- |
|
|||||||||||||
|
|
|
ing, Wi.) |
|
|||||||||||||
Kelly
Broad- |
KCRA-AM
(Sac- |
|
|||||||||||||||
casting
Co. |
ramento) |
|
|||||||||||||||
|
KCTC-FM
(Sac- |
|
|||||||||||||||
|
ramento) |
|
|||||||||||||||
King
Broad- |
KING-AM
(Seat- |
|
King
Video- |
|
|||||||||||||
casting
Co. |
tle) |
|
cable Co. |
|
|||||||||||||
|
KING-FM
(Seat- |
|
CATV |
|
|||||||||||||
|
tle) |
|
|||||||||||||||
|
KREM-TV |
|
(Lodi,
Ca.; |
|
|||||||||||||
|
(Spokane) |
|
Los
Angeles, |
|
|||||||||||||
|
KREM-AM |
|
Ca.;
Placer- |
|
|||||||||||||
|
(Spokane) |
|
|||||||||||||||
|
KREM-FM |
|
ville,
Ca.; |
|
|||||||||||||
|
(Spokane) |
|
|||||||||||||||
|
KGW-AM |
|
Lake Os- |
|
|||||||||||||
|
(Portland) |
|
wego,
Ca.; |
|
|||||||||||||
|
KINK-FM |
|
Portland, |
|
|||||||||||||
|
(Portland) |
|
Ca.;
Ellens- |
|
|||||||||||||
|
|
|
burg,
Wa.; |
|
|||||||||||||
|
|
|
Montesano, |
|
|||||||||||||
|
|
|
Wa.;
West- |
|
|||||||||||||
|
|
|
port,
Wa.; |
|
|||||||||||||
|
|
|
Kelso,
Wa.; |
|
|||||||||||||
|
|
|
Seattle,
Wa.; |
|
|||||||||||||
|
|
|
Bothell, |
|
|||||||||||||
|
|
|
Wa.) |
|
|||||||||||||
|
|
|
**
Valley Vision |
|
|||||||||||||
|
|
|
Inc. CATV |
|
|||||||||||||
|
|
|
3 systems |
|
|||||||||||||
|
|
|
and 2 |
|
|||||||||||||
|
|
|
franchises) |
|
|||||||||||||
KOOL
Radio- |
KOOL-FM |
|
|||||||||||||||
Television, |
(Phonenix). |
|
|||||||||||||||
Inc.
(licensee) |
|
||||||||||||||||
(controlling |
|
||||||||||||||||
interest
by |
|
||||||||||||||||
Gene
Autry). |
|
||||||||||||||||
Landmark |
[Not
legible) |
Norfolk |
Telecable |
|
|||||||||||||
Communica- |
WTAR-AM |
Virginian- |
Corp.
CATV |
|
|||||||||||||
tions
Inc. |
(Norfolk). |
Pilot |
(Auburn, |
|
|||||||||||||
|
WTAR-FM |
Ledger Star |
Ga.; Co- |
|
|||||||||||||
|
(Norfolk). |
Greensboro |
lumbus, |
|
|||||||||||||
|
|
Daily News. |
Ga.; De- |
|
|||||||||||||
|
|
|
catur,
Al.; |
|
|||||||||||||
|
|
|
Opelika, |
|
|||||||||||||
|
|
|
Al.;
Selma, |
|
|||||||||||||
|
|
|
Al.;
Bloom- |
|
|||||||||||||
|
|
|
ington,
Il.; |
|
|||||||||||||
|
|
|
Kokomo, |
|
|||||||||||||
|
|
|
In.; Roa- |
|
|||||||||||||
|
|
|
noke |
|
|||||||||||||
|
|
|
Rapids, |
|
|||||||||||||
|
|
|
N.C.; |
|
|||||||||||||
|
|
|
Wytheville, |
|
|||||||||||||
|
|
|
Va.;
Beck- |
|
|||||||||||||
|
|
|
ley, W.
Va; |
|
|||||||||||||
|
|
|
Princeton, |
|
|||||||||||||
|
|
|
W. Va.; |
|
|||||||||||||
|
|
|
Racine,
Wi. |
|
|||||||||||||
|
|
|
and 7 |
|
|||||||||||||
|
|
|
franchises) |
|
|||||||||||||
Lee
Enterprises |
KGLO-AM |
Various daily |
|
||||||||||||||
Inc. |
(Mason
City, Ia.) |
newspapers |
|
||||||||||||||
|
KGLO-TV |
in Iowa, |
|
||||||||||||||
|
(Mason
City, Ia.) |
|
|||||||||||||||
|
KEYC-TV |
Illinois, |
|
||||||||||||||
|
(Mankato,
Mn.) |
Wisconsin, |
|
||||||||||||||
|
KEYC-FM |
Nebraska, |
|
||||||||||||||
|
(Mankato,
Mn.) |
|
|||||||||||||||
|
KHQA-TV |
Montana, |
|
||||||||||||||
|
(Hannibal,
Mo.) |
and Oregon |
|
||||||||||||||
|
WTAD-AM |
|
|||||||||||||||
|
(Quincy,
Il.) |
|
|||||||||||||||
|
WTAD-FM |
|
|||||||||||||||
|
(Quincy,
Il.) |
|
|||||||||||||||
|
WMDR-FM |
|
|||||||||||||||
|
(Moline,
Il.) |
|
|||||||||||||||
|
KFAB-AM-FM |
|
|||||||||||||||
|
(Omaha) |
|
|||||||||||||||
Life
& Casualty |
WLAC-FM
(Nash- |
|
American |
|
|||||||||||||
Insurance
Co. |
ville) |
|
General |
|
|||||||||||||
(half-owner) |
|
|
Life In- |
|
|||||||||||||
|
|
|
surance
Co. |
|
|||||||||||||
Lin
Broadcast- |
WANCD-AM
(De- |
|
|||||||||||||||
ing Corp. |
catur,
Il.) |
|
|||||||||||||||
|
WAND-TV
(De- |
|
|||||||||||||||
|
catur,
Il.) |
|
|||||||||||||||
|
KAAY-AM
(Little |
|
|||||||||||||||
|
Rock) |
|
|||||||||||||||
|
KAAY-FM
(Little |
|
|||||||||||||||
|
Rock) |
|
|||||||||||||||
|
KEEL-AM |
|
|||||||||||||||
|
(Shreveport) |
|
|||||||||||||||
|
KEEL-FM |
|
|||||||||||||||
|
(Sherveport) |
|
|||||||||||||||
|
WAKY-AM |
|
|||||||||||||||
|
(Louisville) |
|
|||||||||||||||
|
WBBF-AM |
|
|||||||||||||||
|
(Rochester) |
|
|||||||||||||||
|
WBBF-FM |
|
|||||||||||||||
|
(Rochester) |
|
|||||||||||||||
|
WIL-AM
(St. |
|
|||||||||||||||
|
Louis) |
|
|||||||||||||||
|
WIL-FM
(St. |
|
|||||||||||||||
|
Louis) |
|
|||||||||||||||
|
KILT-AM |
|
|||||||||||||||
|
(Houston) |
|
|||||||||||||||
|
KILT-FM |
|
|||||||||||||||
|
(Houston) |
|
|||||||||||||||
Loyola |
WWL-AM
(New |
|
|||||||||||||||
University |
Orleans |
|
|||||||||||||||
|
WWL-FM
(New |
|
|||||||||||||||
|
Orleans) |
|
|||||||||||||||
McCraw-Hill |
KERO-TV |
McCraw-Hill |
|
||||||||||||||
Inc. |
(Bakersfield) |
|
|||||||||||||||
Mecklenburg |
WKAB-TV |
|
|||||||||||||||
Television |
(Montgomery) |
|
|||||||||||||||
Broadcasters |
WABG-AM
(Green- |
|
|||||||||||||||
Inc. |
wood,
Ms.) |
|
|||||||||||||||
|
WABG-TV
(Green- |
|
|||||||||||||||
|
wood,
Ms.) |
|
|||||||||||||||
|
WOLO-TV
(Colum- |
|
|||||||||||||||
|
bia,
S.C.) |
|
|||||||||||||||
|
WBBJ-TV
(Jackson, |
|
|||||||||||||||
|
In.) |
|
|||||||||||||||
|
WLBJ-AM
(Bowl |
|
|||||||||||||||
|
Green,
Ky.) |
|
|||||||||||||||
|
WLBJ-FM
(Bowl |
|
|||||||||||||||
|
Green,
Ky.) |
|
|||||||||||||||
|
WWOD-AM |
|
|||||||||||||||
|
(Lynchburg,
Va.) |
|
|||||||||||||||
|
KXEL-AM
(Water- |
|
|||||||||||||||
|
loo, Ia.) |
|
|||||||||||||||
|
KXEL-AM
(Water- |
|
|||||||||||||||
|
loo, Ia.) |
|
|||||||||||||||
|
WDOD-AM |
|
|||||||||||||||
|
(Chattanooga) |
|
|||||||||||||||
|
WDOD-FM |
|
|||||||||||||||
|
(Chattanooga) |
|
|||||||||||||||
|
WKIN-AM |
|
|||||||||||||||
|
(Kingsport,
In.) |
|
|||||||||||||||
Media
General, |
WFLA-AM
(Tam- |
|
CATV |
|
|||||||||||||
Inc. |
pa) |
|
(Fredericks- |
|
|||||||||||||
|
WFLA-FM
(Tam- |
|
burg,
Va.) |
|
|||||||||||||
|
pa) |
|
|||||||||||||||
Meredith
Corp |
WHEN-AM |
Better Homes |
|
||||||||||||||
|
(Syracuse) |
and Gardens |
|
||||||||||||||
|
WPHO-AM |
Successful |
|
||||||||||||||
|
(Phoenix) |
Farming |
|
||||||||||||||
|
WPHO-TV |
Appleton- |
|
||||||||||||||
|
(Phoenix) |
|
|||||||||||||||
|
KCMO-AM |
Century |
|
||||||||||||||
|
(Kansas
City) |
Crofts |
|
||||||||||||||
|
KFMU-FM |
New Century |
|
||||||||||||||
|
(Kansas
City) |
|
|||||||||||||||
|
WOW-AM
(Omaha) |
Lyons & |
|
||||||||||||||
|
WOW-FM
(Omaha) |
Carnahan |
|
||||||||||||||
|
WOW-TV
(Omaha) |
|
|||||||||||||||
|
WNEM-TV
(Flint) |
|
|||||||||||||||
Metromedia |
WNEW (New
York) |
|
Metromedia |
|
|||||||||||||
|
WNEW-FM
(New York) |
|
Producers |
|
|||||||||||||
|
WNEW-TV
(New York) |
|
Corp. |
|
|||||||||||||
|
KLAC-AM
(Los |
|
Wolper
Pic- |
|
|||||||||||||
|
Angeles) |
|
tures
Ltd. |
|
|||||||||||||
|
KMET-FM
(Los |
|
Wolper
Pro- |
|
|||||||||||||
|
Angeles) |
|
|||||||||||||||
|
KTTV-TV
(Los |
|
ductions, |
|
|||||||||||||
|
Angeles) |
|
|||||||||||||||
|
WXIX-TV
(New- |
|
Inc. |
|
|||||||||||||
|
port,
Ky.) |
|
Ice
Capades |
|
|||||||||||||
|
WASH-FM |
|
Inc. |
|
|||||||||||||
|
(Washington, |
|
|||||||||||||||
|
D.C.) |
|
|||||||||||||||
|
WTTG-TV |
|
|||||||||||||||
|
(Washington, |
|
|||||||||||||||
|
D.C.) |
|
|||||||||||||||
|
WIP-AM
(Phila- |
|
|||||||||||||||
|
delphia) |
|
|||||||||||||||
|
WMMR-FM |
|
|||||||||||||||
|
WHK-AM
(Cleve- |
|
|||||||||||||||
|
land) |
|
|||||||||||||||
|
WOMC-FM |
|
|||||||||||||||
|
(Detroit) |
|
|
|
|||||||||||||
|
|
Chan- |
Affili- |
|
Mkt. |
|
|||||||||||
Owner |
(Stations) |
nel |
ation |
Market |
No. |
Rank |
|
||||||||||
Metropolitan |
KOVR-TV |
13 |
ABC |
Sacramento/ |
27 |
44 |
|
||||||||||
Broadcasting |
|
|
|
Stockton |
|
||||||||||||
Corp. |
|
||||||||||||||||
Midcontinent |
* WCCO-TV |
4 |
CBS |
Minneapo- |
13 |
84 |
|
||||||||||
Television |
|
|
|
lis/St. |
|
||||||||||||
|
|
|
|
Paul |
|
||||||||||||
Midwest
Tele- |
KFMB-TV |
8 |
CBS |
San Diego |
49 |
96 |
|
||||||||||
vision
Inc. |
|
||||||||||||||||
Multimedia
Inc- |
WFBC-TV |
4 |
NBC |
Greenville/ |
40 |
72 |
|
||||||||||
|
|
|
|
Spartan- |
|
||||||||||||
|
|
|
|
burg/ |
|
||||||||||||
|
|
|
|
Asheville |
|
||||||||||||
|
WXII-TV |
12 |
NBC |
Greensboro/ |
48 |
63 |
|
||||||||||
|
|
|
|
Winston |
|
||||||||||||
|
|
|
|
Salem/ |
|
||||||||||||
|
|
|
|
High |
|
||||||||||||
|
|
|
|
Point |
|
||||||||||||
Newhouse |
KOIN-TV |
6 |
CBS |
Portland |
26 |
21 |
|
||||||||||
Broadcasting |
KTVI-TV |
2 |
ABC |
St. Louis |
12 |
68 |
|
||||||||||
Corp. |
WAPI-TV |
13 |
NBC |
Birming |
38 |
52 |
|
||||||||||
|
|
|
|
ham |
|
||||||||||||
|
WSYR-TV |
3 |
NBC |
Syracuse |
43 |
47 |
|
||||||||||
New York |
WREC-TV |
3 |
CBS |
Memphis |
29 |
128 |
|
||||||||||
Times
Com- |
|
||||||||||||||||
pany |
|
||||||||||||||||
NTL Corp |
* WSM-TV |
4 |
NBC |
Nashville |
30 |
28 |
|
||||||||||
Orion
Broad- |
WAVE-TV |
3 |
NBC |
Louisville |
36 |
106 |
|
||||||||||
casting
Co. |
|
||||||||||||||||
Outlet Co |
KSAT-TV |
12 |
ABC |
San |
45 |
78 |
|
||||||||||
|
|
|
|
Antonio |
|
||||||||||||
|
WJAR-TV |
10 |
NBC |
Providence |
34 |
94 |
|
||||||||||
|
** WNYS- |
9 |
ABC |
Syracuse |
43 |
107 |
|
||||||||||
|
TV |
|
|||||||||||||||
Overmeyer,
Inc. |
WDHO-TV |
24 |
ABC |
Toledo |
45 |
100 |
|
||||||||||
Pacific
and |
WQXI-TV |
11 |
ABC |
Atlanta |
17 |
143 |
|
||||||||||
Southern |
|
||||||||||||||||
Broadcasting |
|
||||||||||||||||
Co. |
|
||||||||||||||||
Peninsula |
WVEC-TV |
13 |
ABC |
Norfolk/ |
44 |
137 |
|
||||||||||
Broadcasting |
|
|
|
Newport |
|
||||||||||||
Corp. |
|
|
|
News/ |
|
||||||||||||
|
|
|
|
Hampton |
|
||||||||||||
Plains
Televi- |
* WHNB-TV |
30 |
NBC |
Hartford/ |
22 |
103 |
|
||||||||||
sion
Corp. |
|
|
|
New |
|
||||||||||||
|
|
|
|
Haven |
|
||||||||||||
Poole
Broad- |
* WPRI-TV |
12 |
CBS |
Providence |
34 |
51 |
|
||||||||||
casting
Corp. |
* WTEN-TV |
10 |
CBS |
Albany/ |
37 |
90 |
|
||||||||||
|
|
|
|
Schenec- |
|
||||||||||||
|
|
|
|
tady/ |
|
||||||||||||
|
|
|
|
Troy |
|
||||||||||||
Pulitzer
Pub- |
KSD-TV |
5 |
NBC |
St. Louis |
12 |
66 |
|
||||||||||
lishing
Co. |
|
||||||||||||||||
Rahall
Com- |
* WLCY-TV |
10 |
ABC |
Tampa/St. |
24 |
70 |
|
||||||||||
munications |
|
|
|
Peters- |
|
||||||||||||
Corp. |
|
|
|
burg |
|
||||||||||||
RCA |
KNBC-TV |
4 |
NBC |
Los
Angeles |
2 |
14 |
|
||||||||||
|
WKYC-TV |
3 |
NBC |
Cleveland |
7 |
116 |
|
||||||||||
|
WMAQ-TV |
5 |
NBC |
Chicago |
3 |
43 |
|
||||||||||
|
WNBC-TV |
4 |
NBC |
New York |
1 |
39 |
|
||||||||||
|
|
|
|
City |
|
||||||||||||
|
WRC-TV |
4 |
NBC |
Washington |
10 |
12 |
|
||||||||||
Reeves
Tele- |
WHTN-TV |
13 |
ABC |
Charleston/ |
33 |
110 |
|
||||||||||
com.
Corp. |
|
|
Hunting- |
|
|||||||||||||
|
|
|
|
ton |
|
||||||||||||
RKO
General |
WHBQ-TV |
13 |
ABC |
Memphis |
29 |
141 |
|
||||||||||
Inc. |
WNAC-TV |
7 |
ABC |
Boston |
6 |
17 |
|
||||||||||
Rollins
Inc |
WCHS-TV |
8 |
CBS |
Charleston/ |
33 |
121 |
|
||||||||||
|
|
|
|
Hunting- |
|
||||||||||||
|
|
|
|
ton |
|
|
|
||||||||||
|
|
|
|
|
|
Wom- |
|
||||||||||
Owner |
Local |
News |
Comm. |
Fin. |
Min. |
en |
PSA |
||||||||||
Metropolitan |
134 |
120 |
20 |
5 |
108 |
131 |
97 |
||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Midcontinent |
12 |
74 |
139 |
72 |
28 |
29 |
116 |
||||||||||
Television |
|
||||||||||||||||
Midwest
Tele- |
51 |
20 |
132 |
128 |
71 |
30 |
37 |
||||||||||
vision
Inc. |
|
||||||||||||||||
Multimedia
Inc |
104 |
63 |
14 |
130 |
60 |
36 |
85 |
||||||||||
|
118 |
105 |
29 |
21 |
137 |
26 |
112 |
||||||||||
Newhouse |
84 |
29 |
59 |
12 |
27 |
80 |
5 |
||||||||||
Broadcasting |
86 |
140 |
26 |
19 |
78 |
146 |
137 |
||||||||||
Corp. |
126 |
46 |
17 |
63 |
143 |
129 |
17 |
||||||||||
|
117 |
127 |
13 |
10 |
14 |
143 |
17 |
||||||||||
New York |
131 |
108 |
58 |
114 |
109 |
111 |
130 |
||||||||||
Times
Com- |
|
||||||||||||||||
pany |
|
||||||||||||||||
NTL Corp |
24 |
97 |
67 |
16 |
129 |
54 |
142 |
||||||||||
Orion
Broad- |
95 |
85 |
92 |
86 |
64 |
127 |
83 |
||||||||||
casting
Co. |
|
||||||||||||||||
Outlet Co |
90 |
131 |
28 |
38 |
118 |
48 |
128 |
||||||||||
|
114 |
47 |
70 |
91 |
35 |
144 |
7 |
||||||||||
|
144 |
143 |
8 |
18 |
2 |
102 |
73 |
||||||||||
Overmeyer
Inc. |
139 |
144 |
7 |
29 |
142 |
31 |
117 |
||||||||||
Pacific
and |
129 |
126 |
112 |
99 |
75 |
23 |
44 |
||||||||||
Southern |
|
||||||||||||||||
Broadcasting |
|
||||||||||||||||
Co. |
|
||||||||||||||||
Peninsula |
137 |
135 |
42 |
95 |
141 |
40 |
91 |
||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Plains
Televi- |
116 |
23 |
64 |
136 |
69 |
78 |
144 |
||||||||||
sion
Corp. |
|
||||||||||||||||
Poole
Broad- |
115 |
94 |
3 |
113 |
3 |
91 |
105 |
||||||||||
casting
Corp. |
110 |
103 |
76 |
39 |
20 |
120 |
52 |
||||||||||
Pulitzer
Pub- |
36 |
68 |
74 |
108 |
121 |
83 |
45 |
||||||||||
lishing
Co. |
|
||||||||||||||||
Rahall
Com- |
61 |
44 |
86 |
96 |
140 |
137 |
4 |
||||||||||
munications |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
RCA |
3 |
3 |
138 |
35 |
54 |
38 |
99 |
||||||||||
|
113 |
86 |
126 |
43 |
26 |
67 |
88 |
||||||||||
|
41 |
2 |
136 |
74 |
51 |
41 |
101 |
||||||||||
|
60 |
17 |
97 |
58 |
67 |
17 |
65 |
||||||||||
|
49 |
15 |
103 |
7 |
43 |
66 |
96 |
||||||||||
Reeves
Tele- |
|
107 |
19 |
102 |
8 |
12 |
59 |
||||||||||
com.
Corp. |
|
||||||||||||||||
RKO
General |
138 |
139 |
52 |
111 |
110 |
119 |
134 |
||||||||||
Inc. |
37 |
41 |
27 |
59 |
19 |
112 |
22 |
||||||||||
Rollins
Inc |
85 |
132 |
24 |
140 |
10 |
60 |
69 |
||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Interest or ownership |
|
|||||||||||||||
|
|
|
Other |
|
|||||||||||||
|
Other broadcasting |
Publishing |
|
|
|||||||||||||
|
WMMS-FM
(Cleve- |
|
|||||||||||||||
|
land) |
|
|||||||||||||||
|
WTCN-TV |
|
|||||||||||||||
|
(Minneapolis) |
|
|||||||||||||||
|
KSAN-FM |
|
|||||||||||||||
|
WCBM-AM |
|
|||||||||||||||
|
(Baltimore) |
|
|||||||||||||||
|
KNEW-AM
(Oak- |
|
|||||||||||||||
|
land) |
|
|||||||||||||||
Metropolitan |
KMJ-AM
(Fresno) |
Fresno Bee |
**
Nor Cal |
|
|||||||||||||
Broadcasting |
KMJ-FM
(Fresno) |
Modesto Bee |
Cablevision |
|
|||||||||||||
Corp. |
KMJ-TV
(Fresno) |
Sacramento |
Inc. |
|
|||||||||||||
|
KBEE-AM |
Bee |
CATV |
|
|||||||||||||
|
(Modesto) |
|
(Oroville, |
|
|||||||||||||
|
KBEE-FM
(Modesto) |
|
Ca.; Yuba |
|
|||||||||||||
|
KBFK-AM |
|
City,
Ca.; |
|
|||||||||||||
|
(Sacramento) |
|
and 4 |
|
|||||||||||||
|
KBFK-FM
(Sacramento) |
|
franchises) |
|
|||||||||||||
Midcontinent |
WCCO-AM |
** Minneapolis |
ACTV
(Rice |
|
|||||||||||||
Television |
(Minneapolis) |
Star and |
Lake,
Wi.) |
|
|||||||||||||
|
|
Tribune Co. |
|
||||||||||||||
Midwest
Tele- |
KFMB-AM
(San |
** Lindsay- |
|
||||||||||||||
vision
Inc. |
Diego) |
Schaub |
|
||||||||||||||
|
KFMB-FM
(San Diego) |
Newspapers |
|
||||||||||||||
|
WMBD-AM |
Champaign |
|
||||||||||||||
|
(Peoria) |
News |
|
||||||||||||||
|
WMBD-FM
(Peoria) |
Gazette |
|
||||||||||||||
|
WMBD-TV
(Peoria) |
|
|||||||||||||||
|
WCIA-TV |
|
|||||||||||||||
|
(Champaign) |
|
|||||||||||||||
Multimedia
Inc- |
WFBC-AM |
Greenville |
**
CATV |
|
|||||||||||||
|
(Greenville) |
News |
(Columbus, |
|
|||||||||||||
|
WFBC-FM
(Greenville) |
Piedmont |
In.) |
|
|||||||||||||
|
WMAZ-AM |
Asheville |
|
||||||||||||||
|
(Macon) |
Citizen |
|
||||||||||||||
|
WMAZ-FM
(Macon) |
Times |
|
||||||||||||||
|
WMAZ-TV
(Macon) |
Montgomery |
|
||||||||||||||
|
WBIR-AM |
Advertiser |
|
||||||||||||||
|
(Knoxville) |
Alabama |
|
||||||||||||||
|
WBIR-FM |
Journal |
|
||||||||||||||
|
WBIR-TV
(Knoxville) |
|
|||||||||||||||
|
WWNC-AM |
|
|||||||||||||||
|
(Asheville) |
|
|||||||||||||||
Newhouse |
WSYR-AM |
** Denver |
CATV |
|
|||||||||||||
Broadcasting |
(Syracuse) |
Post |
(Anniston, |
|
|||||||||||||
Corp. |
WSYR-FM
(Syracuse) |
Jersey City |
Al.
Carth- |
|
|||||||||||||
|
WAPI-AM |
Journal |
age,
N.Y.; |
|
|||||||||||||
|
(Birmingham) |
Newark Star- |
Corning, |
|
|||||||||||||
|
WAPI-FM
(Birmingham) |
Ledger |
N.Y.;
Delhi, |
|
|||||||||||||
|
WTPA-FM |
Long Press |
N.Y.; |
|
|||||||||||||
|
(Harrisburg) |
and Star |
Malone, |
|
|||||||||||||
|
WTPA-TV
(Harrisburg) |
Journal |
N.Y.; |
|
|||||||||||||
|
WSYE-TV |
|
Messena, |
|
|||||||||||||
|
(Elmira-Corning) |
|
N.Y.; |
|
|||||||||||||
|
KOIN-AM |
|
Ogdensburg, |
|
|||||||||||||
|
(Portland) |
|
N.Y.; |
|
|||||||||||||
|
KOIN-FM
(Portland) |
|
Oneonta, |
|
|||||||||||||
|
|
Staten Island |
N.Y.; |
|
|||||||||||||
|
|
Advance |
Rome, |
|
|||||||||||||
|
|
News and |
N.Y.; |
|
|||||||||||||
|
|
Sunday |
Sidney, |
|
|||||||||||||
|
|
Republican |
N.Y.; and |
|
|||||||||||||
|
|
Vogue |
13 others
in |
|
|||||||||||||
|
|
Mademoiselle |
New York |
|
|||||||||||||
|
|
Glamour |
|
||||||||||||||
|
|
House & |
|
||||||||||||||
|
|
Garden |
|
||||||||||||||
New York |
*
WREC-AM |
New York |
|
||||||||||||||
Times
Com- |
(Memphis) |
Times |
|
||||||||||||||
pany |
*
WQXR-AM (New |
Chattanooga |
|
||||||||||||||
|
York) |
Times |
|
||||||||||||||
|
*
WQXR-FM (New York) |
|
|||||||||||||||
NTL Corp |
*
WSM-AM |
|
Third Na- |
|
|||||||||||||
|
(Nashville) |
|
tional
Bank |
|
|||||||||||||
|
*
WSM-FM (Nashville) |
|
of
Nashville |
|
|||||||||||||
Orion
Broad- |
WAVE-AM |
|
CATV
(Grand |
|
|||||||||||||
casting
Co. |
(Louisville) |
|
Rapids,
Mi.; |
|
|||||||||||||
|
WMT-AM
(Cedar |
|
St.
Peter, |
|
|||||||||||||
|
Rapids) |
|
Mn. |
|
|||||||||||||
|
WMT-FM
(Cedar Rapids) |
|
|||||||||||||||
|
WMT-TV
(Cedar Rapids) |
|
|||||||||||||||
|
WFIE-TV
(Evans- |
|
|||||||||||||||
|
ville,
Inc.) |
|
|||||||||||||||
|
WJMN-TV |
|
|||||||||||||||
|
(Escanaba,
Mi.) |
|
|||||||||||||||
|
WFRV-TV
(Green |
|
|||||||||||||||
|
Bay) |
|
|||||||||||||||
Outlet Co |
WJAR-AM |
|
Retail
de- |
|
|||||||||||||
(Providence) |
|
partment |
|
||||||||||||||
|
WDBO-AM |
|
stores |
|
|||||||||||||
|
(Orlando) |
|
|||||||||||||||
|
WDBO-FM
(Orlando) |
|
|||||||||||||||
|
WDBO-TV
(Orlando) |
|
|||||||||||||||
Overmeyer
Inc. |
WXIX-TV |
|
|||||||||||||||
|
(Cincinnati) |
|
|||||||||||||||
|
WPGH-TV |
|
|||||||||||||||
|
(Pittsburgh) |
|
|||||||||||||||
|
KEMO-TV
(San |
|
|||||||||||||||
|
Francisco) |
|
|||||||||||||||
|
WATL-TV |
|
|||||||||||||||
|
(Atlanta) |
|
|||||||||||||||
|
KDJO-TV
(Rosen- |
|
|||||||||||||||
|
berg,
Tx.) |
|
|||||||||||||||
Pacific
and |
WQXI-AM |
|
|||||||||||||||
Southern |
(Atlanta) |
|
|||||||||||||||
Broadcasting |
WQXI-FM
(Atlanta) |
|
|||||||||||||||
Co. |
WSAI-AM |
|
|||||||||||||||
|
(Cincinnati) |
|
|||||||||||||||
|
WSAI-FM
(Cincinnati) |
|
|||||||||||||||
|
KHON-TV |
|
|||||||||||||||
|
(Honolulu) |
|
|||||||||||||||
|
KHAW-TV |
|
|||||||||||||||
|
(Hilo,
H.) |
|
|||||||||||||||
|
KAII-TV |
|
|||||||||||||||
|
(Wailuku,
H.) |
|
|||||||||||||||
|
KKDJ-EM
(Los |
|
|||||||||||||||
|
Angeles) |
|
|||||||||||||||
|
WWDJ-AM |
|
|||||||||||||||
|
(Hackensack) |
|
|||||||||||||||
|
KIMN-AM |
|
|||||||||||||||
|
(Denver) |
|
|||||||||||||||
|
KYXI-AM |
|
|||||||||||||||
|
(Oregon
City, |
|
|||||||||||||||
|
Ore.) |
|
|||||||||||||||
Peninsula |
WVEC-AM |
|
CATV |
|
|||||||||||||
Broadcasting |
(Hampton,
Va.) |
|
(Ahoskie, |
|
|||||||||||||
Corp. |
WVEC-FM
(Hampton, Va.) |
|
N.C.; |
|
|||||||||||||
|
|
|
Morfrees- |
|
|||||||||||||
|
|
|
burg,
N.C.; |
|
|||||||||||||
|
|
|
Emporia, |
|
|||||||||||||
|
|
|
Va.; and
5 |
|
|||||||||||||
|
|
|
others) |
|
|||||||||||||
Plains
Televi- |
WICS-AM
(Spring- |
|
CATV |
|
|||||||||||||
sion
Corp. |
field,
Il.) |
|
(Muskegon, |
|
|||||||||||||
|
WICD-AM |
|
Mi.; Me- |
|
|||||||||||||
|
(Champaign,
Il.) |
|
chanicsburg, |
|
|||||||||||||
|
|
|
Pa.; and |
|
|||||||||||||
|
|
|
Richmond, |
|
|||||||||||||
|
|
|
In.) |
|
|||||||||||||
Poole
Broad- |
WJRT-TV
(Flint) |
|
|||||||||||||||
casting
Corp. |
*
WTEN-AM |
|
|||||||||||||||
|
(Albany) |
|
|||||||||||||||
|
*
WCDC-AM |
|
|||||||||||||||
|
(Adams,
Ma.) |
|
|||||||||||||||
Pulitzer
Pub- |
KSD-AM
(St. |
St. Louis |
CATV |
|
|||||||||||||
lishing
Co. |
Louis) |
Post-Dis- |
(Clayton, |
|
|||||||||||||
|
KVOA-TV |
patch |
Mo.) |
|
|||||||||||||
|
(Tucson) |
|
|||||||||||||||
|
KOAT-TV |
|
|||||||||||||||
|
(Albuquerque) |
|
|||||||||||||||
Rahall
Com- |
WLCY-AM
(St. |
|
CATV
(Hills- |
|
|||||||||||||
munications |
Petersburg) |
|
borough, |
|
|||||||||||||
Corp. |
WLCY-FM
(St. Petersburg) |
|
Fl.) |
|
|||||||||||||
|
WFBM-AM |
|
|||||||||||||||
|
(Indianapolis) |
|
|||||||||||||||
|
WFBM-FM
(Indianapolis) |
|
|||||||||||||||
|
WKAP-AM |
|
|||||||||||||||
|
(Allentown,
Pa.) |
|
|||||||||||||||
|
WWNR-AM |
|
|||||||||||||||
|
(Beckley,
W.Va.) |
|
|||||||||||||||
RCA |
WNBC-AM
(New |
Random |
RCA
Global |
|
|||||||||||||
|
York) |
House |
Communi- |
|
|||||||||||||
|
WNBC-FM
(New York) |
|
cations |
|
|||||||||||||
|
WRC-AM
(Wash- |
|
RCA In- |
|
|||||||||||||
|
ington) |
|
ternational |
|
|||||||||||||
|
WRC-FM
(Washington) |
|
Service |
|
|||||||||||||
|
WMAQ-AM |
|
Corp. |
|
|||||||||||||
|
(Chicago) |
|
RCA
Insti- |
|
|||||||||||||
|
WMAQ-FM
(Chicago) |
|
tutes
Inc. |
|
|||||||||||||
|
WKYC-AM |
|
RCA Sales |
|
|||||||||||||
|
(Cleveland) |
|
Corp. |
|
|||||||||||||
|
WKYC-FM
(Cleveland) |
|
RCA Dis- |
|
|||||||||||||
|
KNBC-FM
(Los |
|
tributing |
|
|||||||||||||
|
Angeles) |
|
Corp. |
|
|||||||||||||
|
KNBR-AM
(San |
|
Hertz
Corp. |
|
|||||||||||||
|
Francisco) |
|
|||||||||||||||
|
WJAS-AM
(Pitts- |
|
|||||||||||||||
|
burgh) |
|
|||||||||||||||
Reeves
Tele- |
WITH-AM |
|
Tele
Promp- |
|
|||||||||||||
com.
Corp. |
(Baltimore) |
|
Ter Corp. |
|
|||||||||||||
|
WITH-FM
(Baltimore) |
|
CATV
(owns |
|
|||||||||||||
|
WKEE-AM |
|
127
systems; |
|
|||||||||||||
|
(Huntington) |
|
partially |
|
|||||||||||||
|
WKEE-FM
(Huntington) |
|
owns 6
other |
|
|||||||||||||
|
WBLG-TV |
|
systems; |
|
|||||||||||||
|
(Lexington) |
|
holds 29 |
|
|||||||||||||
|
|
|
other |
|
|||||||||||||
|
|
|
franchises) |
|
|||||||||||||
|
|
|
Owns 80%
of |
|
|||||||||||||
|
|
|
Marcus |
|
|||||||||||||
|
|
|
CATV |
|
|||||||||||||
|
|
|
Corp.
& |
|
|||||||||||||
|
|
|
Parker |
|
|||||||||||||
|
|
|
Industries |
|
|||||||||||||
|
|
|
Inc. |
|
|||||||||||||
|
|
|
Owns 50%
of |
|
|||||||||||||
|
|
|
Theta |
|
|||||||||||||
|
|
|
Cable |
|
|||||||||||||
|
|
|
Owns
Tele- |
|
|||||||||||||
|
|
|
PrompTer |
|
|||||||||||||
|
|
|
Transmis- |
|
|||||||||||||
|
|
|
sion of |
|
|||||||||||||
|
|
|
Kansas
Inc. |
|
|||||||||||||
|
|
|
Owns
Inter- |
|
|||||||||||||
|
|
|
mountain |
|
|||||||||||||
|
|
|
Microwave |
|
|||||||||||||
|
|
|
of
Montana |
|
|||||||||||||
|
|
|
Owns
Tele- |
|
|||||||||||||
|
|
|
PrompTer |
|
|||||||||||||
|
|
|
Transmis- |
|
|||||||||||||
|
|
|
sion of
New |
|
|||||||||||||
|
|
|
Mexico |
|
|||||||||||||
|
|
|
Owns
Tele- |
|
|||||||||||||
|
|
|
PrompTer |
|
|||||||||||||
|
|
|
Transmis- |
|
|||||||||||||
|
|
|
sion of |
|
|||||||||||||
|
|
|
Oregon
Inc. |
|
|||||||||||||
|
|
|
Theta
Com- |
|
|||||||||||||
|
|
|
munications |
|
|||||||||||||
|
|
|
Muzak
Corp. |
|
|||||||||||||
RKO
General |
KHJ-AM
(Los |
|
RKO Radio |
|
|||||||||||||
Inc. |
Angeles) |
|
Pictures |
|
|||||||||||||
|
KRTH-FM
(Los Angeles) |
|
RKO
Stanley |
|
|||||||||||||
|
WOR-TV
(New |
|
Warner |
|
|||||||||||||
|
York) |
|
Theaters |
|
|||||||||||||
|
WOR-AM
(New York) |
|
Inc. |
|
|||||||||||||
|
WXLO-FM
(New York) |
|
General
Tire |
|
|||||||||||||
|
WHBQ-AM |
|
and
Rubber |
|
|||||||||||||
|
(Memphis) |
|
Co. |
|
|||||||||||||
|
WHBQ-FM
(Memphis) |
|
Cablecom- |
|
|||||||||||||
|
WRKO-AM |
|
General |
|
|||||||||||||
|
(Boston) |
|
Inc. CATV |
|
|||||||||||||
|
WGMS-AM |
|
(owns 40 |
|
|||||||||||||
|
(Bethesda) |
|
systems
and |
|
|||||||||||||
|
WGMS-FM |
|
partly- |
|
|||||||||||||
|
(Bethesda) |
|
owns 12 |
|
|||||||||||||
|
KKEE-AM
(San |
|
others; |
|
|||||||||||||
|
Francisco) |
|
holds
100% |
|
|||||||||||||
|
KFRC-FM (San |
|
of 3
other |
|
|||||||||||||
|
Francisco) |
|
franchises |
|
|||||||||||||
|
|
|
and con- |
|
|||||||||||||
|
|
|
trolling |
|
|||||||||||||
|
|
|
interest
in |
|
|||||||||||||
|
|
|
11
others) |
|
|||||||||||||
|
|
|
*
Mountain |
|
|||||||||||||
|
|
|
States |
|
|||||||||||||
|
|
|
Video
Inc. |
|
|||||||||||||
|
|
|
CATV (20 |
|
|||||||||||||
|
|
|
franchises) |
|
|||||||||||||
Rollins
Inc |
WCHS-AM |
|
CATV
(Wil- |
|
|||||||||||||
|
(Charleston) |
|
mington, |
|
|||||||||||||
|
WEAR-TV |
|
De.) |
|
|||||||||||||
|
(Pensacola) |
|
|||||||||||||||
|
WPTV-TV
(North |
|
|||||||||||||||
|
Pole,
N.Y.) |
|
|||||||||||||||
|
WBEE-AM |
|
|||||||||||||||
|
(Harvey,
Il.) |
|
|||||||||||||||
|
WAMS-AM |
|
|||||||||||||||
|
(Wilmington) |
|
|||||||||||||||
|
WRAP-AM |
|
|||||||||||||||
|
(Norfolk) |
|
|||||||||||||||
|
KDAY-AM |
|
|||||||||||||||
|
(Santa
Monica) |
|
|
|
|||||||||||||
|
|
Channel |
Affiliation |
|
Mkt. |
|
|||||||||||
Owner |
(Stations) |
|
|
Market |
No. |
Rank |
|
||||||||||
Sripps-Howard |
WCPO-TV |
9 |
CBS |
Cincinnati |
20 |
42 |
|
||||||||||
|
WEWS-TV |
5 |
ABC |
Cleveland |
7 |
125 |
|
||||||||||
Broadcasting |
WMC-TV |
5 |
NBC |
Memphis |
29 |
89 |
|
||||||||||
Sounderling |
WAST-TV |
13 |
ABC |
Albany/ |
37 |
30 |
|
||||||||||
Broadcasting |
|
|
|
Schenectady/ |
|
||||||||||||
Corp. |
|
||||||||||||||||
|
|
|
|
Troy |
|
||||||||||||
|
WLKY-TV |
32 |
ABC |
Louisville |
36 |
92 |
|
||||||||||
Southern |
** WBMG-TV |
42 |
CBS |
Birmingham |
38 |
139 |
|
||||||||||
Broadcasting |
|
||||||||||||||||
Co., Inc. |
WGHP-TV |
8 |
ABC |
Greensboro/ |
48 |
|
|||||||||||
|
|
|
|
Winston-Salem/ |
|
||||||||||||
|
|
|
|
High |
|
||||||||||||
|
|
|
|
Point |
|
||||||||||||
Spartan |
WSPA-TV |
7 |
CBS |
Greenville/ |
40 |
129 |
|
||||||||||
Broadcasting |
|
|
|
Spartanburg/ |
|
||||||||||||
Corp. |
|
||||||||||||||||
|
|
|
|
Asheville |
|
||||||||||||
Springfield |
WKEF-TV |
22 |
ABC |
Dayton |
39 |
|
|||||||||||
Television |
|
||||||||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Standard
Corp |
* KUTV-TV |
2 |
NBC |
Salt Lake |
50 |
53 |
|
||||||||||
|
|
|
|
City |
|
||||||||||||
Storer
Broadcasting |
WAGA-TV |
5 |
CBS |
Atlanta |
17 |
60 |
|
||||||||||
Co. |
|
||||||||||||||||
|
WITI-TV |
6 |
ABC |
Milwaukee |
21 |
45 |
|
||||||||||
|
WJBK-TV |
2 |
CBS |
Detroit |
5 |
133 |
|
||||||||||
|
WJW-TV |
8 |
CBS |
Cleveland |
7 |
77 |
|
||||||||||
|
WSPD-TV |
13 |
NBC |
Toledo |
45 |
119 |
|
||||||||||
Sunbeam |
WCKT-TV |
7 |
NBC |
Miami |
18 |
56 |
|
||||||||||
Synercom |
WZZM-TV |
7 |
ABC |
Kalamazoo/ |
41 |
35 |
|
||||||||||
Communications |
|
|
|
Grand |
|
||||||||||||
Corp. |
|
|
|
Rapids |
|
||||||||||||
Taft
Broadcasting |
WBRC-TV |
6 |
ABC |
Birmingham |
38 |
49 |
|
||||||||||
Co. |
|
||||||||||||||||
|
WDAF-TV |
4 |
NBC |
Kansas |
23 |
134 |
|
||||||||||
|
|
|
|
City |
|
||||||||||||
|
WGR-TV |
2 |
NBC |
Buffalo |
25 |
123 |
|
||||||||||
|
WKRC-TV |
12 |
ABC |
Cincinnati |
20 |
120 |
|
||||||||||
|
WTVN-TV |
6 |
ABC |
Columbus |
28 |
136 |
|
||||||||||
Time, Inc |
WOTV-TV |
8 |
NBC |
Kalamazoo/ |
41 |
62 |
|
||||||||||
|
|
|
|
Grand |
|
||||||||||||
|
|
|
|
Rapids |
|
||||||||||||
Times
Mirror |
KDFW-TV |
4 |
CBS |
Dallas-Fort |
11 |
101 |
|
||||||||||
Corp. |
|
|
|
Worth |
|
||||||||||||
Travelers
Corp |
WTIC-TV |
3 |
CBS |
Hartford-New |
22 |
16 |
|
||||||||||
|
|
|
|
Haven |
|
||||||||||||
20th
Century |
KMSP-TV |
9 |
ABC |
Minneapolis-St. |
13 |
122 |
|
||||||||||
Fox |
|
||||||||||||||||
|
|
|
|
Paul |
|
||||||||||||
Washington |
WPLG-TV |
10 |
ABC |
Miami |
18 |
6 |
|
||||||||||
Post Co.,
Inc. |
|
||||||||||||||||
|
WTOP-TV |
9 |
CBS |
Washington, |
10 |
55 |
|
||||||||||
|
|
|
|
D.C. |
|
||||||||||||
Westinghouse |
KDKA-TV |
2 |
CBS |
Pittsburgh |
9 |
4 |
|
||||||||||
Corp. |
KPIX-TV |
5 |
CBS |
San
Francisco |
8 |
1 |
|
||||||||||
|
KYW-TV |
3 |
NBC |
Philadelphia |
4 |
5 |
|
||||||||||
|
WBZ-TV |
4 |
NBC |
Boston |
6 |
31 |
|
||||||||||
|
WJZ-TV |
13 |
ABC |
Baltimore |
19 |
2 |
|
||||||||||
WGAL-TV,
Inc |
WTEV-TV |
6 |
ABC |
Providence |
34 |
88 |
|
||||||||||
WHAS, Inc |
WHNS-TV |
11 |
CBS |
Louisville |
36 |
19 |
|
||||||||||
WKY
Television |
WKY-TV |
4 |
NBC |
Oklahoma |
41 |
29 |
|
||||||||||
System
Inc. |
|
|
|
City |
|
||||||||||||
(licensee) |
WTVT-TV |
13 |
CBS |
Tampa-St. |
24 |
80 |
|
||||||||||
|
|
|
|
Petersburg |
|
||||||||||||
Wometco |
WLOS-TV |
13 |
ABC |
Greenville- |
40 |
111 |
|
||||||||||
Enterprises |
|
|
|
Spartanburg- |
|
||||||||||||
Inc. |
|
|
|
Asheville |
|
||||||||||||
|
WTVJ-TV |
4 |
CBS |
Miami |
18 |
66 |
|
||||||||||
|
|
|
|
|
|
Women |
|
||||||||||
Owner |
Local |
News |
Comm. |
Fin. |
Min. |
|
PSA |
||||||||||
Sripps- |
40 |
49 |
98 |
33 |
127 |
108 |
127 |
||||||||||
Howard |
92 |
134 |
100 |
56 |
107 |
138 |
124 |
||||||||||
Broadcasting |
38 |
80 |
115 |
92 |
136 |
96 |
100 |
||||||||||
Corp. |
|
||||||||||||||||
Sounderling |
135 |
119 |
9 |
4 |
12 |
11 |
48 |
||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
|
136 |
142 |
11 |
23 |
84 |
4 |
130 |
||||||||||
Southern |
125 |
117 |
50 |
143 |
118 |
103 |
119 |
||||||||||
Broadcasting |
|
||||||||||||||||
Co., Inc. |
|
|
|
|
39 |
7 |
|
||||||||||
Spartan |
103 |
57 |
117 |
121 |
74 |
101 |
104 |
||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Springfield |
|
||||||||||||||||
Television |
|
||||||||||||||||
Broadcasting |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Standard
Corp |
83 |
104 |
63 |
11 |
144 |
94 |
106 |
||||||||||
Storer
Broadcasting |
70 |
5 |
124 |
79 |
71 |
126 |
100 |
||||||||||
Co. |
|
||||||||||||||||
|
72 |
111 |
22 |
41 |
93 |
69 |
120 |
||||||||||
|
93 |
99 |
116 |
106 |
40 |
132 |
132 |
||||||||||
|
69 |
43 |
104 |
77 |
52 |
128 |
71 |
||||||||||
|
124 |
113 |
41 |
107 |
54 |
142 |
108 |
||||||||||
Sunbeam |
71 |
27 |
46 |
117 |
123 |
47 |
45 |
||||||||||
Synercom |
112 |
45 |
43 |
14 |
22 |
133 |
24 |
||||||||||
Communications |
|
||||||||||||||||
Corp. |
|
||||||||||||||||
Taft
Broadcasting |
23 |
12 |
51 |
144 |
121 |
55 |
81 |
||||||||||
Co. |
|
||||||||||||||||
|
34 |
72 |
144 |
131 |
103 |
135 |
81 |
||||||||||
|
141 |
109 |
45 |
81 |
29 |
79 |
25 |
||||||||||
|
74 |
138 |
34 |
133 |
30 |
86 |
41 |
||||||||||
|
128 |
130 |
68 |
105 |
18 |
46 |
76 |
||||||||||
Time, Inc |
48 |
37 |
106 |
67 |
16 |
145 |
74 |
||||||||||
Times
Mirror |
26 |
34 |
125 |
141 |
80 |
49 |
45 |
||||||||||
Corp. |
|
||||||||||||||||
Travelers
Corp |
68 |
28 |
5 |
110 |
48 |
42 |
13 |
||||||||||
20th
Century |
109 |
141 |
15 |
126 |
147 |
43 |
122 |
||||||||||
Fox |
|
||||||||||||||||
Washington |
10 |
1 |
87 |
52 |
126 |
19 |
56 |
||||||||||
Post Co.,
Inc. |
|
||||||||||||||||
|
79 |
10 |
120 |
50 |
66 |
3 |
40 |
||||||||||
Westinghouse |
4 |
6 |
30 |
57 |
11 |
125 |
9 |
||||||||||
Corp. |
31 |
13 |
1 |
103 |
58 |
53 |
14 |
||||||||||
|
2 |
7 |
23 |
123 |
73 |
70 |
3 |
||||||||||
|
15 |
16 |
55 |
138 |
4 |
24 |
17 |
||||||||||
|
6 |
59 |
4 |
24 |
128 |
57 |
2 |
||||||||||
WGAL-TV,
Inc |
130 |
110 |
48 |
32 |
1 |
80 |
33 |
||||||||||
WHAS, Inc |
35 |
84 |
33 |
20 |
131 |
130 |
65 |
||||||||||
WKY
Television |
16 |
78 |
38 |
70 |
46 |
118 |
1 |
||||||||||
System
Inc. |
|
||||||||||||||||
(licensee) |
80 |
32 |
119 |
51 |
100 |
121 |
6 |
||||||||||
Wometco |
143 |
137 |
12 |
60 |
50 |
59 |
125 |
||||||||||
Enterprises |
|
||||||||||||||||
Inc. |
|
||||||||||||||||
|
105 |
87 |
35 |
46 |
115 |
14 |
112 |
||||||||||
|
|
||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Interest or ownership |
|
|
Owner |
|
|
Other |
|
Other broadcasting |
Publishing |
|
Sripps-Howard |
WMC-AM |
Scripps-Howard |
|
|
(Memphis) |
|
|
Broadcasting |
WMC-FM
(Memphis) |
Newspapers |
|
Corp. |
WPTV-TV
(West |
(Pittsburgh |
|
|
Palm
Beach) |
Press; |
|
|
KTEW-TV |
Cleveland |
|
|
(Tulsa) |
Press; |
|
|
WNOX-AM |
Cincinnati |
|
|
(Knoxville) |
Post and |
|
|
|
Times-Star; |
|
|
|
Knoxville |
|
|
|
News Sentinel; |
|
|
|
Fort |
|
|
|
Worth |
|
|
|
Press; Albuquerque |
|
|
|
(Tribune) |
|
|
|
World |
|
|
|
Almanac |
|
Sounderling |
KFOX-AM
(Long |
|
SBC
Management |
Broadcasting |
Beach) |
|
|
Corp. |
KFOX-FM
(Long Beach) |
|
Corp. |
|
WWRL-AM
(New |
|
Modern |
|
York) |
Teleservices |
|
|
WOPA-AM
(Oak |
|
Inc. |
|
Park,
Il.) |
|
Bernard |
|
WGLD-FM
(Oak Park, Il.) |
|
Howard |
|
KDIA-AM |
|
& Co. |
|
(Oakland) |
|
|
|
WDIA-AM |
|
|
|
(Memphis) |
|
|
|
WAID-FM
(Memphis) |
|
|
|
WOL-AM |
|
|
|
(Washington) |
|
|
|
WMOD-FM
(Washington) |
|
|
Southern |
**
WBMG-AM |
|
|
Broadcasting |
(Birmingham) |
|
|
Co., Inc. |
KULF-AM |
|
|
|
(Houston) |
|
|
|
WRVA-AM |
|
|
|
(Richmond) |
|
|
|
WRVQ-FM
(Richmond) |
|
|
|
KOY-AM |
|
|
|
(Phoenix) |
|
|
|
WTOB-AM |
|
|
|
(Winston-Salem) |
|
|
|
WKIX-AM |
|
|
|
(Raleigh) |
|
|
|
WYYD-FM
(Raleigh) |
|
|
|
WSGN-AM |
|
|
|
(Birmingham) |
|
|
Spartan |
WSPA-AM
(Spartanburg, |
|
|
Broadcasting |
S.C.) |
|
|
Corp. |
WSPA-FM
(Spartanburg, S.C.) |
|
|
|
WTHO-AM |
|
|
|
(Thomson,
Ga.) |
|
|
|
WTHO-FM
(Thomson, Ga.) |
|
|
Springfield |
WWLP-TV |
|
|
Television |
(Springfield,
Ma.) |
|
|
Broadcasting |
WRLP-AM |
|
|
Corp. |
(Greenfield,
Ma.) |
|
|
|
WRLP-TV
(Greenfield, Ma.) |
|
|
Standard
Corp |
|
Ogden |
|
|
|
Standard |
|
|
|
* Salt Lake |
|
|
|
Tribune |
|
Storer
Broadcasting |
WDEE-AM |
|
Northeast |
Co. |
(Detroit) |
|
Airlines |
|
|
|
CATV (20 |
|
|
|
systems
in |
|
WSBK-TV |
|
California |
|
(Boston) |
|
and 3
systems |
|
WSPD-AM |
|
in |
|
(Toledo) |
|
Florida;
3 |
|
|
|
additional |
|
WJW-AM |
|
franchises
in |
|
(Cleveland) |
|
California |
|
WPNA-FM |
|
and 3 in |
|
(Philadelphia) |
|
Florida) |
|
KGBS-AM
(Los |
|
|
|
Angeles) |
|
|
|
KGBS-FM
(Los Angeles) |
|
|
|
WGBS-AM |
|
|
|
(Miami) |
|
|
|
WHN-AM
(New |
|
|
|
York) |
|
|
Sunbeam |
|
||
Synercom |
WZZM-FM
(Kalamazoo/Grand |
|
|
Communications |
|
||
Corp. |
Rapids) |
|
|
Taft
Broadcasting |
WKKQ-FM
(Cincinnati) |
|
|
Co. |
|
||
|
WKRC-AM
(Cincinnati) |
|
|
|
WTVN-AM |
|
|
|
(Columbus) |
|
|
|
WTVN-FM |
|
|
|
WBRC-AM |
|
|
|
(Birmingham) |
|
|
|
WBRC-FM
(Birmingham) |
|
|
|
WGR-AM |
|
|
|
(Buffalo) |
|
|
|
WGR-FM
(Buffalo) |
|
|
|
WDAF-AM |
|
|
|
(Kansas
City) |
|
|
|
WDAF-FM
(Kansas City) |
|
|
|
WNEP-TV |
|
|
|
(Wilkes-Barre) |
|
|
Time, Inc |
KOGO-FM |
Time, Fortune, |
|
|
(San
Diego) |
Sports |
|
|
|
Illustrated, |
|
|
|
Money |
|
|
|
magazines |
|
|
|
Time-Life |
|
|
|
Books |
|
Times
Mirror |
|
Dallas Times |
**
Church of |
Corp. |
|
Herald |
Jesus
Chirst |
|
|
Newsday |
of Latter |
|
|
Los Angeles |
Day
Saints |
|
|
Times |
(see
Bonneville |
|
|
Orange Coast |
International |
|
|
Daily Pilot |
|
|
|
|
Corp.) |
|
|
|
T-M
Communication |
|
|
|
Co. CATV |
|
|
|
(23
systems |
|
|
|
in
California, |
|
|
|
New York, |
|
|
|
and
Florida; |
|
|
|
4 franchises |
|
|
|
in
California |
|
|
|
and 3 in |
|
|
|
Florida) |
Travelers
Corp |
WTIC-AM
(Hartford-New |
|
|
|
Haven) |
|
|
|
WTIC-FM
(Hartford-New Haven) |
|
|
20th
Century |
|
|
20th
Century |
Fox |
|
|
Fox Film |
|
|
|
Corp. |
Washington |
WTOP-AM |
Newsweek |
Home
Theater |
Post Co.,
Inc. |
(Washington, |
Washington |
Network |
|
D.C.) |
Post |
Co. (pay |
|
WTOP-FM
(Washington, D.C.) |
|
TV) |
|
WJXT-AM |
|
|
|
(Jacksonville) |
|
|
|
WJXT-TV
(Jacksonville) |
|
|
|
WCKY-AM |
|
|
|
(Cincinnati) |
|
|
Westinghouse |
WBZ-AM
(Boston) |
|
Manufacturing |
Corp. |
WBZ-FM
(Boston) |
|
of home
appliances; |
|
KYW-AM
(Philadelphia) |
electronic |
|
|
|
|
equipment |
|
|
|
for
industry |
|
KDKA-AM
(Pittsburgh) |
apparatus |
|
|
|
|
for the
generation, |
|
KDKA-FM
(Pittsburgh) |
|
|
|
WINS-AM
(New |
|
transmission, |
|
York) |
|
and |
|
WOWO-AM
(Ft. |
|
utilization |
|
Wayne) |
|
of
electricity, |
|
WIND-AM |
|
including |
|
(Chicago) |
|
that
developed |
|
KFWB-AM
(Los |
|
|
|
Angeles) |
|
through |
|
|
|
atomic |
|
|
|
energy |
|
|
|
CATV |
|
|
|
(Panama |
|
|
|
City,
Fla., |
|
|
|
Tallahassee, |
|
|
|
Fla., Dublin, |
|
|
|
Ga., |
|
|
|
Milledgeville, |
|
|
|
Ga., |
|
|
|
Swamsboro, |
|
|
|
Ga.,
Thomasville, |
|
|
|
Ga., |
|
|
|
Voldosta, |
|
|
|
Ga., |
|
|
|
**
Bronx, |
|
|
|
N.Y.) |
|
|
|
CATV
(franchise |
|
|
|
in |
|
|
|
Lynn
Haven, |
|
|
|
Fla.) |
|
|
|
Closed
Circuit |
|
|
|
(Micro-Relay |
|
|
|
Inc.) |
WGAL-TV,
Inc |
WGAL-TV
(Lancaster) |
|
|
WHAS, Inc |
WHAS-AM |
|
|
|
(Louisville) |
|
|
WKY
Television |
WHAS-FM |
Oklahoma |
|
System
Inc. |
(Louisville) |
Pub. Co., |
|
(Licensee) |
WVTV-TV
(Milwaukee) |
Daily and |
|
|
|
Sunday |
|
|
WKY-AM
(Oklahoma |
Oklahoman, |
|
|
City) |
Oklahoma |
|
|
KTVT-TV
(Dallas-Ft. |
City Times |
|
|
Worth) |
plus occas'l |
|
|
KHTV-TV |
other printed |
|
|
(Houston) |
materials |
|
Wometco |
WLOS-AM
(Greenville, |
|
Automatic |
Enterprises |
N.C.) |
|
food and |
Inc. |
KVOS-TV
(Bellingham, |
refreshment |
|
|
Wa.) |
|
vending; |
|
|
|
industrial |
|
|
|
food
service; |
|
|
|
chain of
restaurants; |
|
|
|
chain of |
|
|
|
motion
picture |
|
|
|
theaters; |
|
|
|
film
production |
|
|
|
and |
|
|
|
processing; |
|
|
|
TV slide |
|
|
|
production; |
|
|
|
closed
circuit |
|
|
|
TV; |
|
|
|
outdoor
advertising |
|
|
|
Miami
Seaquarium |
|
|
|
CATV |
|
|
|
(Thibodaux, |
|
|
|
La., East |
|
|
|
Brunswick, |
|
|
|
N.J., |
|
|
|
Keeseville, |
|
|
|
N.Y., |
|
|
|
Plattsburg, |
|
|
|
N.Y.) |
Chapter 4
HOW YOU CAN IMPROVE TELEVISION IN
YOUR COMMUNITY
I. WHAT CAN YOU DO?
Now that you better understand how
the quality of television broadcasting in your community compares to service provided
in other markets, you may have other questions. One of these is probably
where to go from here. In this chapter we will attempt to answer that
question, explaining just how you can use the results of our report, as well as
ways in which you can expand on our information within your own community.
Most citizens today believe that
television broadcasters have an absolute right to program by whim, to present
to millions of daily viewers whatever they might choose, in whatever sequence,
at whatever time. But while that may be the heritage of American
television, it most certainly is not the law. The law, in fact, is just
the opposite. Our system of broadcasting was established pursuant to a
statute that clearly provides that radio and television belong not to any
businessman but rather to the public. A television station can only
lawfully operate by serving the needs of its audience. The Supreme Court
recently emphasized this view in ruling that "it is the right of the
viewers and listeners, not the right of the broadcasters which is
paramount." n1 The Federal Communications
Commission in Washington is authorized and directed to enforce this concept of
public service, but as you have seen from our study, in many cases its
enforcement has not been as thorough as we -- the viewing public -- have a
right to demand.
n1 Red Lion Broadcasting Co. v.
Federal Communications Commission, 395 U.S. 367 at 390 (1969).
Precisely how do we go about
demanding our rights as the "public" for whose "interest, convenience
or necessity" the broadcast licensee is supposed to operate? n2 In the first place, there are a set of procedures
within the Commission's regulatory process that have always been available for
public input, although they were never adequately used until Dr. Everett
Parker, Director of Communications of the United Church of Christ, convinced
the D.C. Circuit Court of Appeals to reverse the Commission's policy of
excluding the public in a case involving a television license renewal in
Jackson, Mississippi. n3 That case --
perhaps the most significant landmark thus far in the area of citizen
involvement in the regulatory process -- eventually resulted in the refusal of
the Commission to renew the license of the Lamar Life Broadcasting Company for WLBT-TV,
Jackson, Mississippi, at least partly on the basis of racial discrimination in
programming and employment. Later, in WHDH, Inc., n4 the television license held by a Boston newspaper,
the Herald Traveler, was awarded to a competing applicant partially composed of
leaders of various community groups, whose proposed programming carefully took
into consideration the needs of the entire Boston viewing community. n5 Current FCC Chairman Dean Burch, in a speech before
the NAB, has called WHDH "a mistake we arent's likely to repeat
soon;" n6 nevertheless, it has established a
precedent for license challenges that will not be taken nearly so lightly by
licensees, whatever the "reassurances" of Chairman Burch.
n2 As we have noted before, that
language was made an irrevocable part of each licensee's obligation by the
Communications Act of 1934, 47 U.S.C. � 309(a).
n3 Office of Communication of the
United Church of Christ v. Federal Communications Commission, 359 F. 2d 994
(D.C. Cir. 1969).
n4 WHDH, Inc., 16 FCC 2d 1 (1969).
n5 The license was, in fact, taken
away from WHDH for reasons that included the licensee's relationship with its
commonly owned newspaper, the Boston Herald Traveler, its de facto transfer of
control, and its essentially absentee ownership. The incumbent's
programming was held not to be a factor unless it has been "either quite
good or very poor, [thus giving] some indication of unusual performance in the
future." Thus, the Commission allowed itself to weigh the "average"
expectations for future WHDH, Inc. programming against the civic-minded
proposals of BBI, Inc., the challenging group. The latter was granted the
license. See 16 FCC 2d, 8-9, 15-17.
n6 Speech delivered Wednesday, March
28, 1973, to the NAB National Convention.
Besides these major successful
efforts at broadcasting reform, involving many years of litigation and
thousands of dollars of expenses, there have, in recent years, been scores of
smaller achievements by citizens and community groups in the constant battle to
upgrade the quality of television broadcasting. Those have included
reforms in programming practices, employment practices, concentration of
control and other areas of local concern, and have often been brought about by
pressures, publicity and negotiations in the community itself, completely
outside the regulatory structure and jurisdiction of the FCC. But there
have been many failures as well, due in part to lack of adequate citizen
preparation for the herculean task of taking on the broadcaster. Many more
intolerable situations remain unremedied because groups that could be exerting
influence simply do not know how to do it effectively.
In this chapter, than, we will try
to tell you how to use the information in this report, how best to use the
additional information and techniques that will be available to you in your own
community, and where to turn for more complete assistance than we can
provide. We can only outline here the approaches we feel are the most
potentially effective. But there are others who stand waiting to aid you
in considerably greater detail if you choose to make a fight of your discontent
with the inadequacy of the licensees in your community.
Although Congress and the FCC has
promulgated a number of specific standards that a broadcaster theoretically is
charged with maintaining, you should not assume that your grievance with your
local station is hopeless merely because it does not fit neatly into one of
those pigeonholes. n7 Explicitly a part of the license of
every broadcaster is his statutory mandate to operate in the "public
interest," and the Supreme Court long ago held, in an opinion by Justice
Frankfurter, that the "public interest standard is a broad one to be
generously interpreted." The Commission, Frankfurter cautioned, was not to
be merely a "traffic policeman" concerned with the technical aspects
of broadcast regulation, but was to have a wide regulatory flexibility in
determining the outer limits of the concept of the public interest. n8
n7 Some of those might include the
fairness doctrine, overcommercialization, racial discrimination, or violation
of rules pertaining to lotteries or personal attacks, and so forth.
n8 National Broadcasting Company v.
United States, 319 U.S. 190, at 215 (1943).
Nevertheless, the current bias of
the FCC is sufficiently pro-industry that your complaint or petition will have
a much greater chance of success if it relates to one of the established
guidelines, which we will develop in greater detail below. For the
moment, you should think of the following requirements: Broadcasters are
required to ascertain the needs of a cross section of their audiences and to
program with respect to these needs. n9
They must be fair in handling controversial issues of public importance. n10 They cannot discriminate in hiring and
employment. n11 They are fully responsible for the
advertising they broadcast. n12
Consolidation of ownership and control of the media (newspapers and
broadcasting stations) is not unlawful, but is disfavored in the belief that it
threatens the range of information available to the public. n13 Finally, there are some specific restrictions on
such practices as broadcasting to defraud or coerce. n14
n9 Primer on the Ascertainment of
Community Problems by Broadcast Applicants, 27 FCC 2d 650 (1971).
n10 Report on Editorializing by
Broadcast Licensees, 13 FCC 1246 (1949). See also Applicability of Fairness
Doctrine in the Handling of Controversial Issues of Public Importance (the
"Fairness Primer"), 40 FCC 598 (1964).
n11 47 C.F.R. � 73.680.
See discussion of employment rules in Chapter 2 of this Report.
n12 The FCC does not directly
regulate the content of commercials, but the Federal Trade Commission will
consider complaints about false and misleading advertising against the
advertiser (rather than the licensee). For a discussion of FCC
"standards" of overcommercialization see the appropriate section of
Chapter 1 of this Report.
n13 See WHDH, Inc., supra note
4. See also the discussion of Commission ownership rules in Chapter 3 of
this Report.
n14 Specific provisions of the Act
or Rules forbid such practices as rigging contests, 47 U.S.C. � 509,
accepting payola, 47 U.S.C. � 508, broadcast of lotteries, 47 C.F.R.
� 73.656, or fraudulent billing, 47 C.F.R. � 73.678.
You, as members of the public, have
a number of different ways in which you can enforce these broadcaster
obligations, as well as the more general requirements of the public
interest. Short of formal legal actions, you can deal with shortcomings
of the television stations in your community by publicizing them via public
relations campaigns, picketing, boycotts, moving a large number of citizens to
complain, or by establishing a sufficient power base in your community to force
a licensee to negotiate an agreement to upgrade his below-standard practices
(if only out of fear of more serious legal challenges).
If these methods fail, there are
more formalized legal procedures you can follow, including general complaints
to the FCC, "fairness doctrine" complaints, petitions to deny the
broadcaster's application for renewal of his license, and (although this
requires the backing of more substantial moneyed interests) the WHDH style of
"competing application" for the broadcaster's facilities. Citizens
may also have significant input into the FCC rulemaking procedure, including
(but not limited to) the filing of requests for Commission changes in its
rules. This was the route chosen by the group called "Action for
Children's Television."
Several overriding general
principles deserve additional emphasis. In any of these actions you must
know your facts thoroughly so that your position appears as well-reasoned and
reasonable as possible, and you won't be shaken by station managers' threats or
public relations rhetoric. Know precisely what it is you are trying to
achieve. Don't muddy the issue with overly broad demands. Try to
involve as many community groups as possible, so that you can move in a unified
front with a maximum power base. Strengthen your "informal"
bargaining position and support your public relations and education initiatives
by showing a willingness and an ability to plot a legal course. Finally,
always be aware of all the options. A complaint can be a very effective
means of enforcing a specific standard, but in some cases a letter writing
campaign will actually accomplish the purpose of your complaint. On the
other hand, a letter writing campaign is often more effective if you can
convincingly threaten a petition to deny. Do you understand all the
alternatives? Remember, a petition to deny by a citizen group with a good
power base potentially sends the broadcaster down an arduous and expensive road
during which he risks some chance of loss of the station. In many cases
this alone will strongly influence the broadcaster to settle your grievance
"out of court." But don't use this procedure frivolously, because it
wastes everyone's time, energy and money, and gives legitimate demands for
reform a bad name. There are enough serious failings in most television
licensees today that the few who are doing well should be allowed a little
breathing space. Remember, we've identified the best stations in the
country in this report as well as the worst.
II. HOW DO YOU PREPARE?
Your first step in attempting to
upgrade the standards of your local broadcaster should be to acquire "A
Guide to Citizen Action in Radio and TV," (Citizen Guide) written by
Marsha Prowitt and available without charge from the Office of Communication of
the United Church of Christ. n15
It describes FCC programming and performance standards, explains the
acknowledged avenues of effective public action, and indicates where to go if
you need assistance. It's the best available manual for citizen
participation in broadcasting. You might also want to take a look at How
to Talk Back to Your Television Set. n16
A third source, which lawyers will find particularly useful, is "The
Primer on Citizen's Access to the Federal Communications Commission,"
published by the Citizen's Communications Center in Washington, D.C. n17 Finally, there are helpful materials available from
the FCC itself. One of the best is the "Procedural Manual"
("The Public and Broadcasting"), a special issue of the Federal
Register of September 29, 1972. n18
n15 For address, see Appendix B.
n16 Nicholas Johnson, How to Talk
Back to Your Television Set, Bantam Books (1970).
n17 For address, see Appendix B.
n18 The Public and Broadcasting: a Procedure
Manual, Federal Register, Vo. 37, No. 190, p. 20510 (September 29, 1972).
See also the Primer on Ascertainment, supra note 9, and the Fairness Primer,
supra note 10.
A. Your Community Organization
If you have not already formed a
citizen's communication group, there are instructions for doing so in the
Citizen Guide. In addition, you should check the Sources Appendix of this
report (Appendix B) for a description of already existing national or regional
groups with which you can affiliate or who can provide a model for your local
operation. If your primary interest is in children's programming, for
example, you should get in touch with ACT (Action for Children's Television);
if it is the treatment of minorities in broadcasting, then BEST (Black Efforts
for Soul in Television) may be able to guide you. n19 In each case, however, there are other groups in the
midst of the fray, and there should be no reason why you or your group should
have to go it alone.
n19 Address for these and all other
groups mentioned may be found in Appendix B.
If you are just one concerned
citizen, or at most a small group, your next step should be to broaden your
base by enlisting the support (and hopefully the resources) of existing groups
right in your own community. It may even surprise you how many of them
there are, not knowing how to effect changes but as concerned as you about the
low quality of broadcast service.
Look, for example, to your local
chapter of the NAACP or ACLU. Most cities in the top 50 markets have
them, and while the organizations may not be capable of formally endorsing your
plans, the individuals involved may well be able to help with the sort of
activity you have in mind. See if the National Organization for Women
(NOW) or a similar women's rights group exists in your community. Try the
membership of the League of Women Voters, or the ever-present variation on the
theme of "Committee for Good Government." Look to the campuses of
local or regional colleges or universities for interested faculty, students or
groups. The journalism classes of the local high school may become
convinced to turn your ideas for improving local television into year-long
class projects. Churches often have civic action groups. Some labor
union locals may be persuaded to take up your banner. Consider Senior
Citizen Clubs, as many of the members have considerable leisure time and are
often therefore both the greatest victims of the shortcoming of television and
the greatest potential source of monitors.
Use your imagination. If
television can stand a heap of improving in your community, an awful lot of
people are going to be dissatisfied with it. It's up to you to find them
and let them know that something can be done. If none of the above groups
is interested enough to be aroused into action, or when you feel it's necessary
to broaden your base, consider the particular shortcomings of your broadcasters
and find organizations that would have a special interest in them: Does a
station's program logs show it runs just sixty public service announcements a
week -- and mostly at 3:00 in the morning to boot? Very well, call on the
local charities, boys clubs and civic organizations and explain to them what
broadcasters in other cities are doing for groups like theirs. The same
could be done with local programming or any other category; the organizational
permutations and combinations are bounded only by your imagination and energy.
Local groups should be convinced
that television service should be better for a number of reasons. First,
you need demonstrable community support when dealing with the broadcasters and
when going before the FCC, if that becomes necessary. Also, broadcasters,
like everyone else, begin to get the message once they hear something enough
times from enough sources. Community support is also necessary to raise
funds for newspaper advertisements, supplies, and other expenses.
Moreover, these groups may provide volunteer help for mailings, observation and
even (in the face of hard line broadcaster intransigence)
"confrontations" via picketing, leafleting, and so forth.
Finally, here are a few public
relations hints on dealing with other people and groups in your community
(common sense for the most part, but worth repeating). Work with, not
against, the leaders of others groups in your community; every group of people
is going to have a different set of priorities, and the beauty of getting
different groups together to improve television service is the broad front on
which your broadcaster's actions can be challenged, and enthusiastically, by a
variety of divergent opinions. In other words, don't try to force your
priorities on others, but allow them to find their natural position in your
concerted attack, to work through the contacts you make, not in spite of
them. If the minister or rabbi in one congregation can be convinced by
his membership to take up the shortcomings of television in a sermon or in his
weekly newsletter it might be more productive than your own direct
intercession; allow people to involve themselves rather than directing them
(except, of course, in the stages of data collection and observation that
requires trained guidance). And remember, it will always inure to your
benefit to rally a wide range of viewpoints and philosophies to your cause; a
broadcaster by definition has a special knowledge of broad support; he knows
when he has it because the rating services tell him so, and he is easily turned
out by small numbers because small numbers have come to mean "no profit."
He will know, therefore, when your support is broadly based. And while
there are effective things you can do in a small group (or even as an
individual), the clout you will have in the early stages of your observation
and negotiation will be considerably greater if broad segments of your entire
community are behind you.
B. Gathering Information
Once you and your group have
determined, either on your own or through the information provided in this
Report, that one or more of the licensees in your community could stand some
improvement, your next step is to accumulate information about the broadcaster
and his practices from as wide a range of sources as possible. In this
section we will briefly discuss each of those sources and suggest ways they can
be put to good use.
Basically, there are three major
types of research to be done, and each will be covered in turn. They
utilize: 1) independently published material, such as the TV Factbook, TV Guide
and the program logs in your local newspaper; 2) the various types of
information on file at the FCC, most of which is also available in the local
community in the public file each licensee in required to maintain; and 3) the
actual programming practices of the station, as observed and recorded by the
members of your group. These three major sources of information may also
be augmented by such additional methods as interviewing members of the
community (as a check, perhaps, on a station's ascertainment of community
problems) or interviewing the broadcasters themselves. You may well
discover other methods in your community that are related (or can be adapted)
to your specific needs and requirements.
1. The most elementary tools
of the citizen's group are the daily or weekly program logs found in TV Guide
or your local newspaper; they are an important source of information and as
good a place as any to begin your analysis of the stations in your
community. You will find you can use these logs as a rough check against
the information found in the more complete logs filed by the licensee with his
renewal application, and a close look at the entire programming week in such a
log should reveal some important facts about the station immediately to which
you can begin to apply the criteria and standards discussed in the course of this
report. It should not be difficult to estimate, from program logs, such
factors as the total hours a station broadcasts per week; the extent of a
licensee's news programming, including total hours of news per week, news as a
per cent of all programming, local/regional news, total local/regional hours of
news, local/regional news as a per cent of all news; similarly with public
affairs, live programming, local programming, other non-entertainment
programming, and the type and amount of different types of programming during
prime time.
You can also use TV Guide, or some
other program log, to begin to analyze types of information that cannot be
adduced from a glance at a renewal application. When, for example, is the
local news usually run? If it is a network affiliate, does the station
normally substitute old movies for the network's public affairs programs?
What programs are normally broadcast to children? This procedure should,
in fact, become an important step in preparing a list of items with which you
eventually hope to confront the broadcaster, and you may even be constrained to
analyze such things as the diversity or sameness of programming offered by all
the stations at one given hour or the practice of a network affiliate in
filling his prime time "access" period (does he use tired game shows
or innovative local programs)? A word of caution, however: many stations
have developed techniques for giving the false impression to viewers (and even
to networks) that they are carrying shows (other network public affairs
programs) when in fact they intend at the last minute to switch on an old
movie. Thus, the TV Guide or local newspaper may not give an accurate
record of a station's program week, and must be checked against your own
observation. There is no legal penalty for such last-minute switching --
unless, of course, the licensee represents in program logs filed with the FCC
(or to the network in question) that he has carried a show he has in fact
pre-empted. But a pattern of such behavior can clearly be used to fuel
the claim that the licensee is operating on principles of self, not public,
interest.
Additional information about a
licensee can be obtained from the tools of his own trade, including sources like
TV Factbook, by which advertisers inform themselves of a licensee's audience
size, advertising rates and so forth, and Broadcast Yearbook, which contains
comparable and additional miscellaneous information. Even the reports of
the various rating services would be helpful (if you can get them).
2. Your second major source of
information will be the files of the FCC in Washington or the "public
files" maintained by the local stations in your town. n20 Much of this data will consist of filings of various
FCC-required forms, a brief survey of which is given below. For a more
complete description of the forms as well as the rules regarding their public
inspection, see another publication available from the United Church of Christ,
A Guide to Understanding Broadcast License Applications, by Ralph M.
Jennings.
n20 As required by Commission Rules,
47 C.F.R. � 1.526.
The following material is available
for public inspection at the Federal Communications Commission, primarily in
files in the Public Reference Room, located on the second floor at 1919 M
Street, N.W., Washington, D.C.: 1) the license renewal applications and related
filings for the previous two renewal periods; 2) "history cards"
briefly noting the major events, including renewals, assignments and
violations, in a station's history; 3) docket files, for those licensees
engaged in a hearing on some issue, such as one whose renewal is being
challenged or one which is applying for some new or improved facility; 4)
employment information; 5) fairness doctrine complaints against a station; 6)
ownership information; and 7) files containing petitions for rulemakings
affecting the licensees in your community (or television broadcasting in
general). This information is available for public inspection between the
hours of 8:00 AM and 4:30 PM on working days.
The same application forms,
ownership and employment reports, and many types of viewer complaints must, by
Commission rules, be made available for public inspection at the station or at
some other readily accessible place. In addition, every station must also
keep detailed logs of its programming (and every other aspect of its operation
as well), with notations made, on a minute by minute basis, for every program,
commercial, and psa that has aired. (Logs do not, however, contain
transcripts of the contents of the programs.) The station files a set of these
logs for its "composite week" (see definitions at the end of Chapter
1) with its renewal application, and while these logs are destroyed by the FCC
after a station's license has been renewed, n21
composite week duplicates must be kept in the station's public file at all
times. These logs are of considerable value, since they reveal many
facets of a licensee's operation not apparent from the brief summaries and
percentages spelled out in the renewal application, or in newspaper TV program
guides. An FCC rulemaking may soon make them available to the public for
the entire three-year period of the broadcaster's license. n22
n21 This is done because the FCC
claims it lacks storage space for the unwieldy logs, even though the logs would
be far more helpful to public interest researchers than the
"summaries" of that information that go into the renewal application.
n22 Notice of Proposed Rulemaking in
the Matter of Petition for Rulemaking to require broadcast licensees to retain
certain program records. Docket No. 19667, FCC 73-23, 38 F.R. 1511, 3 P
& F R.R. Current Service 53:353 (January 8, 1973).
For a number of reasons it is always
advisable to expend a considerable effort studying the files available at the
local station. First, you will thereby let the broadcaster know that you
are concerned with his performance -- and that you mean to do a thorough job of
studying it. In addition, the information kept at the station is
sometimes both more accessible and more complete than that found at the FCC.
Finally, in all likelihood you will here encounter your first expression
of broadcaster hostility or the evasive tactics with which he will attempt to
avoid showing you his file, or to withhold some of it from you as
"misplaced" or "not available this week," or generally to
intimidate you while you are examining it. This is a useful lesson for
you to learn early. Just remember, the law is crystal clear -- the files
must be conveniently available to you, n23
and if you find they are incomplete or if you are not well received or
otherwise denied access by the station, you should immediately bring it to the
attention of the Complaints and Compliance Division of the FCC, by telephone if
necessary, and demand an immediate investigation into the broadcaster's
intransigence. n24
n23 47 C.F.R. � 1.526.
Stations often will attempt to withhold part of their files, and especially
their composite week program logs. Since these logs enable you to
determine how many commercials (for example) are being run during children's
programs, or how many of a station's psas are run at 2:00 AM, they are
important and must be shown to you; if the licensee does otherwise he risks
possible fine for violation of Commission rules.
n24 Local FCC offices will not be of
much assistance in matters like this, since they are generally equipped only to
handle technical complaints or problems. Inquiries should be addressed
directly to Washington.
The FCC forms themselves should be
relatively easy to understand, with the aid of the United Church of Christ
manual described above. The license renewal application, Form 303, is the
most important application in the file (and the source of most of the
quantitative conclusions reached in this Report). For most large
television stations, the exhibits attached to it make the 303 a major document
indeed, often measured in pounds rather than pages. But while it will be
useful and informative to read the numerous exhibits submitted by a broadcaster
with his application for renewal (if only because this is the same type of
document you might well be challenging the next time his license expires), the
critical programming information will be contained in just a few short
sections.
Section IV-B of form 303 contains
the basic information on television program service, and the most important
parts of Section IV-B are: Part I, on ascertainment of community needs, Part
II, concerning past programming (news, public affairs and other programming are
stressed), Part III describing proposed programming, Part IV setting out past
commercial practices, and Part V indicating proposed commercial practices.
Each television licensee must also file
a form 395 employment report with the FCC every year. These reports focus
on the employment of minorities and women and are the source of Chapter 2 of
this study. The general policy of equal employment as expressed in the
Commission's own rules and policy statements n25 is that no person shall be discriminated against in employment because
of race, color, religion, national origin or sex. Form 395 is set up to
provide information as to the number of minority (and female) employees
relative to the total number of employees in categories such as officials and
managers, professionals, laborers and service workers.
n25 See general discussion of these
rules and policies in Chapter 2.
Each broadcaster must also file
ownership reports on form 323. Ownership reports provide detailed
information about the licensee's business affairs, his interests outside
broadcasting, and various contracts and agreements involving the licensee and
his principal employees. New forms are filed whenever there is a change
in the required information.
3. The final area of major
citizens group research should be the careful observation, monitoring, of the
licensee's programming, the one major type of research truly beyond the scope
of our particular study. There is a difference, of course, between merely
observing a station's programming and actually monitoring it for specific
information. How much you do will depend in large measure on how many
people you have and how dedicated they are. But you must remember that
the more ambitious your goals the greater the attention that will be paid to
your final product -- and the more difficult it will be to complete with a
staff consisting of unpaid volunteers.
The United Church of Christ Office
of Communication has made an art of the process of monitoring television
stations, even to the point of achieving official FCC recognition in a radio
license companion case to WLBT, of the equality of a "monitored" week
(properly executed) with the Commission's own composite week for the purpose of
program analysis. n26 But Dr. Everett Parker's monitors
are all carefully trained, and they work in teams that include (for each
station) two monitors, two "back up" observers (or supervisors) and
one aural tape engineer, all of whom are on duty and recording at all times
during the broadcast week under consideration. If you feel the resources
of your group are sufficient for such an undertaking, contact Ralph Jennings
(in New York) or Jane Goodman (in Washington) for further information about the
Church's training techniques. n27
n26 Lamar Life Insurance Co., 38 FCC
1143 (1965).
n27 For addresses see Appendix B.
Many of the same facts can also be
gathered with fewer people, with more simple recording forms, and a couple of
stopwatches to time commercials, interruptions, program segments, and so
forth. Even this process, if you are careful to limit the information you
seek, will produce valuable data about the service a licensee is giving, which
can always be used to augment data available from other sources as well to
adduces significant conclusions that could not otherwise be made.
It is crucial, whether you are
monitoring or observing, to know precisely what it is you are looking for, and
to have simple forms that can be filled in while the programming is being
observed. Again, the United Church of Christ experience should be
invaluable in this regard, since it has developed specific forms to satisfy the
needs of various types of monitors or observers. A selection of those are
attached at the end of this section.
The list of things one might look
for in this process is almost end-less. Your particular interests will no
doubt give you some direction. You or your group might well begin by
holding one or more sessions in which you all merely observe the programming of
the station or stations of interest to you, discuss what you see amount
yourselves, and don't bother to record any information. It might be
useful to include child psychologists, social workers, psychiatrists, and so
forth, in these early sessions if they are available to you. Once you
break down into smaller units for actual monitoring, the experiences and
observations of other in your group will prove invaluable.
Even if you are acutely aware of the
needs and predilections of your organization, however, you cannot hope to
insure accuracy and corroboration of your findings if you attempt to monitor
alone. A minimum of two people are required, and they must be spelled
every few hours by fresh workers. Many believe a supervisor is necessary
to monitor the monitors, and later be available to corroborate the testimony of
the monitors as to the procedures used. For even two people working
without supervision will have a difficult time of it unless their data
recording forms are as simple to use as possible.
You should start the actual process
of monitoring with a form that has columns for time of day, name of
"program," category of the program (entertainment, news, education,
commercial, or psa). What you will be doing is writing down the entire
broadcast day from sign-on to sign-off. Or perhaps you will want to start
by emphasizing "prime time" (6:00 to 11:00 PM on TV or 5:00 PM to
10:00 PM in some areas). It is important to list name of show, nature of
show (is programming category) and duration. You should also include a
column in which you indicate whether the show was produced nationally or
locally -- this is usually done from general knowledge, and by noting the
opening and closing credits.
You should plan to monitor for at
least an entire week -- and preferably one in which a degree of programming
normalcy can be assumed. You would not, for example, monitor during
Christmas week or election week -- or the first week of the new fall
schedule. In the end you will have amassed a list of all programming
offered to the audience by all the stations in your community (or the network
affiliates, or others which you have selected for emphasis). If you are
comparing all the stations in your community, it is important that you monitor
them during the same week so more accurate comparisons can be made.
An important ingredient in your data
collection process is the attention paid to time. Use several clocks in
your monitoring exercise. If several television sets are to be monitored
in one room simultaneously one master clock can serve all monitors, but each
individual group should have one or two cumulative stop watches in order to
time the separate segments in the broadcast day (this is especially true for
shorter segments like commercials and psa's).
In evaluating the performance you
will want to compare your findings to what the broadcasters proposed to do in
their last license renewal applications. This should be done regardless
of the more specific (i.e., black-oriented or children-oriented) programming
you are seeking to evaluate, since it will give your effort a wider scope and
the broadcasters proposals (from his form 303) are readily available for your
inspection. If on the 303 a licensee proposed that 5% of its broadcast week
would be devoted to news and public affairs programming, for example, you can
easily acquire monitoring data that tells you whether or not the licensee is
doing that. If the broadcast day is 10 hours long that means that 30
minutes should have been devoted to that category of programming.
By the same taken, you will probably
want to add up the amount of programming in each category. If the station
was on the air for a total of 130 hours during the week you will want to know
the percentage of time devoted to news broadcasts, entertainment shows
(variety, "soap operas," game shows, religious programming,
commercial messages, public service announcements, or old movies. You
will also most likely want to note the percentage of programs locally produced
as opposed to those fed directly from the network, those syndicated, or those
produced by any source independent of the local station.
In addition to corroborating (or
challenging) the proposals and reported categories of the broadcaster's renewal
application, you will quickly find that monitoring can also add dimensions to
those same categories that would not otherwise be available through inspection
of a station file or TV Guide-type program log. Form 303 will tell you
how many 60-minute segments of the broadcast week include more than 12 minutes
of commercials, but it will not tell you whether those segments occur in the
early evening hours, when the majority of people are watching, or during
children's programs. Form 303 will tell you how many public service
announcements the licensee runs in the course of a week, but it will not tell
you when they are run (are they bunched together between old movies at 2:30 in
the morning?), or how long they are (some psa's are just 10 seconds long -- or
less), or how responsive they are to local needs (as distinguished from Army
recruiting spots, or Red Cross appeals). As you can see, the dimensions
for analysis are virtually endless, if the monitoring is done in sufficient
detail. By putting it all together you will be able to obtain a far more
precise view of your broadcasters' performance than is available even in a
report of this magnitude, which surveys all the material available at the FCC.
What else should you specifically
look for in monitoring a station's performance? The Citizen Guide asks several
questions which monitoring and other information gathering will help answer:
Has each station lived up to the promises made in its license
application? Has each station properly ascertained the needs and interests
of the entire community? Do the programs offered truly respond to the
needs of the community as identified on the license renewal application?
Is fair employment opportunity reflected in the station's employment figures or
only in policy statements?
In the few paragraphs that follow,
we will attempt to set out a few of the many specific things you can look for
-- in doing so, we hope to spur you on to develop a more precise list well
attuned to the needs and shortcomings in your own community.
You might start, for example, with
commercialization. Although the license renewal application tells you
little that is specific, it is important to know how many commercial minutes
per hour are being shown during prime time, or during children's time on Saturday
and Sunday morning. In addition, you might look for the Frequency of
commercials and of program interruptions. (It's not just the minutes of
commercials that is annoying, it's the number of non-program announcements, and
the number of program interruptions.) How many commercials are for local
businesses (thereby providing at least something remotely in the nature of a
local service) and how many simply for national products? How deceptive
are the broadcaster's "station break" policies? (Does the station
announce "Beat Your Wife will be right back after station
identification" -- and then break for six commercials?) What products are
being advertised to children? To adults?
You can perform a similar analysis
with public service announcements. When are they shown? What is their
subject matter (are they of local interest)? Are they stale (from the station's
ever-handy library) or topical? Do most of a station's psa's come from
the same source -- i.e., the Advertising Council (which is a rather conservative
group of advertisers with a virtual monopoly on the psa "business"),
or the U.S. Government?
Analyze the news in equal
depth. Instead of just the number of minutes of news listed in the program
guides per day (or week), clock the precise number of minutes actually devoted
to news. Break that down into weather (some stations spend more than 20%
of a 30 minute "news" show on the charming personality of their
weather person), sports, "entertainment" and heard news. Check
the content of your television news show against the content of your local
paper -- do the stations just cover three of the biggest headline stories and
forget the rest? Are there some controversial subject that never seem to
make the news? Some segments of your community that are
over-looked? Are most of the events press conferences, most of the
persons interviewed politicians or other "establishment" figures
rather than ordinary citizens? How much of the "local" news show
is actually local news and how much is some announcer reading wire service
clips of national or regional stories? How much effort does the station
expend covering the news? Is it strictly limited to the
"rip-and-read" style of reportage, with an occasional still photo
flashed on the screen, or does it actually employ camera crews and in-field
announcers to cover personally those items of greatest local interest? If
your city has a population that is, say, 20% black, what percentage of the news
is devoted to covering the activities of the black community? How much
time is wasted on news shows by jokes and entertainment from the
"gang" (as on many segments of ABC's "Eyewitness News"
format) -- remember, in your average 30 minute news show you may only be
getting 15 minutes or less of actual reporting to begin with.
Examine children's programming for a
wide variety of factors, including commercialization, amount of cheap animation
versus role-stimulating live entertainment, amount of "children's"
programming that consists of little more than ancient series reruns or movies,
or racial or sexual stereotypes on children's television. What is
presented for children between 3:00 PM and 6:00 PM each day? Is age
differentiated programming available for those under 6, 6 to 12, teenagers, and
so forth, or is it just all "children's" programming?
Violence scales similar to the one
recommended recently by the National Institute of Mental Health n28 might be employed to measure the amount of violence
in television programming for a particular station. Is there more
violence in television programming for a particular station? Is there
more violence in children's programming? Is it commonly presented as an
effective means of achieving desirable ends? Are the goals and values
reflected in television programming really acceptable at all? n29
n28 See Comstock and Rubinstein,
ed., Television and Social Behavior: Media Content and Control, 29-34, National
Institute of Mental Health (1971).
n29 See, e.g., the Staff Reports of
the Surgeon General's Scientific Advisory Committee on Television and Social
Behavior, published by the National Institute of Mental Health.
Department of Health, Education and Welfare (1971). See especially the
volume entitled Television and Growing Up: The Impact of Televised Violence.
Monitor for violations of the
Fairness Doctrine. n30 To meet his obligations, the
broadcaster has to fulfill two basic requirements. First, controversial
issues, or issues of public importance, must be discussed. Second,
balanced coverage of different viewpoints on these issues must be
presented. The broadcaster has to bear the expense of meeting the
fairness obligation if no paid advertising or programming is available, and he
also must seek out spokesmen representing the other side of an issue. You
may want to determine whether or not, and in what manner, broadcasters are
meeting these requirements. A third aspect of Fairness Doctrine
monitoring would be determining the percentage of controversial issues presented
that are locally relevant. For example, inflation and the war in
Southeast Asia may well have local angles and impact, but they are not,
strictly speaking, "local" issues. The arguments on either side
of whether to build a new freeway through the heart of town might be.
n30 See Fairness Primer, supra note
10. See also Prowitt, Guide to Citizen's Action, at 10.
The wealth of information available
from careful monitoring is, as you can see from this partial listing,
enormous. If you can possibly muster the resources from within your
organization, it is an option well worth the time and effort.
Examples of the United Church of
Christ "Observer's Report Form" are given in the next four pages.
III. WHAT ACTION CAN YOU TAKE?
Once you have gathered your relevant
information about a broadcaster's practices, what are your available lines of
attack -- and which will be best suited to changing those practices to make
them more responsive to the needs of the local community? In this report
we will merely outline the various avenues for reform, since there is no need
for us to go into the detail you can find in other sources. Specifically,
the Prowitt Guide to Citizen Action discussed earlier in the chapter n31 provides detailed guidance in each of the areas
outlined below, and additional sources will be suggested in Appendix B. n32
n31 Hereinafter cited as Citizen's
Guide.
n32 Lawyers should see especially
two Office of Communications. United Church of Christ Publications:
Jennings, Guide to Understanding Broadcast Licensee Applications and Other FCC
Forms, and the forthcoming Bennett, Representing the Audience in Broadcasting
Proceedings.
One category of potential community
action involves the use of legal machinery: the filing of petitions to deny the
renewal of a broadcaster's license (or the grant of transfer of control or any
other application he might make), informal objections to such applications,
formal complaints regarding the alleged violation of an FCC rule or policy, or
competing applications designed to acquire the right to broadcast over the
licensee's frequency for yourself or your group.
Other action might include
educational or public relations campaigns designed to bring the station's
shortcomings to the attention of the community as a whole, complaints made to
the licensee himself regarding specific aspects of his operation, or direct
negotiation with the licensee regarding specific suggestions for improvement or
reform in his service to the public.
A. Public education and public
relations
Once you have familiarized yourself
with the performance of the stations in your market area and zeroed in on the
specific problems or shortcomings, you will almost certainly want to bring your
findings to the attention of the community. This should be done in order
to draw additional support from that community, as well as to bring some
initial pressure on the licensee to correct the shortcomings himself. The
methods of publicizing your findings can be as varied as your imagination
allows, and could include issuing press releases for use by non-broadcast
media, n33 including such disparate sources of
potential publicity as student newspapers or shopping ad weeklies (or even
other broadcast media that may be willing to cooperate with your effort); organizing
letter-writing campaigns or radio talk show call-ins; arranging to discuss or
lecture at meetings of church, social or community groups or at high schools or
colleges; enlisting the support of local politicians (or political candidates);
and so forth.
n33 You will run into problems, of
course, in communities where the broadcast and non-broadcast media are wholly
or partially controlled by the same entities. That is the situation,
unfortunately, in far too many of the cities in our study. See the
discussion of this problem in Chapter 2 of this Report.
B. Informal complaints
Complaints can sometimes achieve
results if made in sufficient quantity (or with sufficient legal
specificity). Their major drawback, of course, is that they depend on the
goodwill of the broadcaster for their success. You will therefore achieve
the best results if you are careful to avoid overly-general complaints and
limit yourself to alleging the violation of specific Commission rules or
policies, such as the fairness doctrine, equal employment rules, equal time
provisions, and so forth. Such informal complaints should, as suggested
by Ms. Prowitt in the Citizen Guide, 1) state the facts clearly as you see
them, including your name, the station's call letters, and the specific actions
complained of; 2) cite a standard to which you can relate your grievance or
proposal; and 3) request a specific remedy, such as a new kind of program, an
increase in minority employment or the opportunity to present the other side of
a controversial issue or respond to a personal attack. n34
n34 Citizen's Guide, at 19.
In addition to complaining directly
to the station you may want to broaden the scope of your action by complaining
at the same time to its biggest local or national advertisers, the network with
which the station is affiliated (if any), the local chamber of commerce -- in
short, anyone you feel might be in a position to care about or perhaps attempt
to influence the licensee's activities. In some cases, the subject matter
of the complaint may dictate additional parties who should receive it: if the
complaint concerns the absence of local public service announcements, for
example, complaints might be delivered to local hospitals or boys clubs or
service organizations which would benefit from improved performance as well as
to the station. As a final step, of course, you should bear in mind that
complaints can also be made to the FCC -- or, indeed, to other government
agencies such as the FTC or the EEOC, at state and city levels as well as
federal. These will be mentioned again under "legal action"
below.
C. Negotiation
Direct negotiation between your
group and the broadcaster can conceivably bring about the greatest degree of
change possible with limited organizational resources. Once you have set
specific goals for improvement of the service of broadcasters in your
community, and have acquired relatively wide support for those goals, much may
be accomplished in face-to-face negotiation with the broadcaster provided: 1)
your goals have as their basis one or more of the specific obligations
implicitly or explicitly required of the broadcaster by statute or Commission
rules or policies, and 2) you can demonstrate to the broadcaster your
determination to pursue your goals through more formal legal remedies if
negotiations are not successful. For further information regarding this
tactic, we would refer you once again to the Citizen Guide, which includes as
an appendix a copy of just such an agreement negotiated between community
groups and broadcasters in Texarkana, Texas. n35
n35 Id., Appendix D, at 39.
D. Formal legal complaints
If informal actions fail to induce
the necessary changes in broadcast service to your community, you will probably
want to pursue the various legal remedies available to you. We can do
little more than enumerate these remedies within the scope of this report; but
again, there are a number of sources for lawyers and laymen that set out pretty
clearly the procedures you can pursue. n36 You have four basic avenues of FCC legal attack available to you.
In order of increasing difficulty, they are: complaints to the Commission;
informal objections to a licensee application; formal petitions to deny an
applications, either for renewal of a license or some other operating
modification; or a competing application for the frequency on which the current
licensee is operating.
n36 See sources cited in notes 18
and 32 supra and Appendix B of this Report.
Complaints to the Commission are
perhaps the least effective form of legal action, but they have the virtue of
being simple to generate. Moreover, if a complaint is carefully drawn, so
that it raises a significant legal issue concerning the licensee's violation of
some Commission statute, rule or policy, it can require at the very least that
the Broadcast Bureau act to determine whether or not it has merit, thereby
creating a ruling capable of being appealed to the full Commission and,
ultimately, to the United States Court of Appeals. n37 Don't allege generalizations in complaints to the
Commission, such as "this station discriminates against blacks and
Spanish-surnamed citizens." Go into sufficient detail, based on your
observations or research, to allege specific instances of violation and to
request specific remedies. Force the Commission to accept or deny the
premise of your complaint -- not merely dismiss it as "overly vague,"
or thank you for providing information which merely will be "associated"
with a station file -- because by doing so you will almost certainly be forcing
the station to defend its policies. The more specific your complaint and
your request for a remedy, in other words, the more likely is the station to
feel the pressure of your desire for change.
n37 Appeal to the courts need not be
prosecuted in the D.C. Circuit Court alone, although most end up in that
circuit. You should bear in mind that the Circuit Court of Appeals sitting
in your part of the country, although it might not necessarily possess the
communications or regulatory "expertise" of the D.C. Circuit, could
conceivably bring a fresher outlook on local problems to their decision.
E. Informal objections
Informal objections are generally
associated with the application of a licensee for renewal of its license.
n38 Unlike a petition to deny, however,
this type of legal action may be taken at any time up to the actual grant of a
licensee's application, and must be considered by the Commission in its process
of weighing the evidence for against the licensee. The element of time is
therefore not so important with an informal objections as with a petition to
deny, and that is perhaps its chief virtue; however, it stands to reason that
an informal objection, in order to be taken seriously, must involve allegations
of considerably greater importance than those which are acceptable in a normal
petition to deny. It is well to reserve this legal tool for serious allegations,
such as fraud or some other such gross malfeasance, discovered when it is too
late to file an actual petition to deny. And while the procedural rules
regarding the content of an informal objection are less stringent than those
concerned with more formal petitions, you would do well to treat this type of
application every bit as seriously as you would any other (particularly if it
is the only option open to you because you have not been able to complete your
research before the cut-off date for petitions to deny has been passed).
n38 47 C.F.R. � 1.587.
F. Petitions to deny
Petitions to deny must be filed by a
"party of interest" in the licensee's application proceeding,
pursuant to rather stringent rules of procedure set out by the Commission in a
number of sources to which we've alluded above.n39 As members of the community the broadcaster is supposed to serve, you
should have no difficulty establishing yourself as a "party of
interest," n40 and you should be prepared at each
stage of your research and negotiation process to put together a
well-documented petition setting out carefully all the reasons you feel the
licensee has failed to serve the public. The Citizen Guide spells out
this requirement in greater detail:
n39 47 F.C.R. � 1.580.
See also the Procedure Manual, supra note 18.
n40 See, e.g., Office of
Communication of the United Church of Christ v. FCC, 359 F2d 994 (1966), in
which the Court of Appeals held that the Commission's "traditional
position that members of the listening public do not suffer any injury peculiar
to them and that allowing them standing would pose great administrative
burdens" was erroneous and not in with the Commission's own pronouncement
that "individual citizens and the communities they compose owe a duty to
themselves and their peers to take an active interest in the scope and quality
of the television service which... has a vast impact on their lives and the
lives of their children..." [Emphasis in the opinion], 359 F2d 994,
1000-1006.
If, for
example, one of your charges is that the station discriminates against minority
people in its employment, you should support this allegation with specific
information which might include statistics on the low employment of minority
people in each category of station responsibility as compared with population
of minority groups in city or of minority people who have applied for
employment; signed statements (affidavits) of minority persons who have been
denied employment, citing specific violations of the equal employment rules and
other relevant material. n41
n41 Citizen's Guide, at 27.
In other words, the more carefully
organized you make your allegations, the greater the likelihood of a positive FCC
response -- and the greater the pressure on the licensee to compromise with
your group on reform of his programming or other practices. Since, as the
Citizen Guide points out, the petition to deny is a "severe action...
costly and time consuming [to both parties]," you should only consider it
as "the last resort when other means of achieving necessary change... have
failed." n42 Nevertheless, you should from the
beginning be prepared to demonstrate to the broadcaster that you have the
patience, the resources and the legal capacity to carry through with a
challenge to the renewal of his license. n43
n42 Id., at 26.
n43 You should always attempt to
include one or more lawyers in your group, and your legal counsel should always
be prepared on the various filings that could be made against a station
relatively quickly. His or her preparation should therefore begin as
early as possible, and preferably before any contact with the station has been
made. Many of the people cited in this chapter or listed in Appendix B
stand ready to help you understand the legal vagaries of the potential
challenges and complaints outlined here, in the Citizen's Guide and in the
sources cited.
A petition to deny a licensee's
application for renewal has one major temporal drawback: such an application
need only be filed once every three years, and once a station's license has
been renewed a community group may find itself with considerably less influence
for the next two years or so. There are, however, other types of proceedings
in which you may be able to participate, and you will do well to determine
whether any of the licensees in your community are or will be involved in any
of them. Any time a licensee makes a major alteration in his facilities,
for example, he is required to file an application for such an alteration which
may be challenged by a community group. If he seeks to move his principal
studio, for example, or shift his antenna to a new location or increase his
power he is required to apply just as if he were seeking a new facility.
Note carefully the business plans of
the licensees in your community; are any intending to sell their stations in
the near future, assigning or transferring their license to a new
licensee? You will want to insist on becoming a party to that sort of
transaction, especially if it involves a television station, so as to ensure a
higher level of service by the new licensee. Examine his proposals, and
bring to his attention the shortcomings of the previous licensee.
Finally, you will want to apprise
yourself of the nature and extent of a licensee's holdings other than the
station in your community. An overwhelming majority of the licensees in
this study, for example, own two or more broadcast facilities, n44 and it will be the rare licensee whose licenses all
expire in the same renewal period. You may well be able successfully to
apply pressure on the substandard licensee in your community by working with
groups in other cities in which it holds licenses. This type of activity
requires little but increased coordination, and this as well as each of the
other activities mentioned above are simply illustrative of the axiom that the
more you know about every aspect of your licensees the more effective you can
be in dealing with their shortcomings in your community.
n44 See the extensive
cross-ownership tables in Chapter 3 of this Report, but bear in mind even they
are far from complete in terms of various individuals' or corporations'
non-broadcast interests.
G. Competing applications
One last, drastic measure you may be
inclined to pursue, particularly if you are saddled with a licensee who
blatantly refuses to serve the public interest, is a competing application for
use of the frequency itself. Such an application can be made, pursuant to
Commission rules, whenever a broadcaster's license comes up for renewal.
It should not be made frivolously, but only after careful deliberation and
accumulation of sufficient operating capital and programming and technical
expertise; if each of the latter is available, however, and your allegations of
misfeasance are sufficiently serious, you may wish to compete for the
frequency, which does, after all, belong to the public and not the existing
licensee. Note carefully the rules and policies that must be followed by
a competing applicant, however, and make certain you are both willing and able
to meet the requirements of each step in the procedure. n45
n45 See, e.g., the FCC Policy
Statement on Comparative Hearings, 1 FCC 2d 393 (1965).